Sentences with phrase «arte carrillo»

From 2007 to 2011, Estévez served as chief curator at the Museo de Arte Carrillo Gil, Mexico City.

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.

Selected solo exhibitions include Serpentine Gallery, London; Tate Liverpool, Liverpool; Secession Building, Vienna; Museum for Gegenwartskunst, Basel; Palais Des Beaux Arts, Brussels; De Pont Museum of Contemporary Art, Tilburg; Museo de Arte Carrillo Gil, Mexico City; and BALTIC Centre for Contemporary Art, Gateshead.

Revolución 1608 bis, Museo de Arte Carrillo Gil, Mexico City, Mexico.

Taiyana Pimentel, ed., Investiduras institucionales (Mexico City: Museo de Arte Carrillo Gil, 2008).

-- Revealing Sources in Contemporary Art,» Delaware Art Museum, Wilmington, DE, August 15 — October 4, 2009 «Beg, Borrow and Steal,» Rubell Family Collection, Miami, FL, December 2, 2009 — May 29, 2010; catalogue «30 Seconds off an Inch,» The Studio Museum in Harlem, NY, November 11, 2009 — March 14, 2010 «Reflection: A Video Program,» Art Institute of Chicago, Chicago, IL, August 25 — November 21, 2009 «Infinitesimal Eternity,» 32 Edgewood Avenue Gallery, Yale School of Art, New Haven, CT, September 9 — October 24, 2009 «Exposed: Revealing Sources in Contemporary Art,» Delaware Art Museum, Wilmington, DE, August 15 — October 4, 2009 «Post-American LA,» 18th Street Arts Organization, Santa Monica, CA, August 1 — September 30, 2009 «The Matrix Effect,» The Wadsworth Atheneum Museum of Art, Hartford, CT, July 25, 2009 — January 3, 2010 «FAX,» The Drawing Center, New York, April 17 — July 23, 2009; traveled to the Contemporary Museum, Baltimore, MD, September 12 — December 20, 2009; Torrance Art Museum, Torrance, CA, January 14 — February 20, 2010; Burnaby Art Gallery, Burnaby, Canada, March 16 — May 23, 2010; Dowd Gallery, Cortland, NY, September 2 — October 28, 2010; Museo de Arte Carrillo Gil, Mexico City, Mexico; Para / Site Art Space, Hong Kong «Collected Propositions on the Permanent Collection,» The Studio Museum in Harlem, New York, NY, April 2 — June 28, 2009 «Modern and Contemporary Works on Paper,» The Art Institute of Chicago, Chicago, IL, March 24 — September, 2009

He has participated in group exhibitions at the following institutions: The Barbican, London, United Kingdom (2015); The Brandts - Museum of Art and Visual Culture, Odense, Denmark (2014); Quai Branly Museum, Paris, France (2014); Museo Nacional de Arte, Guadalajara, Mexico (2014); Museo de Arte Carrillo Gil, Mexico City, Mexico (2013); Nordiska Akvarellmuseet, Skärhamn, Sweden (2012); Centro de las Artes San Agustín Etla, Oaxaca, Mexico (2011); Manila Contemporary, Makati, Phillippines (2010); Museum of Contemporary Art San Diego, San Diego, United States (2010); Museo Universitario del Chopo, Mexico City, Mexico (2010); FLAG Art Foundation, New York, United States (2010); Museau da Cidade, Lisbon, Portugal (2009); The Alameda National Center, San Antonio, United States (2008); Yokahama Museum of Art, Yokahama, Japan (2007); Museum of Modern Art MoMA, New York, United States (2007); Museum of Contemporary Art, Chicago, United States (2007); Museum of Modern Art, Copenhagen, Denmark (2007), among others.

Between 2007 and 2011, Estévez served as the chief curator at the Museo de Arte Carrillo Gil, Mexico City, where she organized exhibitions of Mark Manders, Fernando Ortega, Guy Ben - Ner, among others.

Group Exhibitions 2017 Kitchen Debate, curated by Paulina Ascencio, organized by Site95, Rawson Projects, and Regina Rex Rawson Projects, New York 15th Istanbul Biennial, Curated by Elmgreen & Dragset, Istanbul Pool, TROPEZ, Berlin 2016 Group presentation at Artissima, Turin +52 Paisajes recientes, Fundación Calosa, Irapuato, Mexico Umwelt Inversion, Proposed by Thomas Jeppe, Galerie Conradi, Hamburg Leaping over a bush to surprise a quail, Chert, Berlin 2015 Club of Matinée Idolz, CO2, Turin Sexxxitecture, CULT, San Francisco, USA Bienal Nacional De Paisaje, Museo De Arte Carrillo Gil, Mexico City Dialogo entre Patrick Hamilton y Alejandro Almanza Pereda, The 9.99, Guatemala City 2014 XVI Bienal de Fotografía, Centro de las Artes, Monterrey Nuevo León Foreshock, La Fabrica, Brooklyn, NY Delirios de declive, Curro y Poncho, Guadalajara, Mexico Largo x Ancho x Alto / Height x Width x Depth, The 9.99, Guatemala Game changer, Boulder Museum of Contemporary Art, Colorado About a Mountain, Aysa Geisberg, New York What goes there?

Previously, she was Chief Curator at the Museo Tamayo (2009 11) and Museo de Arte Carrillo Gil (1997 - 2000).

His work has participated in various group exhibitions including at Museo de Arte Carrillo Gil (2017); the Jewish Museum (2015); the Kadist Art Foundation (2013); the Musée d'Art Moderne de la Ville de Paris (2012); Laboral Centro de Arte, Gijón, Spain (2011); the San Francisco Art Institute, San Francisco, USA (2011); and the Palais des Beaux - Arts, Brussels, Belgium (2010), among others.

The work of Edgardo Aragón will be participating in the exhibition Cartografías Líquidas, opening on May 26 2017 at the Museo de Arte Carrillo Gil in Mexico City.

2012 Fowler OutSpoken Conversation: Liza Lou and Sam Durant on Conceptualization and Collaboration, moderated by Alma Ruiz, Fowler Museum at UCLA, Los Angeles, CA Conversation between Rigo 23, Caleb Duarte and Sam Durant, part of Autonomous InterGalactic Space Program, REDCAT, Los Angeles, CA University of California, Irvine, CA University of California, Los Angeles, CA University of California, Santa Barbara, CA The Ohio State University, Columbus, OH Claremont Graduate University, Claremont, CAHammer Conversations: Tom Morello and Sam Durant, Hammer Museum, Los Angeles, CAPlática Inaugural: La Reconstrucción de Los Hechos (Inaugural Conversation: The Reconstruction of the Facts), Sam Durant and Marcos Ramírez Erre, Museo de Arte Carrillo Gil, Mexico City, Mexico West Hollywood Aesthetics and Politics lecture series (WHAP!)

Group exhibitions include the 50th Venice Biennale, Italy (2003); Musee d'Art Moderne de la Ville de Paris, France (2002); Museo de Arte Carrillo Gil, Mexico City, Mexico (2001); and P.S. 1 Contemporary Art Center, New York, NY (2000).

Between 2007 and 2011, Estévez served as the chief curator at the Museo de Arte Carrillo Gil in Mexico City.

Solo shows include The Project Gallery, New York, NY (2004, 2002, 2001); the Museo de arte Carrillo Gil, Mexico City, Mexico (2001); and Orchard Gallery, Derry, Northern Ireland (2000).

His work is represented in public and private collections worldwide such as: the Hirshhorn Museum and Sculpture Garden, Washington, DC; the San Francisco Museum of Modern Art; The Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Musée National d'Art Moderne Centre Georges Pompidou, Paris, France; the Stedelijk Van Abbemuseum, Eindhoven, Holland; the Hara Museum of Contemporary Art, Tokyo, Japan; and the Museo de Arte Carrillo Gil, Mexico City, Mexico.

Medina has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico City.

Recent exhibitions have been at Shoshana Wayne Gallery, Los Angeles; Casa de America in Madrid, the Museum of Contemporary Art San Diego, and Museo de Arte Carrillo Gil in Mexico City.

Recent exhibitions have included: the Museo de Arte Carrillo Gil, Mexico City; The Power Plant, Toronto, Canada; el Museo del barrio, New York; the Museu de Arte Moderna de São Paulo, Brazil; the Museo Nacional Reina Sofia, Madrid, Spain and In Site» 97, San Diego, CA / Tijuana, Mexico.

Medina has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico

She is the editor, with Cesar Garcia, of Marcos Ramírez ERRE published by INBA and Museo de Arte Carrillo Gil (2012), and was a lecturer in the contemporary art symposium SITAC: estar - los - unos - con - los - otros in 2013.

Solo exhibitions of her work have been held at the Hamburger Bahnhof, Berlin (2014); CCA Glasgow (2013); Chisenhale Gallery, London (2013); Haus Konstruktiv, Zürich (2012); Museo Experimental El Eco, Mexico City (2011); Museum of Latin American Art, Long Beach (2010); Kunsthalle Sankt Gallen (2009); Museo de Arte Carrillo Gil (2006) and the Stedelijk Museum, Amsterdam (2004).

Fax, Drawing Center, New York, NY; The Contemporary Museum, Baltimore, MD; Torrance Art Museum, Torrance, CA; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, SUNY Cortland, Cortland, NY; Museo de Arte Carrillo Gil, Mexico City, Mexico; Para Site, Hong Kong

Do It, Museo de Arte Carrillo Gil, San Angel, Mexico [itinerary: Addison Gallery of American Art, Andover, Massachusetts][catalogue published in 1997]

2013 The Eye on Time, Museo de Arte Carrillo Gil, Mexico Honey, I Rearranged the Collection, The Bronx Museum, Bronx, NY

Cuauhtémoc Medina, independent curator and art critic from Mexico City, Mexico, has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico CityRead more

Not exact matches

Julieta Aranda's work has been exhibited internationally in venues such as (selection): The Kitchen (NY), 10th Lyon Biennial, Solomon Guggenheim Museum, NY (upcoming solo presentation, 2009), Conspire: Transmediale08, Berlin (2008); Present Future, Artissima, Torinno (2007); Escultura Social, Museum of Contemporary Art in Chicago (2007); 2nd Moscow Biennial (2007) System Error, Palazzo delle Papesse, Siena, Italy (2007), Dictionary of War, Muffathalle, Munich, Germany (2006), Trial Ballons, MUSAC, Spain (2006), An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles, (2006), Museo Carrillo Gil, Mexico City (2009 / 2006), Version 6.0, Espace Paul Ricard, Paris, France (2005); IX Baltic Triennial, Contemporary Art Center (CAC), Vilnius, Lithuania / Institute of Contemporary Art (ICA), London, England (2005); Moderna Galerija, Museum of Modern Art, Ljubljana, Slovenia, (2004); Centro Nacional de las Artes, México City (2004); «ev + a, Imagine Limerick», Limerick, Ireland (2004), Canaia, Mexico City, Mexico (2003); Platform Garanti, Istanbul, Turkey (2003), and VII Havanna Biennial; amongst others.

These will include the Second Meeting of European and Latin American Museums, directed by Natalia Majluf, the Director of the Museo de Arte de Lima, and from the Museo Nacional Centro de Arte Reina Sofía, João Fernandes, who recently joined the Museum, and Jesús Carrillo.

He has shown internationally in galleries and museums such Museo de Arte Contemporáneo Carrillo Gil, CCA Wattis Institute for Contemporary Art San Francisco, MUSAC Museo de Castilla y Leon, CECCH Centre d'edition Contemporaine Geneve, Musee d Art Contemporain de Lyon.

Other significant solo presentations include Mark Manders: Cose in corso at Collezione Maramotti in Reggio Emilia, Italy (2014), Mark Manders at Centro Galego de Arte Contemporanea in Santiago de Compostel, Spain (2014), Les études d'ombres at Carré d'Art - Musée d'art contemporain in Nîmes, France (2012), Revisions: Mark Manders at Carrillo Gil Museum of Art in Mexico City (2011), Two Interconnected Houses at La Casa Luis Barragân in Mexico City, Mexico, and The Absence of Mark Manders, which opened at Kunstverein Hannover in Germany in 2007, and traveled to S.M.A.K. in Ghent, Belgium, Kunsthaus Zurich, and to Bergen Kunsthall in Norway through 2009.

Pablo Rasgado, (Zapopan Jalisco, 1984) His work has been shown at the XIII Cuenca Biennal, EQ (2016); MOCAD, Ml (2015); Art Basel, Positions; CH (2014) LACMA, LA (2013); Herzl ya Museum of Contemporary Art, IS (2011); La Chambre Blanche, Quebec, CAN (2011); Museo de Arte Moderno, MX 2013); Museo Carrillo Gil, MX (2012 and 2014); Museo Experimental el Eco, MX (201 O); Stone House Lagos, Nigeria (2010).

Venezuela; Werner H Kramarsky Collection, New York; Museo de Arte Contemporaneo Carrillo Gil, Mexico City; and John Walters Collection, Yale University, USA.