Sentences with phrase «arte nuevo»

Six attendant programs bolster the core booths; among the Feature section's 30 curated presentations, Berlin's Barbara Thumm presents the work of Arte Nuevo work of Teresa Burga.

It is the largest comprehensive ex-hibition of Teresa Burga «s paintings of the Sixties, when Teresa Burga was a member of the artist group Arte Nuevo.

Teresa Burga noted in a text for the Arte Nuevo Group 40 year reunion in 2006: «During those years, a group of Peruvian artists discovered that individually we were producing works in which we tried to introduce new image representations in order to revitalize the formal syntax.

We decided to work together and as the first presentation of a group we called Arte Nuevo, we produced a happening in El Ombligo de Adán.

Bryce's most recent exhibition, at Alexander and Bonin in New York this past fall, addressed the discourse of universal values during the 1940s and 1950s with three major works: The Book of Needs, Arte Nuevo, and ARTnews 1944 — 1947.

Not exact matches

Her work has been reviewed in Art in America, Art Nexus, New York Arts, Flash Art, Atlantica Internacional Revista de las Artes, Artnet.com, Review, Point of contact, El Nuevo Herald (Miami), Tribuna de Impresa, Veja Rio, O Globo (Brazil), Artmagazine.cc.

Buck, Luisa, «The Satellite Fair Comes of Age,» The Art Newspaper, Dec. 2005 Workman, Michael, «Border Patrol,» New City Chicago, 2005 Fontana, Lilia, «About Collections and Collectors,» Arte al Dia, 2004 Babcock, Mark, «Delinquent Boys,» Glasstire, Oct. 2004 Moreno, Gean, «If You Believe Hard Enough,» Art US, Oct. 2004 Martin, Marisol, «Art Chicago,» Art Nexus, Oct. 2004 Sommereys, Omar, «Electric Kool - Aid Overload,» The Street, April 2004 Suarez de Jesus, Carlos, «Art Capsules,» The New Times, March 2004 Turner, Elisa, «Way Outside the Galleries,» The Miami Herald, Feb. 2004 Sirgado, Miguel, «Edge Zones,» El Nuevo Herald, Feb. 2004 Feinstein, Roni, «Expanding Horizons,» Art in America, Dec. 2003 Sirgado, M., «Muestras Paralelas de Downtown a Wynwood,» El Nuevo Herald, Dec. 2003 Hernandez, Amber, «Dark Days,» The Miami Hurricane, Dec. 2003 Triff, Alfredo, «Mortality Rules,» The New Times, Dec. 2003 Bayer, Brian, «South Florida Today,» PBS, Sept. 2003 Ocaňa, Damarys, «Cheeky Showing,» The Street, Aug. 2003 Turner, Elisa, «Galleries Put Focus On Home Grown Art,» The Miami Herald, Aug. 2003 Turner, E., «City Focus: Miami - A Dramatic Reinvention,» ARTnews, Feb. 2003 Ales, Reynaldo, «Arte y Aparte,» Travel and Leisure, Jan. 2003 Cotzee, Mark, Where Art is Happening, 2002 Ocaňa, Damarys, «Art Guide 2002,» The Street, Oct. 2002 Sultry, Lynn, «Newly Juried Artists,» Art on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in Artist,» The Miami Herald, Sept. 2001

Batet, Janet, «Arte, ilusion y otros delirios cotidianos,» El Nuevo Herald, May 2010.

««This and That»: La sociedad a traves del arte contemporaneo,» el Nuevo Herald, October 12, 2012.

«Lo mejor en las artes en Miami durante el 2014,» El Nuevo Herald, December 31, 2014.

Conlon and Harker have exhibited their collaborations widely, in solo shows at Diablo Rosso Gallery, Panama (2015); Washington Project for the Arts (2015); Despacio, Costa Rica (2014); Neuberger Museum of Art, Purchase College, NY (2014); El Nuevo Museo de Arte Contemporáneo, Guatemala (2014); TEOR / éTica, Costa Rica (2009); Samson Projects, Boston (2007); as well as group shows at the Pérez Art Museum, Miami (2017); Utah Museum of Contemporary Art (2017); South London Gallery (2016); Museum of Contemporary Art, Detroit (2015); Solomon R. Guggenheim Museum, NY (2014); Prefix Institute of Contemporary Art, Toronto (2013); Queensland Art Gallery, Brisbane (2012); El Museo del Barrio, NY (2012); y Palais du Tokyo, Paris (2009).

He has featured exhibitions at the Nuevo Museo Energía de Arte Contemporáneo, Parque de la Memoria (Monumento a las Víctimas del Terrorismo de Estado); Universidad Torcuato Di Tella; Consulado General de Argentina en Nueva York; Museo de Arte Moderno de Buenos Aires (MAMBA); Museo de Arte Contemporáneo Latinoamericano (MACLA); Musée d' Art moderne de la Ville de Paris.

«We'll Make Out Better than Okay,» The Charlotte Street Foundation la Esquina Gallery, Kansas City, MO, October 25 — December 20, 2013 «Etched in Collective History,» Birmingham Museum of Art, Birmingham, AL, August 18 — November 17, 2013 «The Spirit of Utopia,» Whitechapel Art Gallery, London, UK, July 4 — September 5, 2013 «Labour and Wait,» Santa Barbara Museum of Art, Santa Barbara, CA, July 2 — September 22, 2013; catalogue «Sculpture in the Close,» Jesus College, Cambridge, MA, June 24 — September 22, 2013 «BNKUDRWTR,» Art Basel Unlimited 2013, Basel, Switzerland, June 13 — 16, 2013 «Transforming the Known: Works from The Bert Kreuk Collection,» Gemeente Museum, The Hague, Netherlands, June 8 — September 24, 2013; catalogue «Prima Materia,» Punta della Dogana, Venice, Italy, May 30, 2013 — February 15, 2015; catalogue «Do It,» curated by Hans Ulrich Obrist, organized by Independent Curators International (ICI), Socrates Sculpture Park, New York, NY, May 12 — July 7, 2013; traveled to Gund Gallery at Kenyon College, Gambier, OH, May 12 — August 25, 2013; tranzit, Budapest, Hungary, May 17 — May 19, 2013; MU artspace, Eindhoven, Netherlands, May 17 — July 19, 2013; Manchester Art Gallery, Manchester, UK, July 5 — September 22, 2013; Samek Art Gallery, Lewisburg, PA, September 23 — December 12, 2013; Handwerker Gallery, Ithaca, NY, September 30 — November 1, 2013; Stacion — Center for Contemporary Art Prishtina, Prishtina, Kosovo, November 15, 2013 — January 14, 2014; Utah Museum of Contemporary Art, Salt Lake City, UT, January 17 — May 31, 2014; Musée de la danse, Rennes, France, April 1 — May 17, 2014; Garage Center for Contemporary Culture, Moscow, Russia, May 1 — July 6, 2014; The Episcopal Academy, Newtown Square, PA, September 3, 2014 — April 3, 2015; Michaelis School of Fine Art, University of Capt Town, Cape Town, South Africa, September 4 — 13, 2014; The Galleries at Moore College of Art & Design, Philadelphia, PA, September 13 — December 6, 2014; Denler Art Gallery, Saint Paul, MN, October 16 — November 13, 2014; Anne & Gordon Samstag Museum of Art, Adelaide, Australia, February 13 — April 24, 2015; KKW Kunst Kraft Werk, Leipzig, Germany, May 22 — July 9, 2015; Napa Valley Museum, Yountville, CA, June 19 — August 30, 2015; Kunsthal Rotterdam, Rotterdam, Netherlands, July 4 — August 30, 2015; Numu — El Nuevo Museo de Arte Contemporáneo, Guatemala City, Guatemala, August 8 — October 18, 2015; Kunsthal Aarhus, Aarhus, Denmark, October 2 — November 29, 2015; Bowling Green State University, Bowling Green, OH, October 21 — November 19, 2015; Tallina Kunstihoone, Tallinn, Estonia, November 24, 2015 — January 10, 2016; Verge Center for the Arts, Sacramento, CA, January 9 — March 20, 2016; Galerie de l'UQAM, Montréal, Québec, Canada, January 14 — February 20, 2016; Galerija Umjetnina, Split, Croatia, January 30 — December 31, 2016; Frac des pays de la Loire / HAB Galerie, Nantes, France, February 5 — April 17, 2016; Art Museum of the University of Memphis, Memphis, TN, March 1 — May 10, 2016; Blue Star Contemporary, San Antonio, TX, March 3 — May 8, 2016; Ulrich Museum of Art, Wichita, KS, April 23 — August 28, 2016; Montclair Art Museum, Montclair, NJ, September 9, 2016 — January 1, 2017; catalogue

He is also co-founder of the Buró de Intervenciones Públicas, a collective which develops low - cost, high - impact interventions in various cities worldwide and of the Nuevo Museo de Arte Contemporáneo (NuMu) which positions itself as Guatemala's first contemporary art museum.

She is co-founder and director of the Nuevo Museo Energía de Arte Contemporáneo and Proyecto CARA, as well as an independent curator and writer.

His work has been shown at Kunsthalle Basel; Kurimanzutto, Mexico City; Museum Haus Konstruktiv, Zurich; Moscow Museum of Modern Art, Museo del Chopo, Mexico City; Bonnefantenmuseum, Maastricht; Elizabeth Foundation of the Arts, New York; NuMU — Nuevo Museo de Arte Contemporáneo, Guatemala; David Roberts Art Foundation, London; Parallel, Oaxaca; FRAC Marseille; Kunsthalle Baden - Baden; Kunsthaus Baselland; Kunstverein Freiburg and Museo de Arte Moderno Mexico City, amongst others.

The Artist as Archivist in the Internet Age, Settimana dell» Arte, Brescia, Italy (curated by Domenico Quaranta) Life on the Screen, RE / Mixed Media Festival, New York (curated by Perry Bard) La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN» IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, INDEX ART CENTER, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre — Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA # 1 BOZEAU ORTEGA CONTEMPORARY ARTS Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São PArte, Brescia, Italy (curated by Domenico Quaranta) Life on the Screen, RE / Mixed Media Festival, New York (curated by Perry Bard) La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN» IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, INDEX ART CENTER, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre — Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA # 1 BOZEAU ORTEGA CONTEMPORARY ARTS Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São Parte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN» IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, INDEX ART CENTER, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre — Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA # 1 BOZEAU ORTEGA CONTEMPORARY ARTS Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São Paulo

Take a look inside Nuevo Museo de Arte Contemporáneo (or NuMu, for short) and hear from its founders as they recreate the museum in Guatemala and take their concept on the road to Los Angeles.

Recent solo and duo exhibitions include Disjecta Art Center, Portland; Agustina Ferreyra, Puerto Rico; Recoleta Art Center, Buenos Aires; Nuevo Museo Energía de Arte Contemporáneo, Buenos Aires; Galerie Crèvecoeur, Paris, and Eden Assanti, London.

, Amsterdam, NL; Gray Matters, Wexner Center for the Arts, Columbus, US; Asamble (performance), Solomon R. Guggenheim Museum, New York, US; Drawing Biennial 2017, The Drawing Room, London, UK; EAT SLEEP WORK REPEAT, Travelling Gallery, Scotland (various locations), UK; The String Traveller, S.M.A.K, Ghent, BE; CONDO, Herald St, London, UK (all 2017); Blow the Whistle, Beat the Drum, Mark Foxx, Los Angeles, US; Gwangju Biennale, Gwangju, KR; Manifesta 11, Zurich, CH (all 2016); PORTLLIGAT, El Nuevo Museo de Arte Contemporáneo, Guatemala City, GT; Galerie Johann König, Berlin, DE (all 2015); La Criée Centre d'art Contemporain, Rennes, FR; A ∩ B ∩ C (line), Van Abbemuseum, Eindhoven, NL; Switchboard, Mostyn, Llandudno, UK; One Thing After Another, Stigter van Doesburg, Amsterdam, NL (all 2014); Amalia Pica en el MNBA, Museo Nacional De Bellas Artes, Neuquen, AR; Se essas paredes falassem, Phosphorus, São Paulo, Brazil, BR; A ∩ B ∩ C (line), Herald St, London, UK; Memorial for Intersections, Kunsthalle Lissabon, Lisbon, PT; Low Visibility, Galerie Johann Konig, Berlin, DE; A ∩ B ∩ C, Museo Tamayo, Mexico City, MX (all 2013); Amalia Pica, Chisenhale Gallery, London, UK (2012); I am Tower of Hamlets as I am in Tower of Hamlets, just like a lot of people, Off - site project, Chisenhale Gallery, London, UK (all 2011).

Group Exhibitions 2017 Kitchen Debate, curated by Paulina Ascencio, organized by Site95, Rawson Projects, and Regina Rex Rawson Projects, New York 15th Istanbul Biennial, Curated by Elmgreen & Dragset, Istanbul Pool, TROPEZ, Berlin 2016 Group presentation at Artissima, Turin +52 Paisajes recientes, Fundación Calosa, Irapuato, Mexico Umwelt Inversion, Proposed by Thomas Jeppe, Galerie Conradi, Hamburg Leaping over a bush to surprise a quail, Chert, Berlin 2015 Club of Matinée Idolz, CO2, Turin Sexxxitecture, CULT, San Francisco, USA Bienal Nacional De Paisaje, Museo De Arte Carrillo Gil, Mexico City Dialogo entre Patrick Hamilton y Alejandro Almanza Pereda, The 9.99, Guatemala City 2014 XVI Bienal de Fotografía, Centro de las Artes, Monterrey Nuevo León Foreshock, La Fabrica, Brooklyn, NY Delirios de declive, Curro y Poncho, Guadalajara, Mexico Largo x Ancho x Alto / Height x Width x Depth, The 9.99, Guatemala Game changer, Boulder Museum of Contemporary Art, Colorado About a Mountain, Aysa Geisberg, New York What goes there?