Sentences with phrase «arte e»

(Rio de Janeiro, Brazil) Two exhibitions occupy the Museum space, as of this week: Lourival Cuquinha's «Territórios e Capitais: extinções» and «Alimentário: arte e patrimônio alimentar brasileiro», a group show that puts together several contemporary artists as well as renowned Brazilian chefs.

Ana Holck, Beto Shwafaty, Bruno Shultze, Caio Reisewitz, Camila Sposati, Daniel Murgel, Gisele Camargo, Lais Myrrha, Luiza Baldan, Mabe Bethônico, Matheus Rocha Pitta and Paulo Almeida are some of the artists who have been awarded the «Prêmio Honra ao Mérito Arte e Patrimônio 2013» [2013 Art and Heritage Prize].

«Due Mosre per «The Panza di Biumo Collection,»» Arte e Critica, April.

Arte e Sociedade no Brasil at Museu de Arte do Rio, Rio de Janeiro.

> Arte e vita di Luisa Casati.

Ricco / Maresca gallery... 7Mar > Arte e vita di Luisa Casati.

Mesotica, Museo de Arte e Diseno Contemporaneo, San Jose, Costa Rica Pittura — Immedia, Neue Galerie / Landesmuseum Joanneum, Graz, Austria (cat.)

He participated in the 13th Istanbul Biennial (2013), Turkey; «O Agora, O Antes: uma síntese do acervo do MAC USP (2013)» [«Now and Before: a resume of MAC USP's Collection»], at São Paulo, Brazil; and «Arte e Patrimônio» [«Art and Heritage»] at Paço Imperial in Rio de Janeiro, Brazil.

Fondation EDF... 1Mar > Arte e vita di Luisa Casati.

Tra arte e real estate parte Miami River artribune > Art Basel: From Bargains to Billionaires wsj > Sotheby's at Art Basel Miami sothebys > En direct d'Art Basel Miami lejournaldesarts > Large or small print, in neon or on canvas — text - based art is everywhere at Art Basel Miami Beach tan + The art world descends on Miami - Dade for Art Basel Miami Beach miamiherald > Art Basel Miami sales tan

He was selected for the 32º Art Salon for Pará (2013) and for the residencies «Dispositivo móvel», JA.CA — Centro de Arte e Tecnologia, Nova Lima — MG (2015), and AGORA — International Art Action, Bela Crkva — Serbia (2016).

2015 SPECULATIVE FRICTIONS group show at DELUGE CONTEMPORARY ART Victoria, Canada June the touring to Diluvio Arte e Ideas, Mexico City THE SHAPES WE»RE IN group show at Bread and Jam, London SUPERNORMAL FESTIVAL I AM YOUR ERROR MESSAGE Live performance / video with Exploding Cinema, August

Her participation in group shows includes Projeto Piauí (at Pivõ Arte e Pesquisa, São Paulo, 2016), Soft Power (Kunsthal KAdE Amersfoort, the Netherlands, 2016), Os Muitos e o Um (The Many and the One at Instituto Tomie Ohtake, São Paulo, 2016), and No Man's Land — Women Artists from the Rubell Family Collection (Contemporary Arts Foundation, Miami, 2015).

From 2006 until 2013, Zecchi was co-curator of Cantieri d'Arte Public Art Project, a platform for new visions and readings of urban space and society, and is an active contributor to Arte e Critica.

(São Paulo, Brazil) Fronteiras Incertas: Arte e Fotografia no Acervo do MAC USP [Uncertain Borders: Art and Photography in the MAC USP Collection] is an exhibition curated by Helouise Costa reveals a historical aspect that exists in the latest artistic production.

Ilaria Gianni collaborates with magazines such as «NERO», «Lo Specchio +», «Circa», «Flash Art», «Arte e Critica», and is one of the Italian contributors for artforum.com.

Interferenze tra arte e cinema, an exhibition curated by Davide Giannella at PAC in Milan, could be the result of a good curatorial project, except for his strained common denominator «Glitch».

Aside from his solo exhibition at the São Paulo Nara Roesler Gallery and his figurehead status at the SP - Arte fair, the artist is the theme of a MAM - SP seminar, with the mediation of Lisette Lagnado and the participation of names such as Catherine David, curator of the Centre Pompidou, Pablo León de la Barra from Guggenheim NY and Anna Ferrari from Fundação Augusto e León Ferrari and León Ferrari Arte e Acervo — FALFAA, among others.

While living in Lisbon, Portugal, she received in 2007 the «Anteciparte» award and in 2008 completed and Advanced Course at Centro de Arte e Comunicação Visual (Ar.Co.).

Ernesto Neto's recent major solo exhibitions include Ernesto Neto, at the Museum of Contemporary Art Kiasma, Helsinki, Finland, 2016; Enresto Neto, KUNSTEN Museum of Modern Art Aalborg, Denmark 2016; The Jaguar and the Boa, Kunsthalle Krems, Krems an der Donau, Austria, 2015; Ernesto Neto and the Huni Kuin ~ Aru Kuxipa Sacred Secret, TBA21 — Augarten, Vienna, Austria, 2015; Haux Haux, Arp Museum Bahnhof Rolandseck, Remanagen, Germany, 2015; Ernesto Neto, Aspen Art Museum, Aspen, CO, 2015; Ernesto Neto: The body that carries me, Guggenheim, Bilbao 2014; O ABRIGO E O TERRENO: Arte e sociedade no Brasil, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil, 2013; Fecundation, Loucura é parte da vida / Madness is part of life, Espace Louis Vuitton, Tokyo, 2012; Cuddle on the Tightrope, Nasher Sculpture Center, Dallas, TX.

Over the years, Ottersbach has held a number of prominent visiting professor positions, including with the Centro de Arte e Communicaçao Visual, Lisboa, Portugal from 1992 to 1993, and in 2003 with the California State University in Los Angeles.

Braverman Gallery featured in MASTER ECONOMIA E MANAGEMENT DELL» ARTE E DEI BENI CULTURALI (Italian)

Benedikt Partenheimer, «Particulate Matter» installation view at Museu de Arte e Oficio, Belo Horizonte Brazil / / Courtesy of the artist

Their work has been shown in New York at The Kitchen, Art in General, Park Avenue Armory, Volta Art Fair, Burning Bridges, Prelude 08 Festival, Whitney Museum of American Art, EFA Project Space, Chez Bushwick, Dixon Place, Dance New Amsterdam, and Works & Process at the Guggenheim Museum, as well as at Carpe Diem Arte e Pesquisa (Lisbon), Maastricht Toneelstad Festival (Netherlands), La Générale and il faut brûler pour briller (Paris), Renaissance Society (Chicago), Studio 303 (Montréal), Greenwich Music Festival, Jacob's Pillow, and the Mount Tremper Arts Festival.

2005 Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Ecos y Contrastes, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Colleció Fundació La Caixa - 20 anys amb l'art contemporani, Caixa Forum, Barcelona, Spain Tropicalia, touring exhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal Educação, Olha!

Among the group shows: H Y P E R C O N N E C T E D (Moscow Museum of Modern Art); fluxesfeverfuturesfiction (Centro Azkuna, Bilbao 2016); Wild Things (The Green Parrot, Barcelona 2014); Hitting it off (P - exclamation, New York, 2014); Pareidolia (Bacelos, Madrid, 2014); Pop Politics (CA2M, Madrid 2012); Esta puerta pide clavo (Tatjana Pieters Galerie, Gent, 2012); Arte e Investigación 2010 (Centro Montehermoso Vitoria - Gasteiz 2011) and Antes que todo (CA2M, Madrid, 2010).

His work has also been shown at the Centre Pompidou, Paris; MoMA New York; SFMoMA; Hamburger Bahnhof, Berlin; Serpentine Gallery, London; Tate Modern, London; EYE Film Museum, Amsterdam; Moderna Museet, Stockholm; Hangar Bicocca, Milan; Lugano Arte e Cultura; Fundacio Gaspar, Barcelona, amongst others.

2007 Irrational Exuberance, Maddox Arts Gallery, London Arte e Omosessualità, PALAZZO DELLA RAGIONE, Milan Sex and Sensuality, Salomon Contemporary Warehouse, East Hampton, New York

Restored by Cineteca di Bologna at L'Immagine Ritrovata laboratory in association with Instituto Cubano del Arte e Industria Cinematográficos (ICAIC).

In 2012, Dan received The John D. and Catherine T. MacArthur Foundation's Artist Connection Fund for the project ARTE NO ES FÁCIL, in addition to The Ann Metzger National Award for Prints in 2010.

Selected exhibitions include: Fábrica de Arte Cubano, Havana, Cuba; Hayward Gallery, London, UK, Angels Gate Cultural Center, CA; The Media lab @ The College Art Association in NYC; In Chicago, IL: The Museum of Contemporary Art, The Gene Siskel Film Center, Gallery 400, Chicago Artist's Coalition, The Reva and David Logan Center for the Arts, Evanston Art Center, Peregrine Program, Roots and Culture Contemporary Art Center, The Franklin, Johalla Projects.In 2010, Dan was the recipient of the Ann Metzger National Award for Prints; the recipient of a Links Hall Link Up residency (2012); and was a recipient of The John D. and Catherine T. MacArthur's Connection grant for co-created project Arte no es fácil.

Not exact matches

Traveled to Kunsthalle Recklinghausen, Recklinghausen, Germany (October — December) and Stedelijk Museum, Amsterdam, the Netherlands (December 1959 — January 1960) Documenta II: Kunst nach 1945, Internationale Ausstellung, Museum Fridericianum, Kassel, West Germany (July 11 — October 11) Premio dell «Ariete: Selezione Biennale di Pittura Internazionale, Gallerie dell «Ariete, Milan (May 8 — 31) Arte nuova: Expositione Internazionale di pittura e scultura, Circolo degli Artisti, Palazzo Granieri, Turin (May 5 — June 15) 26th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C. (January 17 — March 8) New York and Paris: Painting in the Fifties, Museum of Fine Arts, Houston (January 16 — February 8) Accrochage d'Ouverture, Galerie Smith, Brussels (January 7 — 26)

Solo exhibitions and surveys of Agnetti's work have been presented at Palazzo Serbelloni, Milan (2016), Museo D'Arte Contemporanea Villa Croce, Genova (2013), Centro Italiano Arte Contemporanea, Foligno (2012), and MART, Museo di Arte Moderna e Contemporanea di Trento e Rovereto (2013).

In the past she has collaborated with various institutions including Centro Atlantico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, ES; Durban Art Gallery, ZA; Joburg Art Fair, Johannesburg, ZA; Johannesburg Workshop in Theory and Criticism (JWTC), Johannesburg, ZA; LUMA / Westbau, Pool, Zurich, CH; New Museum, Museum as Hub, New York, US; and Raw Material Company, Dakar, SN, amongst others.

The exhibition L'emozione dei COLORI nell» arte will be presented in the Manica Lunga of the Castello di Rivoli Museo d'Arte Contemporanea and at the GAM Galleria Civica d'Arte Moderna e Contemporanea of Turin.

Hilma af Klint is represented at the Group Exhibition L'emozione dei COLORI nell» arte at GAM Address: Gallerie Civica d'Arte Moderna e Contemporanea Via Agenta 1 101 28 Turin Italy Dates: March 14 — July 23, 2017 Curators: Carolyn Christov - Bakargiev, Marcella Beccaria, Elena...

The artist's work has been exhibited at numerous institutions, including at the Walker Art Center, Minneapolis, the Museum für Modern Kunst, Frankfurt, and the Museo di Arte Moderna e Contemporanea, Trento, Italy.

Geographic Cross-Overs in Art, Museo di Arte Moderna e Contemporanea die Trento e Roverto, Trento, Italy Expected Unexpected Mexico, Maison Rouge, Paris, France The Zabludowicz Collection: When We Build, Let Us Think That We Build Forever, Baltic Centre for Contemporary Art, Gateshead, UK New York State of Mind, Queens Museum of Art, Queens, NY 21: Contemporary Art, Brooklyn Museum, Brooklyn, NY

Thyssen - Bornemisza Art Contemporary, Space in Progress, Vienna, Austria Impermanência e Transitoriedade, Museu de Arte do Espírito Santo, Vitória, Brazil

Alighiero E Boetti was a key member of the Arte Povera group of young Italian artists in the late 1960s which was working in radically new ways using simple materials.

2002 poT, II Liverpool Biennal of Contemporary Art, Liverpool, UK Rotativa - Fase 2, Galeria Fortes Vilaça, São Paulo, Brazil Haunted by Detail, De Appel Foundation, Amsterdam, Netherlands Vivências, The New Art Gallery of Walsall, Walsall, UK Extreme Protection, Nit Niu 2002, Cala Sant Vicenç de Pollença, Mallorca, Spain Eye of the Beholder, Dundee Contemporary Arts, Dundee 2000 Friends and Neighbours, Limerick City Gallery of Art, Limerick, Ireland Space Experiences: Homage to the Space, National Museum of Art, Osaka, Japan The Quiet in the Land 2: Projeto Axi, Museu de Arte Moderna da Bahia, Salvador, Brazil No es Solo lo que Ves: Pervirtiendo el Minimalismo, Queen Sofia National Art Museum, Madrid, Spain Brasil +500, Mostra do Redescobrimento, São Paulo, Brazil Bienal de Gravura, Porto Alegre, Brazil Marcas do corpo, dobras da alma Bienal de Gravura, Porto Alegre, Brazil

Alighiero Fabrizio Boetti known as Alighiero e Boetti (16 December 1940 — 24 February 1994) was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.

Irene Kopelman (1974) es una artista que tiene un Doctorado en Bellas Artes por la Finnish Academy of Fine Arts, Helsinki / MaHKU, Utrecht Graduate School of Visual Art and Design, en Utrecht.

The first exhibition «Arte Povera e IM Spazio,» which was staged at Galleria La Bertesca in Genoa, in two sections «Arte Povera» which included the work of: Alighiero Boetti, Luciano Fabro, Jannis Kounellis, Giulio Paolini, Pino Pascali and Emilio Prini.

2010 Adaptation: Between Species, The Power Plant, Toronto, Canada Dominó Caníbal, Proyecto de Arte Contemporáneo, Murcia, Spain Paisagem Incompleta: Projeto Uma Nova Paisagem, Centro Cultural Usiminas - Galeria Hideo Kobayashi, Ipatinga, Brazil Urbi et Orbi - Para a cidade e para o mundo, Paço das Artes, São Paulo, Brazil Tropicália - The 60s in Brasil, Kunsthalle Wien, Vienna, Austria Der offene Garten, Kunstalle Lingen, Lingen, Germany Epilogo, Museo Zapopan, Guadalajara, Mexico Yesterday Will Be Better - Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland Dez anos do Núcleo Contemporâneo, Museu de Arte Moderna de São Paulo, Brazil Yesterday will be better, Aargauer Kunsthaus, Aarau, Switzerland The Traveling Show, Jumex Collection, Mexico City, Mexico Vidéo et Après - Videó France Exposição Ecológica, MAM - Museu de Arte Moderna de São Paulo, São Paulo, Brazil SERPENTINE CINEMA: CINACT, The Gate, Serpentine Gallery, London, England

Germano Celant also wrote a book published by Electa in 1985 called «Arte Povera Storie e protagonisti», promoting the notion of a revolutionary art, free of convention, the power of structure, and the market place.

2011 Ordem e Progresso: vontade construtiva na arte Brasileira, Museu de Arte Moderna de São Paulo, São Paulo, Brazil Paradise Lost, Istanbul Museum of Art, Istanbul, Turkey (catalogue) The Luminous Interval, Guggenheim Museum Bilbao, Bilbao, Spain Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria (catalogue) Pandora's Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art, Chicago, USA Mappa Mundi, Berardo Collection, Lisbon, Portugal Mexico: Expected / Unexpected, Museum of Contemporary Art San Diego, USA (catalogue) Vestígios de Brasilidade, Centro Cultural Santander, Recife, Brazil (catalogue) Gigantes por su propia naturaleza, Institut Valencià d'Art Modern, Valencia, Spain Experimental station, CA2M Centro de Arte Dos de Mayo, Madrid, Spain Semana de Arte do Rio de Janeiro, Rio de Janeiro, Brazil Our Magic Hour: How Much of the World Can We Know, Yokohama Triennale 2011, Yokohama Museum of Art, Yokohama, Japan Keeping it Real: An Exhibition in Four Aarte Brasileira, Museu de Arte Moderna de São Paulo, São Paulo, Brazil Paradise Lost, Istanbul Museum of Art, Istanbul, Turkey (catalogue) The Luminous Interval, Guggenheim Museum Bilbao, Bilbao, Spain Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria (catalogue) Pandora's Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art, Chicago, USA Mappa Mundi, Berardo Collection, Lisbon, Portugal Mexico: Expected / Unexpected, Museum of Contemporary Art San Diego, USA (catalogue) Vestígios de Brasilidade, Centro Cultural Santander, Recife, Brazil (catalogue) Gigantes por su propia naturaleza, Institut Valencià d'Art Modern, Valencia, Spain Experimental station, CA2M Centro de Arte Dos de Mayo, Madrid, Spain Semana de Arte do Rio de Janeiro, Rio de Janeiro, Brazil Our Magic Hour: How Much of the World Can We Know, Yokohama Triennale 2011, Yokohama Museum of Art, Yokohama, Japan Keeping it Real: An Exhibition in Four AArte Moderna de São Paulo, São Paulo, Brazil Paradise Lost, Istanbul Museum of Art, Istanbul, Turkey (catalogue) The Luminous Interval, Guggenheim Museum Bilbao, Bilbao, Spain Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria (catalogue) Pandora's Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art, Chicago, USA Mappa Mundi, Berardo Collection, Lisbon, Portugal Mexico: Expected / Unexpected, Museum of Contemporary Art San Diego, USA (catalogue) Vestígios de Brasilidade, Centro Cultural Santander, Recife, Brazil (catalogue) Gigantes por su propia naturaleza, Institut Valencià d'Art Modern, Valencia, Spain Experimental station, CA2M Centro de Arte Dos de Mayo, Madrid, Spain Semana de Arte do Rio de Janeiro, Rio de Janeiro, Brazil Our Magic Hour: How Much of the World Can We Know, Yokohama Triennale 2011, Yokohama Museum of Art, Yokohama, Japan Keeping it Real: An Exhibition in Four AArte Dos de Mayo, Madrid, Spain Semana de Arte do Rio de Janeiro, Rio de Janeiro, Brazil Our Magic Hour: How Much of the World Can We Know, Yokohama Triennale 2011, Yokohama Museum of Art, Yokohama, Japan Keeping it Real: An Exhibition in Four AArte do Rio de Janeiro, Rio de Janeiro, Brazil Our Magic Hour: How Much of the World Can We Know, Yokohama Triennale 2011, Yokohama Museum of Art, Yokohama, Japan Keeping it Real: An Exhibition in Four Acts.

• Participating in Escala 1:1 on view at the Tabacalera Promoción del Arte, Madrid, ES through April 15, 2018.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.