Sentences with phrase «artes visuales»

Since I learned about Artes Visuales, the bilingual quarterly magazine produced by the Museo de Arte Moderno (MAM) in Mexico City from 1973 to 1981 — and which you were a co-founder and director of — I have been thinking about the striking similarities between our two publications.

cat., Montevideo, Museo Nacional de Artes Visuales, 2000, p. 10.

Could you first tell me about the concept of Artes Visuales?

Cover of Artes Visuales, No. 29.

He showed work at the 52nd Venice Biennale, and the XXIII Bienal Nacional de Artes Visuales de Santo Domingo, where he won first prize for installation.

2009 The Malady of Writing, MACBA, Barcelona, ES Zeno Reminder (in collaboration with Mariana Castillo Deball), Performa 09, New York, US Exhibition at Labor Gallery, Mexico, MX Planet of Signs» — curated by Guillaume Desanges at Le Plateau, Paris, FR A Fantasy for Allan Kaprow — curated by Mai Abu ElDahab and Philippe Pirrote, at CIC, Cairo, EG KAAP (the little biennale) curated by Mark Kremer, Fort Ruigenhoek, Utrecht, NL The Happy interval, Gallery Tulips & Roses, Vilnius, LT 2008 Nameless Science, curated by Henk Slager at Apex art, New York, US Fuga di un Piano (in collaboration with Mariana Castillo Deball), Manifesta 7, IT The Flight of the Dodo, Project Arts Centre, Dublin, IE Arte BA - art fair, with 713 Gallery, Buenos Aires, AR MiArt - art fair, 713 Gallery, Milan, IT 2007 Panorama de las artes visuales en Córdoba», Museo Caraffa, Cordoba, AR A for Alibi, De Appel Center for Contemporary Art, Amsterdam, NL Shelter 07, public space intervention, Hardewijk, NL Levity at The Drawing Center, New York, US 2006 Alguns Llibres D'Artista (a few artists books) Roma Publications at ProjecteSD, Barcelona, ES Longitude, part of the group show fumus fugiens at Smart project space, Amsterdam, NL 2005 A Poetics of Place, Utrecht's former county - court, Utrecht, NL 2004 Rendering, Mirta de Mare ruimte voor actuele kunst, Rotterdam, NL 2003 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL 2002 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL

Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela FuoriUso» 95: Caravanserraglio Arte Contemporanea.

Collections featured (selection): Museum of Old and New Art (MONA), White Rabbit — Contemporary Chinese Art Collection, Lyon Housemuseum, Museum Liaunig, Maison Particulière, Vanhaerents Art Collection, Herbert Foundation, Verbeke Foundation, Inhotim — Instituto de Arte Contemporânea & Jardim Botânico, Rennie Collection at Wing Sang, M Woods, Collection Lambert, Peyrassol — Parc de Sculptures, La Maison Rouge, Rosenblum Collection, Museum Frieder Burda, Sammlung Boros, Sammlung Barbara und Axel Haubrok - Haubrokprojects, Sammlung Hoffmann, Museum Biedermann, Julia Stoschek Collection, Sammlung Goetz, The Walther Collection, Schauwerk Sindelfingen, Sammlung Schroth, Sammlung Grässlin — Kunstraum Grässlin & Räume für Kunst, Das Maximum - KunstGegenwart, Jupiter Artland, Saatchi Gallery, Zabludowicz Collection, Deste Foundation for Contemporary Art, Devi Art Foundation, Il Giardino dei Lauri, Collezione Gori — Fattoria di Celle, Fondazione Sandretto Re Rebaudengo, La Colección Júmex, Art Stations Foundation, The Hess Art Collection, Fundació Suñol, Centro de Artes Visuales Fundación - Helga de Alvear, Fondation Beyeler, Nesrin Esirtgen Collection, Pizzuti Collection, Girls» Club, The Menil Collection, de la Cruz Collection Contemporary Art Space, The Margulies Collection at the Warehouse, Rubell Family, Collection and Contemporary Arts Foundation

2018 Residency and exhibition at Ateliê Fidalga, São Paulo, Brazil Residency and exhibition at The Golden Thread Gallery, Belfast, Northern Ireland 2017 Residency (ongoing) and exhibition (2018) at the Madison Museum of Contemporary Art, Madison, WI, United States Recipient of the Generaciones 2018 Prize, La Casa Encendida, Madrid, Spain Recipient of Premio Mardel Artes Visuales 2017 2016 Résidence Artistique ShanDynamiques, Cerbère, France Inclusion on the Forbes list 30 under 30 in the section Arts - Europe 2016 2015 Solo exhibition «Lo que importaba estaba en la línea, no en el extremo» («What mattered was on the line, not at the end»), won the Award for best exhibition project of the Off Festival PhotoEspaña ’15 with the Ponce + Robles gallery in Madrid, Spain 2014 Résidence Artistique Centre d'art et de photographie of Lectoure (CAPL), France

Traveled to Newcomb College, Tulane University, New Orleans, LA, 23 September — 14 October 1962; Chatham College, Pittsburgh, PA, 29 October — 19 November 1962; Watkins Institute, Nashville, TN, 9 — 30 January 1963; Spiva Art Center, Joplin, MO, 7 — 28 February 1963; Smith College Museum of Art, Northampton, MA, 15 March — 5 April 1963; Marshall College, Huntington, WV, 22 April — 13 May 1963; Seibu Gallery, Seibu Department Store, Tokyo, 26 July — 11 August 1963; Westmar College, LeMars, IA, 2 -23 September 1963; Washington University, St. Louis, MO, 4 — 25 October 1963; Arts Club of Chicago, IL, 10 November — 15 December 1963; Indiana University, Bloomington, IN, 2 — 23 January 1964; Wells College, Aurora, NY, 7 — 28 February 1964; Northern Illinois University, DeKalb, IL, 16 March — 6 April 1964; The Jewish Museum, New York, 21 April — 22 June 1964; Badischer Kunstverein, Karlsruhe, 6 July — 5 August 1964; Hamburger Kunstverein, Hamburg, 7 August — 4 September 1964; Amerika Haus, Berlin, 11 September — 6 October 1964; Museum Folkwang, Essen, 15 October — 15 November 1964; City Art Gallery, York, 5 — 30 December 1964; Institute of Contemporary Arts, London, 6 January — 13 February 1965; Midland Group Gallery, Nottingham, 20 February — 6 March 1965; City Art Gallery, Bristol, 13 March — 3 April 1965; Scottish National Gallery of Modern Art, Edinburgh, 10 April — 1 May 1965; Museum des 20 Jahrhunderts, Vienna, 18 September — 17 October 1965; Sociedade Nacional de Belas Artes, Lisbon, 23 November — 23 December 1965; Kunstnernes Hus, Oslo, 22 January — 13 February 1966; Lunds Konsthall, Lund, 5 March — 1 April 1966; Öffentliche Kunstmuseum Basel, 30 April — 5 June 1966; Galerija Grada Zagreba, Zagreb, 21 June — 10 July 1966; Galerija Doma Omladine, Belgrade, 6 — 16 October 1966; Galleria Nazionale d'Arte Moderna, Rome, 2 April — 15 May 1967; Centro de Artes Visuales del Instituto Torcuato di Tella, Buenos Aires, 29 November — 23 December 1967; Museo de Bellas Artes, Caracas, 21 January — 14 February 1968; Biblioteca Luis Angel Arango, Bogatà, 21 March — 11 April 1968; Galeria Universitaria Aristos, Mexico City, 3 May — 5 June 1968.

A.R.C.O. Corporation, New York, NY Biblioteca Communale, Milan, Italy Bibliotheque Nationale, Paris, France Blanton Museum, University of Texas, Austin, TX Cabinet of Drawings and Prints of the Uffizzi, Florence, Italy Casa de las Américas, Havana, Cuba Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Centro Wifredo Lam, Havana, Cuba Colby College Museum of Art, Waterville, ME Colección Patrica Phelps de Cisneros, Caracas, Venezuela / New York, NY Daros - Latinaamerica, Zürich, Switzerland Fonds Régional d'Art Contemporain de Lorraine, France Getty Museum, Los Angeles, CA Israel Museum, Jerusalem, Israel The Jewish Museum, New York, NY Library of Jerusalem, Israel Metropolitan Museum of Art, New York, NY Museo de Arte Contemporáneo de Castilla y León, León, Spain Museo de Arte Latinoamericano de Buenos Aires, Argentina Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Moderno, Buenos Aires, Argentina Museo de Arte Moderno, Cartagena, Colombia Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Museo de Artes Plásticas, Montevideo, Uruguay Museo de Bellas Artes, Caracas, Venezuela Museo de Gráfica y Dibujo Latinoamericano, Roldanillo, Colombia Museo del Grabado, Buenos Aires, Argentina Museo El Barrio, New York, NY Museo La Tertulia, Cali, Colombia Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain Museo Nacional de Artes Visuales, Montevideo, Uraguay Museo Nacional de Bellas Artes, Havana, Cuba Museo Nacional de Bellas Artes, Santiago, Chile Museo Universitario de Arte Contemporáneo, Mexico City, Mexico Museu de Arte Contemporânea, São Paulo, Brazil Museum Lodz, Łódź, Poland Museum of Contemporary Art, Skopje, Republic of Macedonia Museum of Contemporary Graphic Art, Fredrikstad, Norway The Museum of Fine Arts, Houston, TX Museum of Malmo, Malmö, Sweden The Museum of Modern Art, New York, NY Museum of Trenton, NJ Museum Wiesbaden, Germany National Museum of Modern Art, Baghdad, Iraq The New York Public Library, New York, NY Queens Museum, New York, NY R.C.A. Corporation, New York, NY São Paulo Museum of Art, Brazil Smithsonian American Art Museum, Washington, DC Snite Museum, Notre Dame University, South Bend, IN Tate Modern, London, United Kingdom Walker Art Museum, Minneapolis, MN Whitney Museum of American Art, New York, NY Yeshiva University, New York, NY

Cambio climático y artes visuales, Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria and Biennale of Lanzarote, Museo Internacional de Arte Contemporáneo de Lanzarote, Canary Islands, Spain Interiority, Hyde Park Art Center, Chicago, USA NEGATEC, Espacio Fundación Telefónica, Buenos Aires, Argentina Invitational Exhibition of Contemporary Art, The American Academy of Arts and Letters, New York, USA Lessons in Learning: Art and Education from the Artists Book Collection, Museum of Contemporary Art Chicago, USA Manifesting Emptiness, Betty Rymer Gallery, Chicago, USA

stART the Fotorama Window Project in Wevelgem, Belgium (2015); Three shapes and a mistake in Ghent, Belgium (2015); and Les bulles de l'amour (Homage to René Magritte) which was shown in the Centro de Desarrollo de las Artes Visuales in Havana, Cuba (2010).

He graduated from the National Academy of Fine Arts «San Alejandro» in 2009 and has been included in various exhibitions at the Wifredo Lam Centre for Contemporary Art, the Havana Biennale and the Centro de Desarrollo de las Artes Visuales.

Further solo exhibitions of his work were held at such institutions as The Art Gallery of South Australia, Adelaide (1998); The Douglas Hyde Gallery, Dublin (1999 - 2000); El Museo Nacional de Artes Visuales, Montevideo, Uruguay (2000 - 2001); Serpentine Gallery, London (2000); Le Consortium, Dijon (2002); and Hamburger Bahnhof, Museum für Gegenwart, Berlin (2006).

His work is in many public collections, including the Art Institute of Chicago, Centre Georges Pompidou, LACMA, Museo de Artes Visuales, Santiago, the Museum of Contemporary Art, Chicago, the Musée d'Art Contemporain, Montréal, Museum van Hedendaagse Kunst, Antwerp, Museum of Contemporary Art San Diego, MACBA, National Gallery of Canada, and Tate Modern.

la , performed at Arriba y Abaho, Trestle Gallery, Brooklyn, NY, U.S. 2013 Satisfecha, performed at the XXVII Bienal Nacional de Artes Visuales, Museo de Arte Moderno, Santo Domingo, D.R.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

Arturo Duclos, Machina Anemica, 2017, installation view at Museo de Artes Visuales (MAVI, Santiago de Chile), flags and fans.

Arturo Duclos, Coat of Arms, 2017, installation view at Museo de Artes Visuales (MAVI, Santiago de Chile), dimensions variable.

In collaboration with the Daros Latinamerica Collection, the Museo Nacional de Artes Visuales provides the Uruguayan public with a comprehensive look at Camnitzer's body of work.

Her work has been exhibited in several international institutions, including the Museum Montanelli in Prague, Czech Republic and the Museo de Artes Visuales in Caracas, Venezuela.

His first solo exhibition, Habeas Corpus, was held at the now legendary Gallery Sur in 1982, one of the few contemporary art spaces in Santiago at that time; more recently the MAVI (Museo de Artes Visuales), Santiago, held a retrospective of his work titled Reflejo Involuntario (Involuntary Reflex) in 2017.

His work is represented in several prominent public collections including the Los Angeles County Museum of Art; Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Wadsworth Atheneum, Hartford, Connecticut; Winston - Salem State University, North Carolina; and in New York, the Museum of Modern Art, Metropolitan Museum of Art, Schomburg Center for Research in Black Culture, and the Studio Museum in Harlem.

In 2010, the Serpentine Gallery, London organized a major survey of the artist's work which subsequently toured through South America in 2012 to the Museo de Arte del Banco de la República, Bogotá; Museo de Arte de Lima; and the Museo de Artes Visuales, Santiago.

Smallwood's work has been included in exhibitions including the Hyde Park Art Center, Chicago; College Art Association's ARTspace Media Lounge, New York; Angels Gate Cultural Center, San Pedro; El Centro de Desarrollo de las Artes Visuales, The Institute of Superior Arts (ISA) and The National Salon of Contemporary Cuban Art, Havana, Cuba.

Dan has work in the collection of video art and Eyeball Witness; and has attended residencies at Harold Artist (Chesterhill, OH); Acre Artist residency (Steuben, WI); El Centro Desarollo de Artes Visuales Residency (Havana, Cuba), and The Luminary (St. Louis, MI).

In the first months of Pinochet's dictatorship, she was dismissed from her teaching position at the Universidad de Chile, like many of her leftist colleagues, and shortly after cofounded an artist - run workspace and forum, Taller de Artes Visuales.

His work has been exhibited at Museo de Artes Visuales (Chile), Margaret Lawrence Gallery (Australia), Saatchi Gallery (UK), Espace Culturel Louis Vuitton (France) and the Museum of Art and Design (US) among many others.

She is a former researcher and curator at the Centro de Desarrollo de las Artes Visuales (Development Center of Visual Arts) and a former professor at the Instituto Superior de Arte (Higher Institute of Art), both in Havana.

24 November 2017 - 27 May 2018 Etel Adnan All the words for rock, Nature and Conflict Centro de Artes Visuales Fundación Helga de Alvear, Càceres, Spain

Select exhibitions, grants and awards include: The Suspended Line, Josée Bienvenu Gallery, NY (2015); Provisionals, Josée Bienvenu Gallery, New York, NY (2014); Autocorrect, Josée Bienvenu Gallery, NY; SOMA Graduate Exhibition, CCE - MEX Spanish Cultural Center, Mexico; Neo Povera, L&M Arts, Los Angeles, CA (2013); SOMA Open Studio, Mexico, D.F.; National Visual Arts Museum, Paul Cezanne Award, Montevideo, Uruguay (2012); Antonio Gala Foundation, residency program Open Studio, Córdoba, Spain (2011); National Visual Arts Museum, Salón Nacional de Artes Visuales, Montevideo, Uruguay; Harto espacio, Buenos Aires, Argentina; Untitled, Goethe Institut Montevideo, Uruguay, (2009).

2014 Wako Works of Art, Tokyo, Japan 2013 Daniel Buchholz, Berlin, Germany Maureen Paley, London, UK Neue Welt, Les Rencontres d'Arles, France Museo de Artes Visuales, Santiago, Chile 2012 Neue Welt, Kunsthalle Zürich, Zürich, Switzerland A New Installation, with Works from the Arts Council Collection, the Common Guild, Glasgow 2011 Franz West Installation, Wolfgang Tillmans New Works, Juana de Aizpuru, Madrid Gallery 3: Wolfgang Tillmans, Out of the Boxes, Part 1, curated by Beatrix Ruf, Andrea Rosen Gallery, New York Regen Projects, Los Angeles Zach?ta Emutigung, Zach?ta National Gallery of Art, Warsaw 2010 Serpentine Gallery, London Walker Art Gallery, Liverpool

Recent solo shows include those at El Museo Nacional de Artes Visuales in Montevideo; Museo de Arte Latinoamericano de Buenos Aires; Museo Provincial de Bellas Artes Franklin Rawson in San Juan, Argentina; Museo de Arte de Zapopan in Guadalajara, Mexico; Sicardi Gallery in Houston, TX; Barbara Krakow Gallery in Boston, MA; and Galerie Mor - Charpentier in Paris, France.

El fanstasma político del arte», (Santiago de Chile 2011); Revisión / Remisión de la historiografía de las artes visuales chilenas contemporáneas (Santiago de Chile, 2011); «Mario Navarro.

1995 Choice Morsels from the Collection of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogue)

Minaya attended the Escuela Nacional de Artes Visuales (ENAV) in Santo Domingo, Dominican Republic in 2009, the Altos de Chavón School of Design in La Romana, Dominican Republic in 2011 and Parsons the New School for Design in 2013.

Novoa's work has been included in numerous group exhibitions including Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy; Center for Contemporary Art Laznia, Gdansk, Poland; Museo Nacional Reina Sofia, Madrid, Spain; Mediations Biennale, Muzeum Narodowe, Poznan, Poland; El Museo del Barrio, New York; Museo Del Palacio de Bellas Artes, Mexico City, Mexico; Nassau County Museum, Roslyn Harbor, New York; Exit Art, New York; City Art Museum Ljublana, Ljublana, Slovenia; Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba; The University Art Museum, University of California, Santa Barbara, California also traveled to University Galeries, Illinois State University, Normal, Illinois and DePauw University Art Gallery, Greencastle, IN; Centro de Cultura Contemporanea, Barcelona, Spain; Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina and Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania; Museum of Art, Fort Lauderdale, Florida; Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands, also traveled to Fundación CAIXA, Palma de Mallorca and Centro de Arte Santa Mónica, Barcelona, Spain; Engraving Museum, Curitiba, Brazil; Ex Convento de Santa Teresa La Antigua, Mexico City, Mexico; Museo del Chopo, Mexico City, Mexico; Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Museo Jesus Soto, Ciudad Bolivar, Venezuela; Ludwig Forum Fur Internationale Kunst, Aachen, Germany; Städtische Kunsthalle Düsseldorf, Dusseldorf, Germany; Porin Taide Museo, Pori, Finland; also traveled to Mucsarnok Museum, Budapest, Hungary and Palffy Palace, Vienna, Austria; Massachusetts College of Art, Boston, Massachusetts also traveled to The Bronx Museum, New York and III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba.

Selected group exhibitions include: Whitechapel Gallery, London; Centro Artes Visuales Helga de Alvear, Cáceres (both 2011); Socrates Sculpture Park, Long Island City, New York; Denison Museum, Granville, Ohio (both 2010); Brooklyn Academy of Music, New York; Macro Future, Depart Foundation, Rome; Foundation CaixaForum, Madrid (all 2009); 2nd Moscow Biennale (2007); Weatherspoon Art Museum, Greensboro, North Carolina; Walker's Point Center for the Arts, Milwaukee; Cercle (all 2006); SculptureCenter, New York (2005); Queens Museum of Art, New York (2003); Whitney Museum of American Art at Altria, New York, Arnolfini, Bristol (both 2002), Public Art Fund, Brooklyn, New York (2001).

In South America her work was featured at the Centro Cultural Recoleta and Museo del Grabado in Buenos Aires, Argentina; Museo de Artes Visuales, Montevideo, Uruguay; the Instituto Brazil Estados Unidos, and Laura Marsiaj Arte Contemporanea, in Rio de Janeiro, Brazil, as well as Art Fairs: ARCO Madrid, Spain; Art Basel Miami Beach, USA; ArteBA Buenos Aires, Argentina; SParte São Paulo, Brasil.

Mozman is a Fulbright Fellow, and has exhibited at the Chelsea Museum, New York, The DeCordova Sculpture Park and Museum, Massachusetts, the Museum of Latin American Art, Long Beach, the Shore Institute of Contemporary Art, New Jersey, Festival de la luz at the Centro Cultural Recoleta, Buenos Aires, the Instituto Cultural Itau, São Paulo, the Friese Museum, Berlin, the Museo Nacional de Bellas Artes, Santiago, Chile, Museo Nacional de Artes Visuales, Montevideo, Uruguay, Centro Cultural de España, Mexico City, the Smithsonian National Portrait Gallery, Washington D.C., and the Studio Museum, Harlem.

Not exact matches

María Jesús Folch, «Los pensamientos visuales de Philip Guston,» Arte Contemporaneo, January 2002.