Sentences with phrase «artist general production»

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Spark Networks HurryDate Host Manager of Outbound Sales — Call Center / USA — UT, Leihi Customer Service Representative / USA — UT, Leihi Production Artist / USA — CA, Los Angeles General Manager — Gospel Media / USA — CA, Los Angeles Senior Product Manager / USA — CA, Los Angeles Mobile Media Manager / USA — CA, Los Angeles More info: http://www.spark.net/careers.htm

Is The Disaster Artist a funnier and more complete film having seen the incoherent train wreck that is Tommy Wiseau's 2003 released disasterpiece The Room (including a general familiarity with its toxic production)?

The deal was negotiated on behalf of Open Road Films by Ortenberg, Chief Operating Officer and General Counsel, Elliott Kleinberg, and Executive Vice President of Production & Acquisitions, Peter Lawson — and by Moritz Borman and Creative Artists Agency.

Athey has worked professionally as a 3D production artist for more than 8 years, contributing character art for Syphon Filter Logan's Shadow, level art for Syphon Filter Dark Mirror, and Resistance Retribution, and general production art and character rigging for Uncharted Golden Abyss for the PSVita.

• Follow the level design pipeline from «pen & paper» game designs to implement spectacular character based levels and ultra-fun gameplay mechanics • Work closely with level layout artists to identify level assets and gameplay direction to ensure visual and technical quality for the levels • Follow direction of Lead Level Designer to maintain gameplay vision consistency • Contribute to level concept, layout, implementation (camera, entity, etc.), prototype modeling, scenario creation, event scripting, game balancing, pacing, and gameplay tuning • Contribute to general game design, as well as cooperate with all other facets of game production (programming, environment / world art and animation) • Place and trigger entities (such as enemies, movers, and objects) to create fun, absorbing gameplay • Master internal tools for modeling environments and integrating game play • Rough out world geometry, camera paths, and lighting using 3D world - building tools • Assist with the scripting of gameplay entities and events • Creatively resolve gameplay and production issues • Meet production schedules and deadlines • Collaborate with Design team to define and refine gameplay mechanics • Multitask effectively, prioritize competing demands, and follow through on details

Art in General currently supports the production of new work by local and international artists through its New Commissions Program and its International Collaborations program with numerous arts organizations around the world.

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

NEW COMMISSIONS PROGRAM Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Founded in 1981, Art in General is a leading nonprofit New York City arts organization that assists artists with the production and presentation of new work.

Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Art in General was founded in 1981 and supports the production of new work by local and international artists primarily through its New Commissions Program and its International Collaborations program.

About Art in General Founded in 1981 in Lower Manhattan, Art in General is a nonprofit organization that assists artists with the production and presentation of new work.

Its goals as an institution are the support and growth of young and emerging, to well - known and established artists, the production and promotion of their artwork, and the general production of their exhibits, events and projects.

Artist travel and production support is provided by the Embassy of Colombia, Washington D.C., Consulate General of Brazil in New York, the Danish Arts Council, the Mexican Cultural Institute of New York, and the Office of Cultural Affairs, Consulate General of Israel in NY.

Artist Aspen Mays activates the office cubicle as a site for information production and general inquiry where «big ideas» are generated.

Art in General was founded in Lower Manhattan in 1981 and supports the production of new work by local and international artists primarily through its New Commissions Program and its International Collaborations program.

Formed in Toronto in 1969 by AA Bronson, Felix Partz and Jorge Zontal, the artist collective General Idea built its body of work on a strikingly diverse array of themes, constantly revisiting both the field of contemporary art production and the identity politics of the era that ultimately underscores so much of the artist's act of world - making, critique and expression.

(ENG) New project by Pedro G Romero in which the artist's unique operations are presented before, after and during his work with Archive F.X, and with which the author continues his interest in the social production of value, General Intellect.

Art in General is a nonprofit organization that assists artists with the production and presentation of new work.

Art in General is a nonprofit contemporary art organization that assists artists with the production and presentation of new work.

All proceeds benefit Art in General's crucial mission of supporting emerging artists in the production of risk - taking new works — purchase tickets to the event here.

By exhibiting significant artworks in its storefront location at the edge of Taksim Square in Istanbul, collectorspace seeks to engage the general public on issues that motivate contemporary artists while creating reference points for next generations of collectors regarding their role in supporting knowledge production.

In this state of relative non-recognition within the discourse and debate around art and culture in general, the subject of the «reductive» as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade within an international frame of cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80's and 90's.

In order to emphasize the fluid borders that characterize cultural production in general and Villar's art practice in particular, an ongoing series of talks organized by Danger Museum called Dialogical Encounters will be given by artists who have recently collaborated with Alex. Already planned are the encounters of artist Valerie Tevere with one of UKS Biennial curators Helga - Marie Nordbye on February 4; and the encounter of artist Maryam Jafri with UKS director Trude Iversen on February 11.

«I wish to question the role of the artist in these societies of control, and to speculate on the possibilities that art or cultural production in general has in developing alternative modes of being.»

Its goals as an institution are the support and growth of young and emerging, to well - known and internationally established artists, the production and promotion of their artwork, and the general production of their exhibits, events and projects.

Its mission was «to assist young printmakers in the production, exhibition, and marketing of their work,» and the foundation pledged to support «the work of artists whose art is seldom seen by the general public, including [that] of «indians, eskimos, asians, hispanics, and blacks [sic].

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

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Professional Experience United Media — a division of E.W. Scripps (New York, NY) 1988 — 2011 SVP / General Manager — Syndication & Web (2002 — Present) • Outline financial and strategic direction of business operations, directing all aspects of syndication division including sales, editorial, web, customer service, administration and production • Identify, develop and launch unique, valuable IP created by artists, writers and producers, including Dilbert and Big Nate • Negotiate client, talent, licensing and vendor agreements, working closely with in - house and external legal teams • Develop pricing strategies, competitor and market analysis, marketing and business plans for over 200 properties • Manage key talent relationships with IP including Charles Schulz / Peanuts, Scott Adams / Dilbert and Gemstar • Oversee and direct content for first and largest consumer - facing website in industry, comics.com, developing subscription and ad - based models and creating new features including e-commerce, widgets, RSS feeds and animations • Increase revenues, manage expenses, streamline workflows and create team environment to increase productivity, consistently exceeding profitability goals within a declining market segment