Invisible
Adversaries was chosen as a touchstone for the exhibition because the condition it describes, where a hostile force (what EXPORT in her film describes as «Hyksos») circles around the protagonist and also infiltrates her mind, connects with the ways artists approach their adversaries: not as obvious enemies to overthrow but as complex relationships that are a profound part of our history and pers
Adversaries was chosen
as a touchstone for the exhibition because the condition it describes, where a hostile force (what EXPORT in her film describes
as «Hyksos») circles around the protagonist and also infiltrates her mind, connects with the ways
artists approach their
adversaries: not as obvious enemies to overthrow but as complex relationships that are a profound part of our history and pers
adversaries: not
as obvious enemies to overthrow but
as complex relationships that are a profound part of our history and personal lives.
Since then, Cornell has co-curated a solo show of Puerto Rican
artist Beatriz Santiago Muñoz's films at the New Museum and a stunning group show, «Invisible
Adversaries,» which used the work of radical feminist
artist VALIE EXPORT
as a jumping off point, at Bard College's Hessel Museum of Art.
Despite the tendency in sports to challenge and beat rivals, the
artist suggests that the robot is not intended to be your
adversary: «The only opponent to beat within the installation is yourself,
as the robot is not your opponent but a practice partner, a tool to dramatically improve your performance.
Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain
as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women
Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible
Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain
as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015