Sentences with phrase «artist images details»

Installation French Artist images details: exhibition painting n ° 1, phtalo green pigment and naked wall brick

Not exact matches

This artist's impression is based on a detailed map of the surface compiled from images taken from NASA's Dawn spacecraft in orbit around the dwarf planet Ceres.

Detailing a little - known, yet fascinating, aspect of the Civil War, Civil War Artist would be a useful tool to spur discussion about ways in which technological advances change the ways images of current events reach the public.

Learning objectives To develop a detailed collage on oneself and to discover how other artists have represented their own identity - Cindy Sherman, Barbara Kruger and Mariel Amelia Showing examples of composition planning of collage - drawing out ideas for collage Using a text artists like Miss Wilcox and adding in words to add to identity image of oneself - adding in text in the photoshop work and then in the fabric work.

Sweet, a collage artist, created the booking letters, manuscript drafts, photos, illustrations, and more, offering readers, young and old, layered, detailed, and colorful images to investigate.

The coveted Photographer of the Year title was presented to British artist Alys Tomlinson for her series Ex-Voto, a personal project that encompasses formal portraiture, large format landscape and small, detailed still - life images of the «ex-votos» (offerings of religious devotion) found at pilgrimage sites of Lourdes, Ballyvourney (Ireland) and Grabarka (Poland).

However, this paper prints images clearly and brightly with a high level of detail, and is a favorite amongst artists for printing their art on other materials not expected to last long, such as flyers

The image is a detail of «Afro Margins,» a 2007 pencil drawing by Trinidad - based artist Chris Ofili.

Images: Melvin Edwards, Texas August (detail), 2006, Welded steel, 9 × 8 × 5.5 inches, Courtesy the artist and Alexander Gray Associates, NY Peter Saul, Portrait in the Style of de Kooning (detail), 2007, Acrylic on paper, 59.75 × 41.5 inches, Courtesy the artist and David Nolan Gallery, NY

Images: Laura Ginn, Untitled (detail), 2011, Digital photograph, Dimensions variable, Courtesy the artist Clifford Owens, Anthology (Steffani Jemison)(detail), 2011, C - print, 20 × 16 inches, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist Clifford Owens, Anthology (Steffani Jemison)(detail), 2011, C - print, 20 × 16 inches, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artistartist

Images: Leslie Shows, Untitled (detail), 2011, Acrylic, Plexiglas, metal filings, crushed glass on aluminum, 48 × 82 inches, Courtesy the artist Seana Reilly, TippingPoint (detail), 2011, Graphite on Dibond, 36 × 48 inches, Courtesy the artist Elonda Billera, After Will Have Been Before (III), 2009, Bronzed Pillsbury Biscuits, 9 × 6 × 5 inches, Courtesy the artist, Photo: Janice Gomez

Image: © Gert & Uwe Tobias, Untitled (detail), coloured woodcut on paper, 168 x 150 cm, 2011 (courtesy the artists and Maureen Paley)

Her three - dimensional forms, at once poetic and quirky, are translated from the artist's personal archive of found images, their sources ranging from details of architectural ornamentation — whether an Art Deco wall sconce or vintage wallpaper — to articles of clothing.

Gander is an inventive polymath, a creator of worlds and teller of tales, whose making takes forms as varied as a lecture series entirely based on «loose associations,» a nonlinear narrative of wildly disparate ideas and images found and collected by the artist; re-creations of children's tent - forts sculpted in marble; the construction of complex mechanisms to generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.

Image: Paula Rego, The Sky was Bue, The Sea was Blue and The Boy was Blue, 2017 (detail) © the artist.

[Image: Kahn / Selesnick, The New City of Salt (detail), 2001, archival digital print, 3/5, 9 x 37 inches, Museum Purchase, Courtesy of the artists]

In the end, all the artists featured in the exhibition accept full responsibility for every detail of their images, offering a powerful alternative to the dominant photographic tradition of the compelling picture that is somehow found by chance.

Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves.

This exhibition will feature photographs from his recent Pictures of Magazines 2 series, in which the artist has carefully culled and torn pieces of paper from art, fashion and news magazines; amalgamated them into re-creations of iconic and historically significant paintings; and then photographed and magnified the images, resulting in evocative, exquisitely - detailed and entirely unique works of art.

Header image: Isamu Noguchi, U.S. Pavilion Expo» 70, 1968 (detail); © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS), New York

The sturdy froth of color and texture that comprises his images creates a «glancing, immaterial quality,» an impression not of the world as it is, but as it is remembered.1 While the artist finds that «the subject matter of (his) pictures is often established in one sitting,» he may take up to three years to complete a painting, even one as profoundly simple as After Corot (1979 - 1982).2 Hodgkin's process of recollection is related to that of the master mnemonist, Marcel Proust, whose all - over attention did not discriminate between the most significant details of memory and the most obscure.

The large - format publication features page after page of full - bleed images and details of works, along with an interview with the artist conducted by fashion designer Duro Olowu.

The artist, based in North Carolina, creates his images from detailed, numerical equations that he both records and explores on paper.

do ho suh finalizes fabric new york apartment series in color «apartment A, unit 2, corridor and staircase, 348 west 22nd street, new york, NY 10011, USA» (detail), 2011 — 2014 polyester fabric and stainless steel tubes apartment A — 271 2/3 x 169 3/10 x 96 7/16 inches; unit 2 — 422 7/16 x 228 1/3 x 96 1/16 inches; corridor and staircase — 488 3/16 x 66 1/8 x 96 7/16 inches installation view, the contemporary austin — jones center, austin, 2014 all images courtesy the artist and lehmann maupin, new york and hong kong / all photographs by brian fitzsimmons

Interested in a piece but want more images, detail shots or information on the artist?

Main image: Laura Aguilar, In Sandy's Room (detail), 1989, silver gelatin print, 1.1 x 1.3 m. Courtesy: the artist and the UCLA Chicano Studies Research Center © the artist

Featured image: Robert Smithson — Portrait of the artist (Detail), photo credits Criticalissueintheculturalindustries

Beryl Korot, Babel 2 (detail), 1980, Pigment on linen woven by the artist, 72 x 38.75 in (image via bitforms gallery nyc / Facebook)

In such images, the artist pays homage to the smallest detail that for many would go on unnoticed, confirming how keen of an observer Hockney truly is.

Untitled, 2015, Graphite on paper in artist made oak frame with walnut inlay, 132 x 40.64 x 6.35 cm, Detail, Image courtesy of the artist and Monique Meloche Gallery, Chicago

With several pages dedicated to images of each artist's work and a deeply analytical parallel text, Vitamin D is at once a detailed reference book for art world aficianados and an absorbing introduction for newcomers to the scene.

© Paula Rego / Lullaby / Etching and Aquatint / 2009 / edition of 35 / 110 cm (h) 110 cm (w) / Estimate # 2,000 - # 3,000 / Generously donated by the Artist and Marlborough Fine Art / copyright image the artist and Marlborough Fine Art, London MORE DETAILSArtist and Marlborough Fine Art / copyright image the artist and Marlborough Fine Art, London MORE DETAILSartist and Marlborough Fine Art, London MORE DETAILS: HERE

The auction house produced a special digital catalog featuring a biographical narrative about each of the artists and information on the lots, along with images, estimates and limited details about exhibition history and ownership provenance.

For more images and details, please visit the artist's page: www.christyrogers.com

Featured image: Alina Chaiderov — Before 1989 we kept the bananas in the closet, 2014)(detail) All images courtesy of the artist and Galerie Antoine Levi

Image: Anselm Kiefer Des Meeres und der Liebe Wellen [Detail] 2011 Mixed media and gynaecological instrument on photographic paper © the artist Photo: Charles Duprat Courtesy White Cube White Cube Hoxton Square is pleased to present a new exhibition by the internationally acclaimed artist Anselm Kiefer.

Firelei Báez, Vessel of Genealogies (detail), 2016, Acrylic, graphite and ink on paper Image Courtesy of the Artist & Gallery Wendi Norris

Image: Jason deCAIRES TAYLOR Vicissitudes 2011 (detail) installation view: depth 5m Grenada, West Indies Courtesy of the artist

A maximum of three works per artist is allowed, with one image and one optional detail per work.

Jacco Olivier, Revolution (detail), 2010, HD animation on Hard Disc Image Courtesy of the Artist & Marianne Boesky Gallery In Cosmology in Flux, Dutch painter, Jacco Olivier illustrates the vivacity of painting and his ability to realize his subject matter in rich animation.

Featured image: Blair McLaughlin — The Invention of the Ship was the Invention of the Shipwreck (detail), 2016 — image courtesy of the artist

In the 1980s Ackroyd emerged as a landscape artist, creating works that range from minimalist, nearly abstract impressions, to detailed images.

Main image: Njideka Akunyili Crosby, Garden Thriving, 2016, (detail), acrylic, transfers, coloured pencil and collage on paper, diptych, each: 2.1 x 2.7 m. Courtesy: the artist and Victoria Miro, London / Venice © Njideka Akunyili Crosby

Although the majority of the photographs in the collection function as visual records of Still's body of work, these documentary images reveal the depth of his extensive efforts to detail his own legacy as a revolutionary artist.

More than fifty of his masterworks are each examined in detail through never before published archival installation images and comments by the artist from the time of production or exhibition.

site offers much more: zoomable images of all 130 works in the exhibition, accompanied by the text that appeared on the Hammer's wall labels; eight essays, 35 artist biographies, and a detailed chronology from the now out - of - print catalogue; and documentation of the exhibition, including checklists, installation images, related programs, and critical reviews, at the three venues that hosted the show — the Hammer, MoMA PS1, and Williams College Museum of Art.

Applications for membership should be made to [email protected] and include a short artist statement, artist cv, up to five images or links to recent work and a covering letter detailing how you feel two queens membership would benefit you.

Akin to a sculptor, the artist invests each facial pore and hair with microscopic detail so the image resonates as a complete emotional picture; an internal and external illumination.

The level of detail involved in each «scene» is astounding, with the images building up a visual autobiography of the artist.

Speakers include graphic artist and illustration mastermind Jean Jullien, whose iconic» Peace for Paris» symbol became an instant global meme; children's book author and illustrator You Jung Byun, known for her detailed narrative and commissioned work inhabited by strange beasts and lost children; everyone's favourite gif - wunderkind Julian Glander, creator of bubblegum - coloured digital illustration, indie games and interactive artwork, all subsumed under the catchword «digital toys»; animator, writer, and producer Ben Bocquelet, creator of the famed animation series «The Amazing World of Gumball `; Martina Paukova, illustrator with an incredibly fast - paced career, whose jam - packed images in a trademark palette and Memphis - inspired patterns mirror our mundane lives in the digital age; and Jaime Álvarez, renowned for his 3D rendered Mr. Kat (PE) universe, fusing pre-Columbian with contemporary kawaii aesthetics.