Sentences with phrase «artistic culture program»

Not exact matches

This is a relatively short, but very complete program which adapts itself perfectly to student delegations» academic requisites, as the synthesis of the Incan and Colonial monuments, Machu Picchu, Saqsaywaman, Pisaq, Ollantaytambo, the Sacred Valley and Cusco's Historical Center, Humanity's Cultural Patrimony, are the guardians of the enigmas of a prominent ancestral culture that left traces of great monumental, architectural, scientific, historical and artistic value, for the greater benefit of its posterity.

CODE: 5184990006 Overnight Stay in Machu Picchu (03 Days / 02 Nights) This is a relatively short, but very complete program which adapts itself perfectly to student delegations» academic requisites, as the synthesis of the Incan and Colonial monuments, Machu Picchu, Saqsaywaman, Pisaq, Ollantaytambo, the Sacred Valley and Cusco's Historical Center, Humanity's Cultural Patrimony, are the guardians of the enigmas of a prominent ancestral culture that left traces of great monumental, architectural, scientific, historical and artistic value

MBA Bali tours offers tour programs such as Bali Cooking Class (learn Balinese cuisine), Bali Land Rover Tour Safari (safari tour in a legendary Land Rover from one Traditional Village to another), Bali Paint Ball Game War (combination of the childhood games tag and hide and seek but is much more challenging and sophisticated), Bali Golf Course (Bali Golf serves your propensity of golf playing in the heaven of Bali), Balinese Culture Creation and Kids Course (amazing culture with its unique architectures, richly hued costumes and handwoven cloth, rice terraces and traditional irrigation system and cooking class), Devdan Bali Theatre (the show was created in Bali with the aspiration to introduce and entertain guests with the artistic and natural attractions that are alive in Bali and Indonesia), and Anika Cooking Class (creative process that is simple and a lot Culture Creation and Kids Course (amazing culture with its unique architectures, richly hued costumes and handwoven cloth, rice terraces and traditional irrigation system and cooking class), Devdan Bali Theatre (the show was created in Bali with the aspiration to introduce and entertain guests with the artistic and natural attractions that are alive in Bali and Indonesia), and Anika Cooking Class (creative process that is simple and a lot culture with its unique architectures, richly hued costumes and handwoven cloth, rice terraces and traditional irrigation system and cooking class), Devdan Bali Theatre (the show was created in Bali with the aspiration to introduce and entertain guests with the artistic and natural attractions that are alive in Bali and Indonesia), and Anika Cooking Class (creative process that is simple and a lot of fun)

In 2012, with the support of an Artistic Innovation and Collaboration grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

Our programs trace the social, cultural, and artistic threads of these movements through music, dance, visual arts, crafts, religion, cosmology, food culture, folklore — and much more.

Weinberg has a history of interest in French culture, beginning with his work on the American Center in Paris, where he served as artistic and program director from 1991 to 1992.

The New York Studio School MFA program offers a wealth of artistic values, styles, heroes, ideals, concepts, foundations, priorities, culture, community, and goals.

Think Art — Act Science is a part of the New Models of Culture and Art Production section of SFAI's Exhibitions and Public Programs structure, which manifests new modes of production — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globalization.

The first program of its type, the Arts Writers Program was founded in recognition of both the financially precarious situation of arts writers and their indispensable contribution to a vital artistic cprogram of its type, the Arts Writers Program was founded in recognition of both the financially precarious situation of arts writers and their indispensable contribution to a vital artistic cProgram was founded in recognition of both the financially precarious situation of arts writers and their indispensable contribution to a vital artistic culture.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.

The program both focuses on traditional modes of journalism that discuss art and other aspects of culture, and the ways in which journalism can itself, take on forms of artistic expression.

The artists included in this program employ a variety of techniques regarded as traditional and domestic, such as embroidery and crochet, using craft materials to address cultural and gender issues in a complex intersection of artistic practices, popular culture, and aesthetic splendor.

They produce programming that challenges prevailing notions of exhibition making, introduce new forms of artistic practice, embed dialogues from other regions into local conversations, and create points of intersection between visual, political, and technological cultures.

Potsic is the CEO and Principal Curator of Amie Potsic Art Advisory, LLC as well as Chair of the Artistic Advisory Board of the Art In City Hall program of the Office of Arts and Culture of the City of Philadelphia.

The Studios» residency program is community - based and built upon the hope that visiting artists will take inspiration from Key West's rich artistic past and present, and will engage with — and be inspired by — the remarkable people and culture that surrounds them.

She received the 2009 — 10 Jóvenes Creadores Grant, an award from the Jalisco State Council for Culture and the Arts (Consejo Estatal para la Cultura y las Artes, CECA) in 2013 — 14, followed by a grant in 2015 — 16 from the Stimulus Program for Creation and Artistic Development (Programa de Estímulo a la Creación y al Desarrollo Artístico, PECDA).

Potsic is currently the Executive Director of Main Line Art Center in Haverford, PA as well as Chair of the Artistic Advisory Board of the Art In City Hall program of the Office of Arts and Culture of the City of Philadelphia.

In addition to her photography and installation artwork, Potsic serves as the Executive Director of Main Line Art Center in Haverford, PA, and as Chair of the Artistic Advisory Board of the Art In City Hall program of the Office of Arts and Culture of the City of Philadelphia.

She was Artistic Director of the 5th Marrakech Biennale (2011 - 14), and curator, among others, of the exhibitions «Carrefour / Treffpunkt» at the ifa Galleries, «Casablanca, energie noire» part of Mons 2015 — European Capital of Culture, «Now Eat My Script» at KW Institute for Contemporary Art Berlin (2014), and the residency program of Villa Romana in Florence.

Potsic is currently the Executive Director ofMain Line Art Center in Haverford, PA as well as Chair of the Artistic Advisory Board of the Art In City Hall program of the Office of Arts and Culture of the City of Philadelphia.