Sentences with phrase «artistic research artists»

Not exact matches

Fellowship grants to individuals «made primarily to assist scholars and creative artists to carry on their own works of research and artistic creation» for which the grantor has no control over the outcome of the research were considered gifts (Stone v. Commissioner, 1954; 23 T.C. 254).

In fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learning.

The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect on their artistic practice, research and make new work within an international setting.

She plays in the all - female, all - drum band Charismatic Megafauna; and collaborates on Bedfellows; an artistic research project with artists Chloe Cooper and Phoebe Davies advocating for life - long queer feminist sex - re-education.

The collaboration between Wade Guyton and Kelley Walker means more than the mere sum of two individual artistic researches and practices, but rather represents the creation of a «third artist».

Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

A-I-R Laboratory hosts up to 30 international artists a year and focuses on production and research based practices within the context of the residency treated as an artistic medium.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

Artists such as Lillian F. Schwartz and Peter Struycken discovered the artistic potential of algorithms in the 1960s and collective JODI researched the Internet as a canvas in the 1990s.

As a research artist and digital media Ph.D student, I am constantly challenged to reflect critically upon the nature of the various forms which are emerging in contemporary artistic practices.

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

The Hartley collection is an important and invaluable part of the artistic and cultural heritage of the state of Maine, and is an actively studied research field for students and faculty of Bates, and also scholars and artists around the world.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

Lambert is the co-founder and co-director of the Center for Artistic Activism, a research and training institute to help activists be more creative and artists to be more effective.

In 2015, Swiss artist and curator Stefan Banz completed an impressive monograph dedicated to Eilshemius, compiling extensive research, writing and historical documents pertinent to the understanding of his life, artistic trajectory and influence on Duchamp.

Bokaer, a recipient of the John Simon Guggenheim Memorial Fellowship, is an interdisciplinary artist who merges choreography, visual art, film, and artistic research.

Catherine Sullivan, a Chicago - based artist who works primarily with video and performance, gives us an example of artistic practice rooted in the more familiar academic territory of historical and traditional theoretical research.

The complexity and the diversity of artistic expression becomes even more accentuated in the 1980s and 1990s, and the artists whom we have selected are among the most important of those researching new possibilities within photography (John Divola, Catherine Opie), paintings and sculpture (Paul McCarthy, Henry Taylor, Charles Ray, Meg Cranston, Laura Owens) and installations (William Leavitt, Alexis Smith).

More than thirty works selected for Pontifex Maximus exhibition represent an eloquent synthesis of an artistic research, accomplished during a career that spans more than twenty years, as well as a respectful and scholarly tribute to classical iconography, which has inspired a specific Russian artist ever since his early training.

In reference to his newly commissioned public artwork in Museum Park on the occasion of Fringe Projects, artist David Brooks will discuss how artistic inquiries, fieldwork, and research - based practice contribute to a broader «living» characteristic of his work and projects.

Students research the topics and artists relevant to their own personal development, to gain a stronger sense of their artistic direction as an individual.

In 2011, five international artists — Ruth Buchanan, Simon Fujiwara, Suchan Kinoshita, Falke Pisano and Ian White — were invited to the KUB Arena at Kunsthaus Bregenz, a space dedicated to artistic research and art production, to create both aesthetic and process - oriented performances.

As an artist I transform this specific knowledge into artistic operations: Therefore the artistic practice offers me the highest point of interdisciplinarity as well as space for creative research.

She has been an artist in residence at BANFF Centre (2013), Carnegie Mellon University's STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), and the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin - in collaboration with writer / artist Daniel Rourke --(2016).

Autistica, the UK's leading autism research charity and Mehta Bell Projects, are pleased to announce «An Infinitely Beautiful Mind», a charity art sale and exhibition which will present the works of artists ranging from modern masters, contemporary and emerging talents through to outsider art, whose work share the desire to represent the human experience through highly detailed and laborious artistic techniques.

Jeff Robinson: Dummy Vexillography is the second exhibit at STNDRD, a gallery project curated by St. Louis artist Sage Dawson and temporarily located within the entrance of the Luminary, a space that facilitates artistic research, production, and presentation through residencies, studios, and exhibitions.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Invested in the artistic possibilities of video, the ETC developed a research program to push the boundaries of the medium by creating a more flexible set of processing tools for artists.

The performance project is facilitated by a guest artist and Lower Left who use their artistic process to frame the group's research into performance.

His artistic research has long been coupled with written statements and reflections collected in artist's books: from Idem, published in 1975 by Einaudi (Turin) with a foreword by Italo Calvino, to Quattro passi.

Speakers: Bose Krishnamachari, Artist, President, Kochi Biennale Foundation; Carolyn Christov - Bakargiev, Director, Castello di Rivoli Museum of Contemporary Art and Galleria Civica d'Arte Moderna e Contemporanea, Edith Kreeger Wolf, Distinguished Adjunct Professor in Art Theory and Practice, Northwestern University, Evanston; Hans - Ulrich Obrist, Artistic Director, Serpentine Galleries, London; & Maria Lind, Director, Tensta Konsthall, Stockholm & Professor of Artistic Research, Oslo National Academy of the Arts Moderated by Mark Rappolt, Editor - in - Chief, ArtReview

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

The trio has conducted intimate and thorough research to establish these artists» ideas and all aspects of their artistic integrity in order to present a selection they feel have the creative and intellectual stature to continue to produce thought provoking work for years to come.

Open Studios: Banff Artist in Residence Emerging 2018 - At the end of each residency, participants in Visual + Digital Arts programs at Banff Centre open their studio doors to share the artistic research and art work created, as well as the pertinent conversations generated in the program.

Drawn from private collections and archives as well as public sources, Ruins in Process brings together the research of many artists, curators and writers in an exploration of the diverse artistic practices of Vancouver art in the 1960s and early 1970s.

Alongside its exhibition series Re-PLAY (2012 - ongoing), OFCA International has developed Prima Visione to provide invited individual artists a way to baptize the specific result of their intense artistic research.

Exhibitions, Events, and News Our Special Exhibitions Gallery presents important new research on artists and artistic practice, and our University Galleries are programmed in consultation with Harvard faculty to support coursework.

The artist will collaborate in faculty - led classes, conduct public presentations, create art and engage with the broader community through exhibition and / or artistic research.

Blue Sky, the Oregon Center for the Photographic Arts, is a nonprofit exhibition space and community research center dedicated to educating the public about photography through exhibitions, public programs, and publications, and dialogue; and to further the careers and artistic development of the artists shown.

Guests: Bose Krishnamachari, Artist, President, Kochi Biennale Foundation; Carolyn Christov - Bakargiev, Director, Castello di Rivoli Museum of Contemporary Art and Galleria Civica d'Arte Moderna e Contemporanea, Edith Kreeger Wolf, Distinguished Adjunct Professor in Art Theory and Practice, Northwestern University, Evanston; Hans - Ulrich Obrist, Artistic Director, Serpentine Galleries, London; & Maria Lind, Director, Tensta Konsthall, Stockholm & Professor of Artistic Research, Oslo National Academy of the Arts

is a multi - media artist whose life spent between the high desert of Colorado and NYC has placed the politics of fragile landscapes at the center of her artistic research.

Christine Howard Sandoval is a multi - media artist whose life spent between the high desert of Colorado and NYC has placed the politics of fragile landscapes at the center of her artistic research.

Prima Visione is an ongoing program of solo exhibitions developed by OFCA International to provide invited individual artists a way to baptize the specific result of their intense artistic research.

The artists created these artworks after artistic and field - research, using a range of technologies drawn from scientific, digital, and indigenous knowledges.

Among the fields of research with which she is currently preoccupied are the concept of artistic work, the aesthetic, social and political possibilities of curatorial work, the implications of globalization for the cultural sphere and the functions of the postmodern image of the artist.

The objectives of the HIAP Residency Programme are to initiate and support new approaches in producing, understanding, studying and valuing art; to encourage artistic exploration and cross-disciplinary creativity; to provide international arts professionals with opportunities to undertake creative work, conduct research and build networks; to present the creative work of international artists to audiences in the Helsinki metropolitan area; and to foster international collaboration, exchange, and dialogue in the arts.

Since moving to Nottingham, she has collaborated in artist groups, including Institute of Boundary Interactions (formally LAB) and New Research Trajectories on artistic research pResearch Trajectories on artistic research presearch projects.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.