Sentences with phrase «artistic research in»

He was the recipient of DAAD Scholarship for Artist, and he continued his artistic research in Hamburg and New York.

Kusama's radical and wide - ranging artistic research in the 1960s has left deep traces in her later production.

Continuing her artistic research in the United States, where she emigrated with her husband in 1933, she rapidly became a key player in textile art, and in 1949 she was the first weaver to exhibit at MoMA, New York.

She has been an artist in residence at BANFF Centre (2013), Carnegie Mellon University's STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), and the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin - in collaboration with writer / artist Daniel Rourke --(2016).

Recent staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoria Walsh).

Not exact matches

Taking advantage of recently recovered liturgies, architectural discoveries, and artistic reassessments, Stephen Shoemaker has encapsulated decades of research into a book that finally shows Mary to be far more present in the foundational years of Christianity than we had thought, well before the Council of Ephesus that confirmed her as Theotokos.

Volume XVII, Number 1 (Download) The Task of the College of Teachers: Part 2 — Roberto Trostli «Spirit is Never without Matter, Matter Never without Spirit» — Liz Beaven The Artistic Meeting: Creating Space for Spirit — Holly Koteen - Soule Contemplative Practice and Intuition in a Collegial Context — Martyn Rawson Contemplative Work in the College Meeting — Elan Leibner Work of the Research Fellows Review of The Social Animal by David Brooks — Dorit Winter Report on the Online Waldorf Library — Marianne Alsop

As defined by Brown University in its copyright policy, however, «[c] opyrightable works of scholarly research, course materials or artistic works made by faculty members would not be considered Works Made for Hire and are the property of the author or authors.»

Now, researchers from the UNLV College of Sciences are showcasing the artistic side of science by featuring their most captivating research images in an exhibit on campus.

The BBVA Foundation promotes, funds and disseminates world - class scientific research and artistic creation, in the conviction that science, culture and knowledge hold the key to building a better future for people.

In my lab alone, we have a concert pianist, a painter, an amazing violinist, and even a student who is doing her PhD in an artistic laboratory, which is dedicated to the research, learning, critique and hands - on engagement with the life scienceIn my lab alone, we have a concert pianist, a painter, an amazing violinist, and even a student who is doing her PhD in an artistic laboratory, which is dedicated to the research, learning, critique and hands - on engagement with the life sciencein an artistic laboratory, which is dedicated to the research, learning, critique and hands - on engagement with the life sciences.

Artistic drawings can be powerful tools of research and generally speaking of digital communication and could provide a way for eLearning design to become more natural, imperfect, open to possibilities and therefore closer to our natural environment, the one we like spending time in.

In their sixth - grade social studies and language arts class, while doing a simulation on the Maya, students take breaks for research, close reading of articles (from secondary sources to primary documents written in the 1500s), and analyzing their own artistic replicas of primary documentIn their sixth - grade social studies and language arts class, while doing a simulation on the Maya, students take breaks for research, close reading of articles (from secondary sources to primary documents written in the 1500s), and analyzing their own artistic replicas of primary documentin the 1500s), and analyzing their own artistic replicas of primary documents.

What if they devised action research projects to collect data and illustrate the impact art - infusion and artistic - reflection had in implementing the school's goals?

As a research scholar and consultant for arts in education in the past, he has investigated artistic development in children at Harvard Project Zero from 1982 to 1994 and assessment of arts and general education programs from 1985 to 1995.

In fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learninIn fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learninin their studios to discover how artistic processes may inform best practices in teaching and learninin teaching and learning.

It is available both to the university community, which, in a sense, lives in the historical complex, and to those who, as external parties, are invited to take part in the cultural life generated here, as well as to visitors.The suggested itineraries are the result of a research plan carried out by students and teachers of the Master in Education Services for Artistic Heritage, Historical Museums and Visual Arts; for them CREA represents a possible field of reference after the education received.The e-book aims not only to bri...

bibliography — As in numerous artistic papers, reference is given to all references and sources the author may have utilized as a part of the procedure of composing the research paper

The exhibition investigates the use of color in art through artistic movements and research that stand apart from canonical histories on color and abstraction, with multiple accounts relating to memory, politics, spirituality, storytelling, psychology and synesthesia.

The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect on their artistic practice, research and make new work within an international setting.

She is a founding member of the Dakar - based collective GawLab, a platform of research and production for art in public spaces and technology applied to artistic creativity.

She plays in the all - female, all - drum band Charismatic Megafauna; and collaborates on Bedfellows; an artistic research project with artists Chloe Cooper and Phoebe Davies advocating for life - long queer feminist sex - re-education.

With means of artistic research and analysis that combine text, slogans, photo, video, drawing, and public action they transform discourses both in the arts and in the political field.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporaIn addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporain numerous conferences on art of the diasporas.

I am however really interested in how I can use artistic practice as a means of scholarship and research, in terms of investigating contested ideas.

Physical and electrical phenomena have been at the heart of Micol Assaël's artistic research since 2001, when she made the first version of Vorkuta, working on her memories of a journey to the Vorkuta gulag in Siberia.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

In which way influence your artistic research?

In 2015, Paul Beumer spent four months in Xiamen in China as a resident at the Chinese European Art Centre (CEAC), where he further researched his sensibility for the country's ancient visual forms and techniques and how to combine these with his own Western artistic backgrounIn 2015, Paul Beumer spent four months in Xiamen in China as a resident at the Chinese European Art Centre (CEAC), where he further researched his sensibility for the country's ancient visual forms and techniques and how to combine these with his own Western artistic backgrounin Xiamen in China as a resident at the Chinese European Art Centre (CEAC), where he further researched his sensibility for the country's ancient visual forms and techniques and how to combine these with his own Western artistic backgrounin China as a resident at the Chinese European Art Centre (CEAC), where he further researched his sensibility for the country's ancient visual forms and techniques and how to combine these with his own Western artistic background.

Her research interests include print culture, amateur artistic practice, and the role of gender in art production and reception.

I have spent the past few months researching photographs taken by Still that I believe demonstrate his interest in photography as an artistic medium.

The project actively reassembles the terms of artistic exchange and collaboration, hosting international practitioners and institutions collectively engaged in research, theory, production, construction, performance, presentation, and documentation.

Joined by the neuroscientific study lab, which will interact with visitors during the show, the exhibition investigates the use of color in art through artistic movements and research that stand apart from canonical histories on color and abstraction.

Efrati will conduct research in Romania and explore integrating her personal and familial ties to Romania into her artistic practice.

Susanna Hertrich's artistic practice occupies a privileged position as both interpreter and active participant in the otherwise largely inaccessible world of scientific research.

Laure Vigna's residency in 18th Street (October through December 2013) is inscribed within an artistic research project funded by CNAP (Centre National des Arts Plastiques), French Ministry of Culture and Communication.

Nigerian - born, Berlin - based Otobong Nkanga's early training in the converging traditions of live arts and performance lend a decidedly wayward, playful charge to her research - heavy artistic practice, steering her work away from the dour academicism that so often cripples art projects invested in the production and dissemination of knowledge.

Galeria Jaqueline Martins was founded in 2011 and quickly becoming a space for research, documentation and presentation of artistic production.

To create Unearthed, Corral spent years of researching, compiling interviews, and spending time in the space, before filtering the information she gathered through her artistic practice.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

EA - Épreuve d'Artist (same as an AP, but in French) EACC — Espai d'Art Contemporani in Castello EAI - Electronic Arts Intermix (New York) EARN — European Artistic Research Network EAT - Experiments in Art & Technology (trailblazing art & tech organization started by Robert Rauschenberg and Bell Labs's Billy Kluver, among others) ECF — European Cultural Foundation EMPAC — Experimental Media and Performing Arts Center (Upstate New York) EMST — National Museum of Contemporary Art, Athens

Artists such as Lillian F. Schwartz and Peter Struycken discovered the artistic potential of algorithms in the 1960s and collective JODI researched the Internet as a canvas in the 1990s.

In the Days of a Dark Safari combines historical research with artistic photography to reflect the ideals projected onto the image of a stuffed giant sable antelope (Palanca).

It arrived at a moment when a new interest in evolutionary theory — both in science and philosophy — mixed with a mode of artistic practice favouring ethnographic research, which has now become known as the «anthropological turn».

This inspiration is seen in Fleming's artistic research and development — a hybrid output of his contemplative programming, media art, installation, and filmmaking practices in which he structures his work to elicit a selective attention towards witnessing and mutating the self - other dichotomy.

As a research artist and digital media Ph.D student, I am constantly challenged to reflect critically upon the nature of the various forms which are emerging in contemporary artistic practices.

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

By looking between the spaces reserved for artistic produc - tion, Leaps and Bounds seeks to materialize the changing state of artworks and research in progress.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, Chiin Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, ChiIn Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

Yet now — thanks to enlightening new research — there is every reason to believe that it was an integral part of artistic life in the city between 1500 and 1750.