Sentences with phrase «artists documentation project»

Not exact matches

CAPE Educator Director, Scott Sikkema, describes our new understanding of how a teacher's dedication to arts integration practices like professional development, documentation, and teaching artist collaboration, the better their students performed on all areas measured by the PAIR project.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Ten artists and writers — the majority of whom have never before created work for the Web — will collaborate with Triple Canopy on digital projects, public programs, and extensive photo, video, and textual documentation.

ISSUE Project Room's annual Artist - in - Residence program provides New York - based emerging artists with a year of support, offering artists access to facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to develop and present significant new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

Established in 2006, ISSUE Project Room's annual Artist - in - Residence program provides 6 emerging artists each with a year - long residency in 2015, offering access to rehearsal space and facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to create new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

Photographs and ephemera relating to the project are displayed alongside documentation of other Judson initiatives, including experimental works by Claes Oldenburg and Jim Dine, and those by lesser - known artists such as Martha Edelheit, whose 1960 psychedelic watercolour, Dream of the Tattooed Lady, anticipates later developments in feminist art.

«As Franklin Furnace approaches its 40th anniversary in 2016, collaborating with a formidable educational institution like Pratt will make it possible for us to provide public and pedagogical access to emerging artists, and for Pratt and Franklin Furnace to undertake long - term preservation and documentation projects that will have cultural impact long into the future,» said artist Martha Wilson, Franklin Furnace founding director and visiting associate professor of Fine Arts at Pratt Institute.

A significant and exemplary contribution to the field of Artist's Books that investigates the nature of documentation, production, aesthetics, disclosure, narrative, education and artistic practice in an authentic exoskeletal publishing project.

A conceptual artist who works primarily in the medium of performance art, Elana Katz has been researching and creating site - specific artwork in Romania and the region of former Yugoslavia since 2011, for her ongoing project Spaced Memory — a documentation and contemplation of forgotten and overwritten Jewish sites in the Balkans.

Series I: Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989 and 1991.

The second volume comprises a foreword by the exhibition's curator, Iwona Blazwick, an illustrated chronology and documentation of the yearlong SITUATION series accompanied by a personal account of the project by the artist.

The exhibition will include artifacts, ephemera, and documentation of the artists» projects, as well as present a series of public performances for time - based and durational projects for audiences to experience live.

The exhibition then shifts focus to New York; it includes their documentation of Yayoi Kusama's astonishing Happenings of the late 1960s and selections from Pier 18, a project conceived and organized by independent curator Willoughby Sharp, for which Shunk - Kender photographed works by 27 artists.

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

Under the direction of Andrea Grover, Century Arts Foundation Curator of Special Projects, the exhibition features twenty - five artists with works that range from artist - made vessels, to documentation of creative expeditions, to speculative designs for alternative communities on the water.

Artists are provided assistance with organization, documentation, digitization of works and records, as well as help with special projects related to the preservation of their history and estate planning.

This biography of a young institution and anthology of its projects bundles in interviews with its founders, statements from artists and curators and documentation of 10 years» worth of vibrant, fundamentally experimental work.

Additionally, on Saturday, April 2, Visual AIDS artist member Michael Golden and a volunteer photographer invited artists living in Texas with HIV / AIDS to bring up to four artworks to the gallery to be photographed for slides documentation, so that they too may join the Archive Project.

The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Densely packed with painting, sculpture, performance documentation and installation, Picard isolates these works from the anxiety of civilizational decline projected onto millennials, focusing intently on the distinct and meditative approaches each artist takes in constructing a cosmos of their own.

Guide74 is an artist project exploring spatial dynamics in the Chamonix valley, Mont - Blanc massif and Aiguilles Rouges using experimental fieldwork and documentation.

In 2009, Martha Wilson: Staging the Self, an exhibition of her early photo / text work and one project from each of Franklin Furnace's first 30 years, began international travel under the auspices of Independent Curators International (ICI); this exhibition concluded in New York in Spring 2015 with her personal artwork shown at the Fales Library and Special Collections of New York University and original art and documentation of Franklin Furnace artists at Pratt Manhattan Gallery.

Duties Include: - Assist with curatorial projects and programming - Planning and preparation for exhibitions - Work with current PES artists - in - residence - Artist research and documentation - Interacting with the public in front of gallery

These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including Coughing Piece, a never - before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures.

In addition, readers will find documentation of projects by the artist groups Simparch and e-Xplo, along with Kristin Kreider and James O'Leary's works designed specifically for the book.

Images of Stamm's street interventions will be included in his show, as well as documentation by photographer Abby Robinson of his participation in the Pool Project organized by artist Russell Maltz at the C.W. Post College, Greenvale, NY, in the late 1970s.

Project co-lead Carol Zou, now the Director of Programs for Asian Arts Initiative in Philadelphia, returned to celebrate the documentation of Decolonize Dallas with participating artists and patrons.

Film and Video Image Files Collected from artists, film production companies, non-profit institutions, and the Whitney's film and video collection, these files functioned as reference material for past and current exhibitions / projects, documentation of exhibitions / projects, source material, and as a record of Museum events.

«Doug Aitken: Electric Earth,» a large survey of the Los Angeles artist's career at the Geffen Contemporary, the Museum of Contemporary Art's Little Tokyo outpost, was organized by director Philippe Vergne and includes sculptures, collages, photographs and project documentation.

His project created in collaboration with the locals comprises soundscape, visual mapping, and photo documentation of the «psychogeographic» routes of the participants of the artist's upcoming event in Petržalka — the largest and most diverse city borough — along with the artist's own observations in this area.

We provide curatorial support, installation assistance, insurance, promotion, documentation, and commission critical essays to accompany selected projects and are committed to paying artist and copyright fees according to the guidelines established by CAR / FAC (Canadian Artists» Representation / Les Fronts des Artistes Canadiens).

An entirely material archive with most documentation provided by the artist himself, this project developed as a response to the lack of a national art archive.

She participated in the explosion of late 1970's artist generated activity which included Collaborative Projects, Group Material, Artists Call Against US Intervention in Central America (a nationwide mobilization of writers, artists, activists, artists organizations, and solidarity groups that began in New York in 1983), P.A.D.D. (Political Artists Documentation and Distribution), Artmakers, Ventana (a collective of artists in Support of the Artists threatened by US aggression in the Contra wars of the 80's in Central AmArtists Call Against US Intervention in Central America (a nationwide mobilization of writers, artists, activists, artists organizations, and solidarity groups that began in New York in 1983), P.A.D.D. (Political Artists Documentation and Distribution), Artmakers, Ventana (a collective of artists in Support of the Artists threatened by US aggression in the Contra wars of the 80's in Central Amartists, activists, artists organizations, and solidarity groups that began in New York in 1983), P.A.D.D. (Political Artists Documentation and Distribution), Artmakers, Ventana (a collective of artists in Support of the Artists threatened by US aggression in the Contra wars of the 80's in Central Amartists organizations, and solidarity groups that began in New York in 1983), P.A.D.D. (Political Artists Documentation and Distribution), Artmakers, Ventana (a collective of artists in Support of the Artists threatened by US aggression in the Contra wars of the 80's in Central AmArtists Documentation and Distribution), Artmakers, Ventana (a collective of artists in Support of the Artists threatened by US aggression in the Contra wars of the 80's in Central Amartists in Support of the Artists threatened by US aggression in the Contra wars of the 80's in Central AmArtists threatened by US aggression in the Contra wars of the 80's in Central America).

The artist collaborated with the following people on this project: Rafael Burillo (video documentation), Tony Moya and Mariana Maese (photography), Margarita Clary (production), Daniela Lieja (art project coordinator), Dyson & Womack (art production), and the support of Mor - Charpentier Gallery.

Fellowships pair project support of $ 20,000 with strategic support, field research tools, video documentation, and other tailored resources for socially engaged artists working nationwide.

Finally, a collection of videos and documentation provide further background into the artist's different projects, giving a more total and intimate view of his artistic language.

Artist Ellen Gallagher recounts her childhood obsession with projecting films, paired with documentation of her work Murmur (2003 - 04) installed at Gagosian Gallery in New York.