Sentences with phrase «artists space demands»

Not exact matches

The space features the work of talented and in - demand Brooklyn graffiti artist Nicholas Forker and incorporates Bloomfield historical references.

Adams» works draw from the constructed realities of artists such as Thomas Demand and Hiroshi Sugimoto, the perceptual considerations of the Light and Space artists, as well as the paintings of the Dutch Golden Age and 19th century American Luminists.

Thomas Demand has selected a wide variety of sculptures, photographs, and films for the exhibition, which will be installed in intimate spaces defined by labyrinthine walls based on a drawing by the artist Martin Boyce.

American artist Aaron Curry is in demand: CAPC Musée d'Art Contemporain in Bordeaux is giving him his first major solo show at a French institution, which also coincides with an exhibition of his paintings at Michael Werner Gallery in London (until 9 August); he will be included in «The Los Angeles Project» at the Ullens Center for Contemporary Art in Beijing, China, and a show of his works will occupy both spaces of David Kordansky Gallery in Spring 2015.

Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, and form.

The Guggenheim gives its ramp to Agnes Martin, an artist who demands space and time, while MoMA had Edgar Degas at his most daring, although in monoprints.

The protesters's demands included that the artist leave her studio and nonprofit arts space 356 Mission Road (founded by Owens, Brown and Wendy Yao), chanting: «Leave our hoods and do what's right: Give your keys to Boyle Heights!»

At the same time, those prices had to rise, in part in order for galleries to finance the exposure they were giving the artists at fairs, to build competitive programs, and to build the spaces the artists demanded.

This roundtable posits to see artist - run spaces as occasional temporal entities that rise amid urgencies and demands ranging from a need for autonomy to a lack of physical exhibition and studio space.

Coinciding with the Mediterranean Women Forum, a meeting of scholars, dignitaries, and researchers that explore everything from culture to public policy in relation to the lives of women in the region, Mediterráneas features female artists from North Africa, West Asia, and Southern Europe, and seeks to reclaim public space with powerful imagery that demands equality for women.

While Etchell's video plays on a constant loop, 6 - minute audio from British artists Andy Holden & David Raymond Conroy's piece Leaving the Relationship (2013), a series of dramatic readings from David Foster Wallace's book Brief Interviews with Hideous Men, intermittently demands attention and punctuates the space.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

In the context of a heightened awareness of fake news, the demands of emotional labour and a proliferation of digitally manipulated disembodied voices in public space, the artists ask «what is laughter without the bodies that produce it?».

In response to the high demand for artist exhibition spaces in New York City, Julio Valdez Studio, LLC has created «The JVS Project Space».

While she doesn't agree with the notion that artists today are tailoring their work to the aesthetic demands of Instagram, her figures floating in flat space can appear as though they have been Photoshopped.

Acclaimed German artist Thomas Demand is best known for his photographs of meticulously recreated places, public and private spaces

Operating in a conceptual space populated by artists like James Casebere and Thomas Demand, Chris Gentile's recent work is a hybrid of sculpture and photography that asks interesting questions about the nature of both.

Throughout the 20th century, artists have explored their studio spaces using photography, from the use of composed theatrical tableaux (in photographs by Julia Margaret Cameron or Cindy Sherman) to neutral, blank backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural sets within the studio space (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of time and motion (Eadweard Muybridge, Dr. Harold E. Edgerton) to amateurish or playful experimentation (Roman Signer, Peter Fischli / David Weiss).

Contemporary Art's sterile and vapid embracement of commerce and style in a hegemonic culture of white cubes, art fairs and Bienalle's is being rightly challenged by a new breed of artist whose work demands to be seen, whether on the streets, or in the recent explosion of small independent galleries and project spaces dedicated to providing a platform for this generations voices.

By the beginning of the Tang dynasty (618 — 907), the tradition of landscape painting had advanced little, partly because of the ever - increasing demand for Buddhist icons and partly because artists were still struggling with the most elementary problems of space and depth.

These were spaces that really listened to artists and demanded a close viewing experience.Things felt very stagnant at the time.

Artists include: Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, anArtists include: Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, anartists that enter into a conversation on history, process, and form.

This exhibit will explore the reality of «making it» as an artist demands hard work, space and funding.