Still, especially in a crowded market,
artists feel the pressure to make the past their own.
Art galleries feel the pressure to go for splash and entertainment, and
artists feel the pressure to make gestures worthy of their celebrity.
Not exact matches
Aside from the unique
pressures you were
feeling as an
artist and as a songwriter, I think we're living in a really fearful day and age in our world.
I
felt stressed and
pressured because the time simply isn't enough to really admire the
artist's full work before we are funneled through the next part of the exhibit.
The
artist for this issue must have
felt a lot of
pressure to design wedding garments worthy of these characters, which is what Frank Cho did.
The chance to show children that some of history's greatest
artists, leaders, and inventors were dyslexic (this helps relieve some of the
pressure and shame that students
feel).
In a way, this can be beneficial: It encourages contributors to get more involved with promoting the campaign, it eliminates a certain amount of risk, and it keeps
artists from
feeling pressure to get by on less than they actually need.
Artists feel comfortable experimenting in a shared production and / or fabrication process with MASS MoCA staff without fear of a high -
pressure premiere schedule.
Galleries
feel the
pressure to insist on it at that, by boosting older
artists who may have missed their fair share of the action.
With subtle shifts, repetitions, displacement or complete absence of features, and abundance of dark negative space, the
artist is aiming to create a
feeling of dissonance and
pressure in the viewer.
Probably not, for no
artist feels that much
pressure to repeat a single image, not even Raphael with his Madonnas.
It's allowed
artists over time to do the work that they want to do without
feeling any commercial
pressure to do one thing or the other.
We both
felt the political
pressure in making art as contemporary
artists and the fear generated from censorship policies.
In seeking to explain why so few women gain the success as
artists afforded their male peers, Thatcher concentrates on the restrictive
pressures facing women: «Women... express anxiety at the prospect of having children,
feeling that they must avoid visible obstacles to their career progression in a world in which one must appear continually available for residencies, commissions or even just networking.»
Hauptman and Suzuki make you
feel the
pressure of those times, the bewildering crosscurrents of a period when, as de Kooning once suggested, each
artist was best off becoming a movement unto himself.
A jury of six selection committee members has increasingly dictated the art market for nearly a decade, and many
artists feel immense
pressure to produce «art fair art» in order to be considered for a coveted spot in the booth.