Sentences with phrase «artists get the recognition»

Artists get the recognition they deserve and you get an incredible pair of kicks that help express your personality.

Not exact matches

Inside Llewyn Davis — a film about a talented artist whose work never quite gets the commercial recognition it deserves — was woefully snubbed is the Oscars, which is one of the great life - imitating - art...

A star just wants fame and recognition, but an artist demands respect, even if that means pouring everything you've got into every single note.

For those of you not keeping track, that is one track getting recognition as sounding like two radically different artists and four separate genres.

The patriarch of the family is Dustin Hoffman's Harold Meyerowitz, an aging sculpture artist who never got the recognition he deserved which he'll never let you forget.

Among the leading actor Globe contenders who may go on to earn SAG and Oscar recognition are drama nominees Hawkins, Jessica Chastain of «Molly's Game,» Frances McDormand of «Three Billboards,» Michelle Williams of «All the Money in the World,» Meryl Streep and Tom Hanks of «The Post,» Timothée Chalamet of «Call Me By Your Name,» Daniel Day - Lewis of «Phantom Thread,» Gary Oldman of «Darkest Hour,» and Denzel Washington of «Roman J. Israel, Esq.» Heading up the musical or comedy categories are Judi Dench of «Victoria & Abdul,» Helen Mirren of «The Leisure Seeker,» Margot Robbie of «I, Tonya,» Saoirse Ronan of «Lady Bird,» Emma Stone and Steve Carell of «Battle of the Sexes,» Ansel Elgort of «Baby Driver,» James Franco of «The Disaster Artist,» Hugh Jackman of «The Greatest Showman,» and Daniel Kaluuya of «Get Out.»

I have been an artist for a long time, and has success with getting recognition and awards at shows internationally, but very few sales.

At 83, the L.A. artist is getting belated recognition.

Having said that, it makes me ponder why an artist may do so... perhaps to win awards, perhaps to try to make a sale, perhaps to get their name and art «out there» to increase recognition?

Have you found it more difficult to get recognition because of your gender, and was it difficult to balance being a mother and bringing up children with being an artist?

I just thought of myself as a struggling artist trying to get recognition — I wanted to show my work somewhere.

The venerable Colorado museum's show last summer, «Women of Abstract Expressionism,» featured 51 paintings by 12 women artists who have not gotten recognition as a group before — from Elaine de Koonig, the wife of Willem, whose work she championed; to Helen Frankenthaler, married to Robert Motherwell; to Lee Krasner, overshadowed by her art - star husband, Jackson Pollock; as well as many of their peers, from familiar to obscure: Joan Mitchell, Mary Abbott, Perle Fine, Jay DeFeo, Ethel Schwabacher, Judith Godwin, Grace Hartigan, Deborah Remington and Sonia Gechtoff.

While some of the artists that carry this label, such as Kruger, Prince or Sherman, have achieved canonical status in the art world since, others like Walter Robinson and Troy Brauntuch are only starting to get long - overdue recognition.

A small number of women artists got around the tastes of the art market and the restrictions of art institutions to achieve recognition and a degree of celebrity.

Many Texas artists, curators, and administrators maintain that Texas has a strong, vibrant, and growing arts community that deserves more recognition than it gets.

There's this generation of artists who are getting recognition through Instagram of which I guess I am a part of and forming these new networks of creativity.

«Ethel Stein is an artist who only now, at the age of 96, is beginning to get the recognition she deserves from the broader public,» the Institute wrote.

Here is one of the great American artists who has never got recognition.

Do you feel that female artists get enough recognition in the UK and Ireland?

In this interview, Krasner speaks of her dismay with the lack of recognition that many professional female artists receive; her resistence to joining the Club and the Irascible Eighteen; her experiences with getting exposure as a female artist; her relationship and respect for John Graham; the interest of Betty Parsons in Krasner's work; the mixed compliments received from Hofmann; her relationship with Newman; Her objection to de Kooning's «Woman» series; the Freudian aspect of Abstract Expressionism; the authoritarian / autocratic image of Rothko and Newman; the sexually biased role of the female within the Jewish Faith; the impossibility of separating content and aesthetic value; her female influence upon Pollock; her role in exposing Pollock to Matisse; her ability to network for Pollock (Herbert and Mercedes Matter, Sandy Calder, James Johnson, Sweeney, Hofmann); her ambiguity as to whether she has had the tradition female artist experience due to her association with Pollock.

The only gallery to match the demographic make - up of the national population with regards to sex of artists is the AGNS (for which they should get recognition) and the next closest is The Rooms (for which they should also be recognised).

While Lewis did find success during his lifetime — in 1955, he was the first African - American artist to be awarded the Carnegie International Award in Painting, and New York's respected Marian Willard Gallery represented and exhibited his work — he did not get the same recognition many of his white peers enjoyed.

Created during the years of the artist's initial rise to fame in the early 2000s, But You Better Not Get Old is an exceptional example of Bradford's innovative and intuitive process, which results in textured abstractions that serve to both obscure and obviate the artist's personal history and his recognition and perception of the histories of his surrounds.

LeWitt, 67, likes to call himself a conceptual artist, but his work has long been associated with Minimalism both because of its systemic look and because he first got recognition in the mid -»60s, when Minimal sculpture was the happening thing in New York.

2016 MacArthur Fellow Kellie Jones says, «A lot of women artists don't get any recognition... their early years are really their 50s or 60s.»

We have showcased these artists over the past years and it is great to see them start to get the recognition they deserve.

«It would have meant so much more if I had gotten recognition from the Whitney this year,» he said, speaking of the Whitney Biennial — «this thing that every great artist I admire has had.»

Local gallerists agree that the art fair is a great way of getting both galleries and their represented artists broader recognition.

Patrick Caulfield was a masterful British painter and printmaker, one of the foremost artists of the post-war generation whose subtle and complex poetic is yet to get the widespread recognition it deserves.