Sentences with phrase «artists in a contemporary context»

Tim Ortiz and Andreana Donahue are the co-founders and co-authors of Disparate Minds, an interdisciplinary project dedicated to increasing visibility and discussing the work of marginalized self - taught artists in a contemporary context.

Not exact matches

While the investigation will primarily pay attention to the ways that contemporary visual artists work in civically and socially engaged ways, the intention is to develop a conceptual framework and set of tools that will inform and support civic agency and ethical behavior in various contexts and across the disciplines.

Featuring artists as solo exhibitors, and also in the context of conceptual group exhibitions, Brunswick Street Gallery offers a completely unique viewing experience of work from contemporary emerging artists.

The event convenes architects, artists, historians and writers to offer fresh interpretations of Arakawa and Gins» work and theories in the context of contemporary practices and scholarship.

The context in which both artists situate their work is undeniably contemporary.

As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projects.

Perhaps one of the most intriguing recent developments in the field is the espousal of print - based media by a number of contemporary artists who do not define themselves as printmakers, but feel that it is the most appropriate medium in which to express themselves in today's media - saturated environment — a context that renders the hand - produced object antiquated and quaint.

By exhibiting artists across multiple generations and continents, the gallery establishes a discursive critical voice in addressing diverse perspectives of art within a broader context of contemporary artistic practices.

We are seeing the reemergence of work by artists later in life in a contemporary context.

Artspace was established in 1983 as an artist - run contemporary art space dedicated to the presentation of contemporary and experimental art in a critical context.

During her residency she was able to establish a dialogue with other artists on the ideas of cultural art - representation in the context of a contemporary society.

Tate St Ives presents international modern and contemporary art in the unique cultural context of St Ives, including works from the Tate Collection, in particular works by the artists from the St Ives school.

The combined efforts of CONTEXT Art Miami and Art Miami provide a unique and alternative opportunity for leading primary dealers and their artists to be marketed and promoted internationally during the most important week for contemporary art in America.

Established in 1985, the Kohn Gallery has presented historically significant exhibitions in Los Angeles alongside exciting contemporary artists, creating meaningful contexts to establish links to a greater art historical continuum.

The contemporary artist's world is a dense plurality of options, framed in a similarly wide variety of contexts for viewing and interpretation.

Drawn largely from the MCA's permanent collection, Picture Fiction: Kenneth Josephson and Contemporary Photography considers the artist's work in the larger context of conceptual art.

Having had two solo shows at Hauser & Wirth, and solo exhibitions at the Milwaukee Art Museum, Kemper Museum of Contemporary Art (Kansas City), McNay Art Museum (San Antonio), and the Garage Museum of Contemporary Art (Moscow) just since 2015, we can't really say that this is a rare opportunity to see the artist's work, but we are excited to see Johnson work in a new medium and context.

The best - selling textbook Drawing: A Contemporary Approach places Lee's work in the context of 20th Century trends in drawing along with other major contemporContemporary Approach places Lee's work in the context of 20th Century trends in drawing along with other major contemporarycontemporary artists.

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas brings together the works of three singular American artists whose work redefines history painting in a contemporary context.

The Contemporary Austin presents artist Jim Hodges and journalist Dan Rather in conversation on The Moody Rooftop, discussing Hodges's newly installed sculpture at the museum, With Liberty and Justice for All (A Work in Progress), the artist's body of work, and its broader context, meaning, and relevance.

While Mike Kelley took this up in the 1980s, and artists such as Sheila Pepe, Sheila Hicks, and Josh Faught have plotted other trajectories of textile in the expanded field, Susan Cianciolo's work reopens these questions surrounding the matriarch, the amateur, artisanship, and collectivity in the context of the accelerated speed of contemporary cultural production.

Whether these artists are old or deceased, escalating prices paid for Postwar and Contemporary art today encourage many to look for works parallel in quality and context.

The fifth instalment in our yearlong, monthly survey in which artists, curators and cultural commentators explore the question of what African art (of the contemporary flavour) does or can do within various local contexts across the continent.

At Turner Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 workContemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 workcontemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 works in total).

The department provides a platform for innovative artists for the production of their work, and a forum for the larger community to examine the most recent developments in contemporary art and their relationships to broader cultural contexts.

I started letting go of thoughts such as, «it's so hard to be an artist / native artist in the current modern context» or «one artist in millions gets taken seriously by contemporary culture and the art market».

Creative Fury offers an alternative showing of works by William Kentridge (b. 1955, Johannesburg) in the context of the Hungarian Cold War artist György Kovásznai (1934 - 1983) and four mid-career contemporary artists: Marcelle Hanselaar, Yvonne Crossley, Kate McCrickard and Cally Shadbolt.

Scientific developments were rapidly changing the context of contemporary life and Yves Klein believed that as an artist the only way forward was to create a new realm for artistic exploration that reconnected people to the sublime rather than dwell in nihilistic emotion or existential angst.

The artists featured in Radical Women have made extraordinary contributions to the field of contemporary art, but little scholarly attention has been devoted to situating their work within the social, cultural, and political contexts in which it was made.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Over the past 30 years, the gallery has presented historically significant exhibitions in Los Angeles alongside exciting contemporary artists, creating meaningful contexts to establish links to a greater art historical continuum.

Mahlangu is the most renowned artist of South Africa's Ndebele people, and she has developed the art of mural painting from a tradition of designs painted on the exterior of rural homes to projects created in a global, contemporary art context.

The conversation continues in the catalogue, which places dynamic artist contributions in the context of broader contemporary practices.

LR: «Live» adds an important dimension to the fair by enabling the appreciation and support of contemporary art in all its forms — expanding the range of artists and content able to be represented in the fair context and creating dynamic experiences for fairgoers.

These artists were making new work that proffered critique of both expressionism and non-objective abstraction, in a context informed by contemporary ideas about social control, mediation, and simulation.

With the Casual Art Fair, The Hester Street Fair & LikeMindedObjects aim to play with the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projects.

2011 Manny Silverman Gallery, Los Angeles, CA Some Assembly Required: Assemblage & Collage, Jack Rutberg Fine Arts, Los Angeles, CA Fragments: 1915 - 2011, Modern and Contemporary Collage, ACA Galleries, New York, NY Remix: Selections from the International Collage Center, Samek Art Gallery, Bucknell University, Lewisburg, PA; Katonah Museum of Art, Katonah, NY In Context: Celebrating Pioneering Los Angeles Artist Betye Saar, Roberts & Tilton, Los Angeles, CA Material Witness, Venessa German, Hannelore Baron, Donna Sharrett, Pavel Zoubok Gallery, New York, NY

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

The work of Polish - born artist based in London Goshka Macuga reflects her interest in confronting historical references with the contemporary context in a installation reminiscent of the Conceptual art.

To give another example, when Subodh Gupta shows with Hauser & Wirth and Anish Kapoor creates a public sculpture for London costing over 30 million US dollars, why does nearly every presentation of an Indian artist in the United States appear in the context of a «contemporary art from India» exhibition?

It also allows us to view his art in a broader context, including in collaboration with Juan de Flandes and other contemporary Netherlandish artists.

The Interview is a discussion between author and artist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist's creative space and Artist's Writing gives further insight into the artist themsArtist's Writing gives further insight into the artist themsartist themselves.

Established in 1985 by Michael Kohn, Kohn Gallery has presented historically significant exhibitions in Los Angeles alongside exciting contemporary artists, creating meaningful contexts to establish links to a greater art historical continuum.

We are pleased to welcome Allan deSouza, one of the participating artists in the Blaffer Art Museum exhibition Time / Image, as part of the speaker series Till Now: Contemporary Art in Context.

Referencing a museological strategy of informing viewers about the practice of the artist through the context of her contemporaries, Staros has selected specific works that consider the representation of desire, violence, gender codes, and institutional tropes of display, all embedded in the materials and images of antiquity.

Through an annual open call, we seek exhibitions featuring the work of emerging and underrepresented contemporary artists and the curators who seek to exhibit these artistsʼ work in a clear and concise context.

Beginning in the fall of 2016, the Museum has invited artists to respond to this collection within the context of the Grafly Commission, wherein they will produce works that will help to place Grafly's work in conversation with contemporary art.

Organized by the Kemper Museum of Contemporary Art in Kansas City, Missouri, Magnetic Fields is the first U.S. exhibition to place abstract works by multiple generations of black women artists in context with one another.

The exhibition promises to be revelatory, setting emblematic works by Judd and Flavin in a European context and asserting the importance of contemporary innovations by Castellani and Uecker, two major European artists who have rarely been seen in London.