Sentences with phrase «artists in the exhibition also»

Thinking beyond the traditional notion of painting as paint on canvas, many of the artists in this exhibition also expand the possibilities of support.

Artists in the exhibition also include Art & Language, Robert Barry, Chris Burden, James Lee Byars, Maurizio Cattelan, Jay Chung, Song Dong, Carsten Höller, Tehching Hsieh, Bruno Jakob, Yves Klein, Lai Chih - Sheng, Glenn Ligon, Teresa Margolles, Gianni Motti, Roman Ondák, Yoko Ono and Andy Warhol.

Most, if not all, of the artists in this exhibition also demonstrate a strong influence of French Post-Structuralist theory from the 1960s and early 1970s.

Not exact matches

* sourced quote: John's comment on his own exhibition of the «Flag, Target and Number» paintings in 1958 Sourced quotes of Jasper Johns (and his artist friend Robert Rauschenberg) are also placed on Wikiquote and the amount of quotes increases there every year.

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

Of late, these include Cirque du Soleil founder Guy Laliberté's Lune Rouge in Ibiza Town and serial gallerist, Lio Malca's La Nave art exhibition space near Santa Gertrudis, while a number of restaurants on the island also show the works of local artists in one - off exhibitions.

Not content with simple rail travel, the Maputo Railway Station also plays an important part in the community as a place for local artists to display their works in exhibition spaces dotted throughout the building.

His work has also been featured in a series of major outdoor exhibitions in cities since the early 1970s, including in 1975 the first exhibition of a living artist at the Tuilleries in Paris and then a citywide exhibition presenting work in all five boroughs in New York City.

Barcelona's Joan Miró Foundation has managed to become a major point of reference in the world art scene and offers its visitors not only the greatest and most complete single collection of Miró's work but also a pioneering exhibition space named Espai 13, which stimulates research and experimentation among young artists and offers impressive exhibitions of contemporary experimental and avant - garde artists.

Set up in 1984 with the aim of fostering the study and knowledge of modern and contemporary art, the Fundació Antoni Tàpies showcases one of the biggest collections of his art works but also hosts many temporary exhibitions by contemporary artists, various art symposiums, lectures and film sessions, and also produces publications which all complement the main activities and exhibitions devoted solely to Antoni Tàpies.

Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.

The jurors — Sabine Breitwieser, Naomi Beckwith, Mario Codognato, Yungwoo Lee, and Ranjit Hoskote — also singled out three artists for special mentions: in the main exhibition, the late Harun Farocki (whose entire film catalogue is being screened there); the Aboundaddera collective, which is presenting videos from Syria; and Algerian artist Massinissa Selmani for «working in a modest medium which has the capacity to act beyond its scale.»

The Swiss artist creates wall drawings that span entire galleries, and in this exhibition he reacts not only to the space but also to the art on display.

Also as part of this exhibition, the artist's Chicago works have been reproduced in large scale and installed on the exterior of the the Chicago Cultural Center building through the summer of 2019.

Contemporary artist Marlene Dumas (b. 1953) displays portraits of Oscar Wilde (1854 — 1900) and his lover Lord Alfred Douglas (1870 — 1945), also known as «Bosie,» painted last year and exhibited in Artangel's ambitious exhibition at Reading Gaol, Wilde's place of incarceration.

Featuring artists as solo exhibitors, and also in the context of conceptual group exhibitions, Brunswick Street Gallery offers a completely unique viewing experience of work from contemporary emerging artists.

The Archives also contain artist files for the artists represented in the Hessel Museum collection, and Study Collections which document significant international curators, and a selection of historic exhibitions.

P.S. 1 will also use the works in the exhibition as a basis for a symposium this spring to encourage a lively dialogue between artists and art historians in New York.

At his studios, in their different configurations and locations, Wolfgang Tillmans has also hosted various events including music sessions and legendary parties which eventually led to the 2006 opening of an exhibition space called «Between Bridges», run by the artist, first located in the entrance and stairwell of his London studio on Cambridge Heath Road and now relocated to Keithstrasse in Berlin.

That marriage of political and personal is on view in «Bloodlines,» a solo exhibition that anchors the Miami Art Week showcase at Pérez Art Museum Miami (PAMM), which also features a retrospective of Jamaican - born artist Nari Ward.

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

Also on view are works by artists who were influenced by Michelangelo that relate to the art on view in the current exhibition.

Among the pieces shown at his first solo exhibition in 1950 was the canvas entitled Chief that indubitably referred his childhood, maybe the locomotive with the same name, her power, sound and steaming engine he remembered, or, as some also believed, that the artists fascination with dark color was the result of his growing up in the mining community.

He was also Artist in Residence at Tate St Ives for a year during 2008 followed by a solo exhibition in the gallery in early 2009.

Solo exhibitions are a key factor in establishing both the reputation of an artist and also establishing a market for the artist's work.

Jarvis has also curated exhibitions for performance artist Sheldon Scott at the (e) merge art fair in Washington, DC in October of 2013 and 2014.

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

This exhibition also marks the 75th anniversary of his first gallery show, which was held at Artists» Gallery, New York, in 1941, followed two years later by a solo exhibition at the Willard Gallery, at what is now Pace's 32 East 57th Street location.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

The artist has also participated in various group exhibitions, including Field Studies, Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2007).

Solo exhibitions featuring African American artists Al Loving, McArthur Binion, and Lesley Saar, also opened in October.

Jason Rhoades will also be collaborating with artist Peter Bonde for an exhibition at the Danish Pavilion in the next Venice Biennale in the summer of 1999.

The artists included in the exhibition Colour: A Kind of Bliss, at St Marylebone Crypt, London, approach colour directly, without the distractions of representation, but also without an over indulgent spirituality.

Organized by MOCAD senior curator at large Jens Hoffmann (also deputy director of the Jewish Museum in New York) and Pablo León de la Barra (UBS MAP Latin American curator at the Guggenheim), the group exhibition stems from a decades - long conversation between the two curators about the identity and diversity of Latin American artists.

She has also guided the renowned artist - in - residence program and curated a number of significant exhibitions at the Studio Museum.

Donations can also go towards funding one of our outreach sessions in schools, or towards the installation of one of our international exhibitions, or to facilitating a residency exchange between Chinese and UK artists.

Robert Berman Gallery is showcasing select works featured in two important historical books, Hispanic Art In the United States: Thirty Contemporary Painters and Sculptors (1987), also an exhibition, and Le Demon Des Anges: 16 Artists Chicano Autour de Los Angeles (1989in two important historical books, Hispanic Art In the United States: Thirty Contemporary Painters and Sculptors (1987), also an exhibition, and Le Demon Des Anges: 16 Artists Chicano Autour de Los Angeles (1989In the United States: Thirty Contemporary Painters and Sculptors (1987), also an exhibition, and Le Demon Des Anges: 16 Artists Chicano Autour de Los Angeles (1989).

This exhibition devoted to artists on staff was curated by Rawson Projects, whose then co-directors James Morrill and Chris Rawson also work at David Zwirner (in the Accounts and Archive departments, respectively).

A concurrent exhibition of the artist's letters, notebooks, journals and photographs will be on view at the Archives of American Art's New York Research Center and Gallery, also located in the UBS building.

In addition to their exhibition program, music / performance program and a special Project Room, Thread Waxing Space also maintained an active education program including workshops for students from elementary and secondary schools, a two - semester course for high school students with special needs, research projects for students and teachers to examine the history of their various communities, and classes for creating artists portfolios.

During the same year, the artist also had a solo exhibition at Gallery Kaune, Posnik, Spohr in Cologne, Germany titled, Gentle Creatures.

Lévy Gorvy will also present an exhibition of Agnetti's work in New York in summer 2017, accompanied by an illustrated catalogue featuring new scholarships well as the artist's writings.

An exhibition of the artist's work is also on view in Laura Letinsky: Still Life Photographs 1997 - 2012 at the Denver Art Museum through March 24, 2013.

Invisible Adversaries was chosen as a touchstone for the exhibition because the condition it describes, where a hostile force (what EXPORT in her film describes as «Hyksos») circles around the protagonist and also infiltrates her mind, connects with the ways artists approach their adversaries: not as obvious enemies to overthrow but as complex relationships that are a profound part of our history and personal lives.

Intense colour is a characteristic of both artists, though in this exhibition neither departs entirely from natural colouring, and both have some surprisingly drab paintings also on show.

The artist's figurative works are also featured in «Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,» a new exhibition currently on view at the Seattle Art Museum.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

With this in mind, the top floor of the exhibition serves as a masterful stroke of curating, showing a number of mid-20th century canvases by the artist that serve not only to chart his evolution and development of his immediately recognizable painterly themes, but also to invite a striking comparison to the artist's compatriots.

Repeating a 1970s - era tradition of feminist exhibition - making — one that is as entangled in debate as the long modernist tradition and its claims, critiques, and counterclaims about the studio — «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» assembles thirty - four artists who were in each case selected for their work, but were also selected for being artists who are women.

The exhibition also includes a programme with films of Marie Louise Ekman (Sweden), Eva Meyer / Eran Schaerf (Germany) and Ulrike Ottinger (Germany) that are screened during evenings and weekends with the artists in attendance.