Sentences with phrase «artists in these exhibitions put»

Artists in these exhibitions put social engagement at the center of their work to raise provocative questions and create political change.

Not exact matches

Ostensibly depicting scenes from everyday life — a windswept walk along beach, the artist's daughter, dancing, sewing or putting on a shoe — the works in this exhibition alert us to the endless nuance of bodily expression and the myriad ways in which we reveal ourselves and communicate emotion, such as happiness, sadness, confidence, doubt or even distraction, consciously or not.

Chicago artist Lora Fosberg, whose exhibition «The End of Absurdity» runs at Linda Warren Projects through February 15, puts me in mind of that — her work is a witty and gentle raillery about both kinds of nature, and the stresses and strains of coordinating them.

This exhibition puts the Gee's Bend quilts in context by featuring the work of master quilt maker Mary Lee Bendolph and those she influenced, accompanied by the art of artists working in the found - object tradition who are part of her artistic sphere, including Thornton Dial and Lonnie Holley.

To give voice to a larger community, FLAG put out an open call for artist submissions that received 400 + proposals from around the world, and accounts for over half of the artists featured in the exhibition.

SKG artist Charles Moore is featured in a group exhibition, A Fire That No Water Could Put Out: Civil Rights Photography, at The High Museum through May 27th.

The editorial staff at New American Paintings have put together a list of more than 40 of the top painting exhibitions on view at private galleries across the country in January — from New York to Houston, Los Angeles to Chicago, Miami, and more — including several shows from artists previously included in New American Paintings and featuring more than 30 notable and not - to - be-missed shows from across the country.

As for Klee and Miró, the two most egregious absences from this exhibition, they believed that abstraction liberated the artist to embrace nature — or «the nature of nature,» as Klee put it — in a whole new variety of ways.

The editorial staff at New American Paintings have put together a list of more than 40 of the top painting exhibitions on view at private galleries across the country this month — from New York to Los Angeles, Chicago to Miami, and more — including more than a dozen shows from artists previously included in New American Paintings and featuring dozens of notable and not - to - be-missed shows from across the country.

At Regen Projects in Hollywood, Mexican artists Abraham Cruzvillegas and Gabriel Kuri are teaming up to curate an exhibition that puts Latin American artists in dialogue with international artists.

Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify -LSB-...]

Although, you never know: if you look back at Dorothy Miller's shows, the artists she put in her exhibitions in the late»40s and early»50s included most, if not all, of the great Abstract Expressionists.

Indeed, his first and real ambition was to be an artist; and for all his many and varied achievements, he was perhaps as proud as anything of an invitation in 2000 from the Mayor Gallery in Cork Street, London, to put on an exhibition of his paintings.

He also participated in an important 1966 group exhibition in London at the legendary Robert Fraser Gallery, whose other artists included Richard Hamilton, Bruce Conner and Peter Blake — who put Berman's face among the notable crowd in his cover for the Beatles» Sgt Pepper's Lonely Hearts Club Band.

In 1963, the Washington Gallery of Modern Art put on The Popular Image Exhibition featuring artists such as Claes Oldenburg, Jasper Johns, Robert Rauschenberg, John Wesley, Tom Wesselmann, Robert Watts, James Rosenquist, Vern Blosom, George Becht, Andy Warhol and Jim Dine.

The editorial staff at New American Paintings has put together a list of more than 50 of the top painting exhibitions on view at private galleries across the country in December — from New York to L.A. to Miami, Houston, Chicago, and more — including 20 shows from artists previously included in New American Paintings and featuring more than 30 notable and not - to - be-missed shows from emerging artists to major players like Andy Warhol, Anselm Kiefer, and Brice Marden.

The 2018 season is currently booked but if you wish to apply for the 2019 season, please contact: [email protected] and put «Information Needed for Guest Artist Exhibition» in the title.

Each Sunday throughout the run of Andy Warhol: The Last Decade, accomplished artist living and working in the Dallas / Fort Worth metroplex offer unique thoughts on the artist, his work, and his contributions as they put this special exhibition into context based on their own particular perspectives as artists.

In 1931, during the early days of the Depression, before the Works Progress Administration was put in place, an outdoor art exhibition, modeled on those in Europe, was held in Washington Square to help struggling artists make a livinIn 1931, during the early days of the Depression, before the Works Progress Administration was put in place, an outdoor art exhibition, modeled on those in Europe, was held in Washington Square to help struggling artists make a livinin place, an outdoor art exhibition, modeled on those in Europe, was held in Washington Square to help struggling artists make a livinin Europe, was held in Washington Square to help struggling artists make a livinin Washington Square to help struggling artists make a living.

His major retrospective at the Guggenheim this month will put this achievement in stark relief, filling the museum's entire rotunda with three decades of work for the artist's most comprehensive exhibition yet.

Cesarine founded The Untitled Space in 2014, in part to «emphasize contemporary female artists and bring more awareness to feminist art,» putting up exhibitions like an «all - female, all - nude» art show and a group show of 21 woman artists creating self - portraits.

Our editorial staff have put together our monthly Must - See list for the month of May, our guide to more than 50 of the best contemporary painting exhibitions in the country, including 15 shows of artists previously featured in New American Paintings and dozens of notable and not - to - be-missed shows across the USA.

She is also the co-founder and co-curator of BCC, a series of single - evening exhibitions that puts the curator in charge of materialization of digitally submitted works by artists.

Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the DayIn Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Dayin Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Dayin Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?

That unique space, in a gritty, quirky, historic mill building, was where we learned to be gallerists, where we became known for putting together quality exhibitions by local and international artists, and for making art accessible and approachable.

Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify or mediate the artist's immediate perception of what he is looking at.

Mexican artist Pedro Reyes's project The People's United Nations (pUN) is both an exhibition and an event that puts the diplomatic and global problem - solving goals of the United Nations in the hands of ordinary people.

While there is always the expectation of an artist to put objects out in to the world and to give them a life of their own, Ronay's practice of occupying the works himself reflects a thrilling perverse relationship to notions of «exhibition.»

In the arts, to talk of sexism is to acknowledge that, in contrast to their female counterparts, male artists garner higher auction prices, male museum directors earn higher salaries, and male artists put on more solo exhibitions at museumIn the arts, to talk of sexism is to acknowledge that, in contrast to their female counterparts, male artists garner higher auction prices, male museum directors earn higher salaries, and male artists put on more solo exhibitions at museumin contrast to their female counterparts, male artists garner higher auction prices, male museum directors earn higher salaries, and male artists put on more solo exhibitions at museums.

The exhibition, Point of Departure, firmly puts behind him his conviction for dealing forged art works by post-war modern artists In October 2011.

My goal for the exhibition program is to either really put my neck on the line for artists who are early in their careers, for whom the critical legitimation process has not yet taken place, or for artists who have received a lot more attention, but not in the U.S.. That's where Markus falls in — he has zero presence in the U.S., yet he represented Austria in the Venice Biennial in 2011.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

With an interest in carving out space within solo exhibitions for young artists, Pepe invited Perry, working in video and performance, to respond to her augmented reinstallation of Put me down Gently, 2015.

In the middle of the artist's book published in conjunction with her gnomic and unsettling Queens Museum exhibition, The Wandering Lake, 2009 - 2017, Patty Chang puts forth a stunning meditation on the role of art in the AnthropocenIn the middle of the artist's book published in conjunction with her gnomic and unsettling Queens Museum exhibition, The Wandering Lake, 2009 - 2017, Patty Chang puts forth a stunning meditation on the role of art in the Anthropocenin conjunction with her gnomic and unsettling Queens Museum exhibition, The Wandering Lake, 2009 - 2017, Patty Chang puts forth a stunning meditation on the role of art in the Anthropocenin the Anthropocene.

The artist, trained in color theory by Josef Albers, deployed a grayish palette, «both ashen and sallow, highlighted with accents of the nauseous,» as E. Luanne McKinnon puts it in the catalog for the current Brooklyn Museum exhibition of 19 of these paintings, from a series thought to include 21.

The works in exhibition seek to exist between genres of figurative or abstract, highbrow or lowbrow, sentimental and academic, and all the other limiting binaries of interpretation to be both volatile and conservative, soulful and austere, containing elements that appeal to both sides in these paintings, or as the artist puts it, «ambassadors between the two mindsets.»

Extending opportunities for education and research on contemporary female artists, fellows Mariela Acuna and Brooke Frank have put together a video listing of artists in the current exhibition, Self Proliferation, who have been featured on ART21.

The exhibition will juxtapose and put the Chinese artists in dialogues with international artists, the show will expand through time and different cultures, and it aims to bring out peculiarities and parallels in the diverse artistic strategies.

The exhibition has been put together by curator Hans Ulrich Obrist in close collaboration with the artist.

In May 1898, the» Berlin Secession» was founded with Liebermann as president, and one year later the group put on its first exhibition of German artists, attracting nearly 2,000 visitors on opening day.

To inaugurate its Arata Isozaki — designed wing for contemporary art, Japan's Museum of Modern Art asked curator Kasper König to put together an exhibition of works by artists whom he considers crucial to an understanding of art in Europe today.

In addition to showcase the young artists the exhibition wishes to put their artistic expression in a historical contexIn addition to showcase the young artists the exhibition wishes to put their artistic expression in a historical contexin a historical context.

We invited two curators who are experts in this form, Jacopo Crivelli Visconti and Ana Luiza Fonseca, to put together exhibition of artists» books by these young Brazilians.

Friends of the artist have put together a weekend only benefit exhibition to help offset medical costs at Sara Nightingale Gallery in Water Mill.

«It makes a great program to have younger artists put in this kind of context,» he added, referring to the history of rotating exhibitions of visual artists such as Tim Hawkinson, Spencer Finch and, currently, Nick Cave, along with performing arts events.

In putting together a large, non-thematic group exhibition it emerged that the most authentic method would be to structure a show around my ongoing day to day process of talking about what people are looking at with collectors, artists, curators, writers, and gallery staff.

Beers Contemporary work with emerging and established artists who are exploring exciting trends in contemporary art, putting on a diverse array of exhibitions.

Together, these late paintings demonstrate what Richard Marshall describes in the exhibition's accompanying catalogue as the artist's «pure joy of putting paint to canvas».

Meanwhile, special exhibitions put the spotlight on artists in some of Somerset House's dedicated exhibition spaces and across the site (as in Wolfgang Tillmans» timely display of his EU «Remain» campaign posters, Building Bridges, displayed in the public pavilion).

For Michael Zelehoski «s solo exhibition, Objecthood, currently on view at Christina Ray Gallery in New York City, the artist takes this almost antiquated concept and puts it into direct dialogue with painting, collage, assemblage and minimalist sculpture.