Sentences with phrase «artists work with landscapes»

Artists work with landscapes to navigate the artist mind using figurative and abstract forms.

Not exact matches

With Manufactured Landscapes, Baichwal looks at the work of Canadian photographer Edward Burtynsky, an artist who shoots landscapes of industrial wastelands that reveal men to be astonishingly productive beasts — and destructive, too, in the same procreatiLandscapes, Baichwal looks at the work of Canadian photographer Edward Burtynsky, an artist who shoots landscapes of industrial wastelands that reveal men to be astonishingly productive beasts — and destructive, too, in the same procreatilandscapes of industrial wastelands that reveal men to be astonishingly productive beasts — and destructive, too, in the same procreative stroke.

Leaning Into the Wind: Andy Goldsworthy Sixteen years after Thomas Riedelsheimer's first portrait of the visionary landscape artist, «Rivers and Tides: Andy Goldsworthy Working with Time,» became a national box - office hit through Roxie Releasing (and helped save the Roxie Theater in S.F.), the two reunite for an update.

During a press breakfast with industry and alumni, Sundance Institute Executive Director Keri Putnam described the momentum of the nonprofit's mission, «It's that connecting artists with audiences that is particularly important today,» adding, «The Festival is a successful platform for launching work, but the landscape has changed.

Working with Oscar - nominated cinematographer Dick Pope («The Illusionist»), Leigh — the great director of such films as «Topsy Turvy» and «Vera Drake» — illuminates the landscapes and seascapes that so inspired the artist.

This is an impressive venue for a conference or business meeting, the hotel features the stunning work of renown Australian landscape artist Dr John Olsen and will leave your delegates with a memorable experience.

Set on Melbourne's prestigious Chapel Street, The Olsen offers travellers premier South Yarra accommodation with 224 elegant, spacious suites infused with the lyrical works of revered Australian landscape artist Dr John Olsen.

«I've found that in working this way — with this bodily, physical experience of landscape — it's possible to be both engaged in the idea of an empathetic response to what's going on while at the same time having this sort of ironic detachment,» says Seattle - based artist Vaughn Bell, who built Personal Forest Floor (Portable Mountain), 2003 — 8.

am a 70 some artist who rarely sold anything, despite years of being online... for one, I paint with pen and ink, and do not put out anywhere enough for galleries to want to bother with, plus my work is realistic tho from my head... also, I work from themes, visualizing metaphoric ideas, so they're not the usual still life or landscapes..

Jennifer Vranes (JensArt.com), an Oregon - based artist who specializes in large - scale landscape paintings that she calls «happy art» (with a laugh, she says she has been told that her work helps lower the blood pressure of its viewers) has found herself in a similar situation only once since she began painting commission work in the late 1990s.

Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who reference garden and landscape in their work in a variety of ways — traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.

Before moving to New Orleans in August 2010, he put these many skills to use working for a number of years staging home interiors for property sales and as a landscape artist with a realty company.

Gili's current interest lies in working with architects and landscape artists in a cross media partnership reminiscent of the collaborations between artists, designers and architects that characterised This is Tomorrow.

«All artists want to be loved and understood,» laughs landscape painter April Gornik, who lives and works in North Haven with her husband, artist Eric Fischl, and the couple's two Bengal cats, Hooper and Bebop.

On Thursday, September 29, artist Blane De St. Croix sat down with VoCA Board Member Robin Clark to discuss how his work engages topics including the geopolitical landscape, border issues, climate change, pollution, land erosion, and preservation.

The 164 - acre Museum Park is home to more than a dozen monumental works of art, with artists actively involved in the restoration of the Park's landscape and the integration of art into its natural systems.

SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.

Mainly working with oil - based ink on unprimed boards and with no formal concept in mind, the artist works intuitively to produce obscured figures and landscapes that appear like otherworldly phenomena.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Widely considered to be among his best work, these large - scale landscapes — with Untitled XVIII a seminal example — evoke the bucolic splendor of the artist's East Hampton studio at Springs.

The recent work is a continuation of the «Rocks and Rays» series, begun in 2015, in which the artist explores the dance between natural phenomena that is invisible (electricity, light waves, wind, air patterns) with the solid elements of earth and landscape.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Those familiar with Robert Greene's early paintings of figures, architecture, and landscape combined in fairy - taleish scenarios would recognize a shift in the artist's most recent abstract works.

The New York artist often begins by working in a more conventional mode, painting surreal canvases that meld distorted, just - recognizable fragments of landscapes and still lifes with vivid splashes and swirls.

Artist Blane de St. Croix will sit down with VoCA Board Member Robin Clark to discuss how his work engages topics including the geopolitical landscape, border issues, climate change, pollution, land erosion, and preservation.

Featuring over 50 landscapes from this period, including paintings and works on paper, the book opens with a personal foreword from the artist's granddaughter (and the show's curator).

The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.

An artist known for his work with ephemera, Ameztoy conjured a fairytale landscape that was as delicate as it was detailed.

«Working in a studio is actually a bit isolating; this is a chance to meet and interact with artists and art appreciators in my area,» said Scally, whose paintings include stark, wild landscapes emblazoned with vivid images of man - made things and people.

Living and working with a fellow artist means having a constant source of advice and support, and each allows the other the space to specialise — as Diana says, «he rather handed the landscape over to me».

As winter closes in, we will fill the gallery with smaller works by the artists whose sculptures punctuate Lynden's landscape.

Presented in conjunction with the Lannan Foundation in Santa Fe, NM, the exhibition, Taxonomy of a Landscape, features over forty works from the artist's wide - ranging examination of the American landscape at the intersection of civilization, geology and natural history.

Canadian artist Kelly Richardson is one of the leading representatives of a new generation of artists working with digital technologies to create hyper - real, highly charged landscapes, alongside figures such as John Gerrard and Saskia Olde Wolbers.

With key works sited in the Yorkshire landscape, the exhibition will fulfil the artist's belief that «sculpture must stand in the open air, in the -LSB-...]

The exhibition at Pace will present a group of works Hockney made on the iPad during visits to Yosemite National Park in 2010 and 2011 and highlight the artist's continuing engagement with the landscape, particularly that of the American West.

Through portraiture, landscapes and still lifes, Calderara depicted the people, scenes and objects of his native Italy — all suffused by a delicate, misty light inspired by the atmospheric glow of Lake Orta in Vacciago, where the artist moved in 1934 with his wife Carmela, and where he would work for most of his life.

Sarah Wiseman Gallery in Oxford presents Connections an exhibition with Andrew Hood and Carol Peace (whose work First Sun is shown here courtesy of the artist and Sarah Wiseman Gallery), two artists exploring the connections we make with one another and with the landscapes around us.

The artist is known for her detailed and sensitive oil pastel works on chalkboard, as used for her four large works in The New Four Seasons, but her pictures are what she describes as apparitions, brief moments captured as with her new body of work, where the focus is not the trees or landscape but that moment of a leaf or insect disturbing the surface of the water... full article: http://www.widewalls.ch/myong-hi-kim-the-new-four-seasons-solo-exhibition-art-projects-international-new-york-2015/

The Royal Academy's Summer Show might lean on the traditional side with plenty of nudes, still lifes and landscapes, but alongside work by established artists, unknowns are given space.

With its vibrant palette of warm golden colors and a surface infused with painterly passion, Joan Mitchell's luxurious canvas, Blueberry, belongs to a group of significant works which demonstrate the artist's unrivaled skill at producing paintings which evoke the rich emotions of nature and landscWith its vibrant palette of warm golden colors and a surface infused with painterly passion, Joan Mitchell's luxurious canvas, Blueberry, belongs to a group of significant works which demonstrate the artist's unrivaled skill at producing paintings which evoke the rich emotions of nature and landscwith painterly passion, Joan Mitchell's luxurious canvas, Blueberry, belongs to a group of significant works which demonstrate the artist's unrivaled skill at producing paintings which evoke the rich emotions of nature and landscape.

Working in sculpture and in painting respectively, both artists begin by drawing from life; in Carol's case in the life room with a model, or with Andrew Hood, a chosen location in a city street or remote landscape.

For this native Gauteng artist, who has worked consistently with the idea of a mutant geopolitical landscape throughout her career, the revelatory potential of turning up the soil, or drawing things out of the earth, is not new.

Richard Long is an artist whose work is embedded in his relationship with the landscape.

Firmly working with the urban landscape, the artist creates new and unusual experiences.

Even more important, the critic wrote, was the fact that the participating artists chose their own works to contribute — mainly still lifes and landscapes, with a few paintings of everyday figures — rather than conforming to any theme.

In 2016, Mutu opened a second studio in Nairobi, and this return to her «alien mother,» as the artist has referred to it, has catalyzed a transformation in her work.4 Fresh materials and methods referencing the Kenyan landscape — such as the distinctive rust - colored clay of Nairobi's volcanic soil and a dark, coal - like paper pulp — evidence a shift in the artist's focus from primarily two - dimensional works to the earthy, the organic, and the spiritual, with an emphasis on three - dimensional forms and performance - based installations, as well as the playful and imaginative opportunities of video animation.

He often collaborates with artists such as Paul McCarthy, Raymond Pettibon and Tony Oursler, to make video works that reflect on the American cultural landscape.

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Working with videographer Patrick Kelley, the artist has produced three black - and - white videos that follow the story of the half - woman, half - bull Minotaur, her lust - crazed mother Pasiphae, and her helpless sister Ariadne through boldly drawn landscapes.

Outlooks, now in its fifth year, is an exhibition series that invites one emerging or mid-career contemporary artist to engage with Storm King's landscape and history and create a new, site - specific work to be installed on - site for a single season.