Sentences with phrase «arts oral history project»

Summary: Interview of Philip Guston conducted on January 29, 1965, by Joseph Trovato, in the artist's home in Woodstock, New York, for the Archives of American Art's New Deal and the Arts Oral History Project.

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Other activities included: Learnosaurus with Sean Cusack BSE» 98, The Cooper Union Oral History Project with the Cooper Union Associates (Sangu Iyer CE» 99, Noemi Charlotte Thieves A» 11, Laura Napier A» 98, and CB Wayne AR» 75), Tealightful, Ping Pong with SPiN, The NY Knicks Groove Truck, Art Showcase with Susan Detrich A» 66, The Saturday Program, Milestone Architecture (Margaret Matz AR» 83)-- The Torcello Project, Green Festivals, The Cooper Union Student Origami Club, NEXTDOOR, and Susan Pillay.

Programs at 18th Street Arts Center comprise our residency - based exhibition and public program series Artist Lab, emerging artist exhibitions in our Atrium Gallery, artist - driven events, a semi-annual Pico Block Party family festival, community programs related to our Culture Mapping 90404 online oral history project and archive, partnership exhibitions with other institutions, and an annual publication.

Many artists were in the audience for this oral history lesson presented as part of the 50th anniversary show ICA@50, including Billy Dufala whose ICA@50 micro-exhibition RAIR: Simon Kim and Billy Dufala / Made in Philadelphia (1973) opened in the gallery earlier that day along with Robert Morris: Tracks / Robert Morris / Projects (1974) and Videoarte Brasil / Video Art (1975).

Sharing Our Stories — Hapeville, Georgia Public Art / Oral History Project Location: Hapeville, Georgia Visual artists are invited to submit proposals for Hapeville's «Sharing Our Stories» public art projeArt / Oral History Project Location: Hapeville, Georgia Visual artists are invited to submit proposals for Hapeville's «Sharing Our Stories» public art pProject Location: Hapeville, Georgia Visual artists are invited to submit proposals for Hapeville's «Sharing Our Stories» public art projeart projectproject.

Currently she works as an interviewer on the Smithsonian Visual Art and the AIDS epidemic oral history project and co-curates the reading and performance series Adult Contemporary, which released its first book of art and literature last faArt and the AIDS epidemic oral history project and co-curates the reading and performance series Adult Contemporary, which released its first book of art and literature last faart and literature last fall.

She has contributed interviews to oral history projects with the New York Public Library of Performing Arts, the Museum of Arts and Design, and the Brooklyn Historical Society, where she has worked on a number of projects and exhibitions about race, place and history.

She often works collaboratively: forthcoming such projects include a public art / activism action in DC (fall 2016, co-organized with Saisha Grayson); a painting exhibition at the American University Art Museum (2017, co-organized with Danielle Mysliwiec); and an oral history of visual arts practices inside the I - 495 Beltway (as part of the DC - based collective FURTHERMORart / activism action in DC (fall 2016, co-organized with Saisha Grayson); a painting exhibition at the American University Art Museum (2017, co-organized with Danielle Mysliwiec); and an oral history of visual arts practices inside the I - 495 Beltway (as part of the DC - based collective FURTHERMORArt Museum (2017, co-organized with Danielle Mysliwiec); and an oral history of visual arts practices inside the I - 495 Beltway (as part of the DC - based collective FURTHERMORE).

The project expanded beyond the archive to include works of art and oral histories, as well as research in The Fales Library and Special Collections at New York University.

The creation of this catalogue will capture the scope of the project with beautifully documented plates of the 64 works of art, reproductions of memorabilia, and over 14 written submissions which include culinary history, poems, short fiction, oral history, and lecture transcriptions.

He is featured in the artist oral history project at the Smithsonian's Archives of American Art and his book for UC Press, After Silence: A History of AIDS Through Its Images is due out in Novembehistory project at the Smithsonian's Archives of American Art and his book for UC Press, After Silence: A History of AIDS Through Its Images is due out in NovembeHistory of AIDS Through Its Images is due out in November 2017.

NEW EXHIBITION, White Columns ACT UP NEW YORK: Activism, Art, and the AIDS Crisis, 1987 - 1993 ACT UP ORAL HISTORY PROJECT fierce pussy OPENING RECEPTION: WEDNESDAY, SEPTEMBER 8, 6 - 8PM

In 2016 Arnolfini received an Art Fund grant to initiate an oral histories project, which will preserve the memories of the people who were involved in the founding of the organisation.

Advisors to the project include curator / producer Carla Peterson, artist / educators Lenora Champagne and Holly Hughes, as well as Susan Kraft, Coordinator of the Oral History Archive and Project at the Jerome Robbins Dance Division of the New York Public Library for the Performinproject include curator / producer Carla Peterson, artist / educators Lenora Champagne and Holly Hughes, as well as Susan Kraft, Coordinator of the Oral History Archive and Project at the Jerome Robbins Dance Division of the New York Public Library for the PerforminProject at the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts.

Interview of Esther Gottlieb Conducted by Phyllis Tuchman, October 22, 1981 This interview was conducted as part of the Archives of American Art's Mark Rothko and His Times oral history project, with funding provided by the Mark Rothko Foundation

The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoades's work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Dylan Kenny and Lucas Zwirner, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist — including curator and art historian Linda Norden.

After Murray's death, the A G Foundation, Columbia University, and the Archives of American Art established the «Elizabeth Murray Oral History of Women in the Visual Arts Project,» to honor her memory.

The current release includes chapter essays on the seven neighborhoods, two scholarly essays on the early history of collecting contemporary art in Dallas, an interactive gallery map documenting the history and locations of over 150 commercial galleries and nonprofit institutions in North Texas from the mid-1950s, and media - rich appendices that feature oral histories, interviews, and detailed listings of collections in the DMA Archives related to the DallasSITES research project.

As part of a commissioned art project, her plan presents an oral guide to Bronx history by giving voice to the community about their connections to its ecosystem with stories by current and former residents, from beekeepers to rappers.