Sentences with phrase «arts research seminar»

Hosted by the Contemporary Arts Research Seminar series, School of Arts, SOAS with the generous support of Lund Humphries, ASAUK and the Royal African Society.

Not exact matches

Liberal arts colleges generally don't provide the intellectual stimulation that research universities — with their steady stream of seminar speakers, graduate students, and postdocs — generally do.

Since 2007 the Center of Molecular Biosciences, a state - of - the - art research center, provides the adequate space for our research and teaching laboratories, lecture halls and seminar rooms as well as several core facilities.

The resources made available through Pennington and the T32, including state - of - the - art equipment and facilities, grant - writing seminars, Responsible Conduct of Research Seminars, and weekly presentations by internationally recognized researchers in the field, provide a rich learning enviseminars, Responsible Conduct of Research Seminars, and weekly presentations by internationally recognized researchers in the field, provide a rich learning enviSeminars, and weekly presentations by internationally recognized researchers in the field, provide a rich learning environment.

In the effort to research and present new approaches in the fields of quality of life and comprehensive healing, this seminar is one of a series of workshops by the Art & Heart Center devoted to the healing arts.

The title Screenology references the current trend in research into digital media screens and public art and is also the subject of the seminar led by Daniel Sauter in the Electronic Visualization Laboratory's Cyber-Commons facility at the University of Illinois at Chicago.

In a collaboration initiated by the Carnegie International, Kouoh is working with Emi Finkelstein, Rebecca Giordano, Paula Kupfer, Ellen Larson, and Katie Loney, students in a Special Topics graduate seminar at the University of Pittsburgh, History of Art and Architecture, as well as with Research Assistant Gabriella Beckhurst.

Likewise, we have participated in and provided research materials for use in conferences, panels, and seminars at the Turner Contemporary, the Albright - Knox, the Portland Art Museum, the Sterling and Francine Clark Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 20Art Museum, the Sterling and Francine Clark Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 20Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 20art - historical reconsiderations of Helen Frankenthaler's work in fall 2015.

The new building will include spaces for hosting public events, seminars and displays of the works currently being gifted by the charity to museums across the UK, as well as an archive of the thousands of works donated by the organisation over the past 100 years, along with a study centre and research facility focused on collection development for curators, academics and arts professionals.

Art history faculty members teach a wide range of courses and specialized seminars in their areas of research.

Additionally, seminar participants» research on diagrams will culminate in an exhibition on view at the School of Art's Third Space Gallery.

History and building The Fundación Juan March promotes humanistic and scientific culture by organizing temporary exhibitions, mostly focused on modern and contemporary art, as well as concerts, lectures, conferences, seminars, workshops, and research activities.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

During her residency at CCS Bard, Christel will be working on her research concerning questions of art and curating as alternative sites for knowledge production, as well as teaching a series of seminars in which she will zoom in on the strategies artists and cultural producers have applied over the years to counter or confound established ideas and systems of knowledge.

She is a regular contributor to a variety of international arts publications and led a number of research seminars and workshops.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes: Eduardo Abaroa (artist, Mexico City), Jessica Berlanga Taylor (Chief Curator, Fundación Alumnos47), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tamara Díaz Bringas (researcher and independent curator, Madrid), Sol Henaro (Curator, Museo Universitario Arte Contemporáneo / MUAC, Mexico City), André Mesquita (researcher, São Paulo), Yasmil Raymond (Associate Curator, Department of Painting & Sculpture, The Museum of Modern Art), and Lucía Sanromán (Director of Visual Arts, Yerba Buena Center for the Arts), among others.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of international professionals that includes Mark Beasley (Curator, Performa, New York), María del Carmen Carrión (Associate Director of Public Programs & Research, ICI, New York), Deborah Cullen (Director and Chief Curator, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York), Matthew Higgs (Director, White Columns, New York), Sarah Hromack (Director of Digital Media, Whitney Museum of American Art, New York), Jill Magid (artist, New York), Renaud Proch (Executive Director, ICI), Yasmil Raymond (Curator, Dia Art Foundation, New York), and Franklin Sirmans (Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art).

Arts in health, Collaboration, Community, Curatorial, Design, Diversity, Exhibition, Fair, Online, Project, Research, Residency, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar

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Activism, Adult education, Art tour, Auction, Collaboration, Community, Conference / Symposium, Curatorial, Design, Diversity, Education project, Exhibition, Fair, Film production, Further education, Gallery education, Online, Open studio, Practice - based research, Project, Public art, Publication, Research, Residency, Screening, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication, WritArt tour, Auction, Collaboration, Community, Conference / Symposium, Curatorial, Design, Diversity, Education project, Exhibition, Fair, Film production, Further education, Gallery education, Online, Open studio, Practice - based research, Project, Public art, Publication, Research, Residency, Screening, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication,research, Project, Public art, Publication, Research, Residency, Screening, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication, Writart, Publication, Research, Residency, Screening, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication,Research, Residency, Screening, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication, Writing

In addition, the Phillips's Center for the Study of Modern Art, its research facilities, will be renamed the University of Maryland Center for Art and Knowledge at The Phillips Collection, and will expand its work, hosting seminars and study programs, supporting two new postdoctoral fellowships, and digitizing the museum's collection of 9,500 scholarly books, exhibition catalogues, and correspondence, among other initiatives.

The Network sponsors activities to accomplish that goal, including research and study of advances in the state - of - the - art of legal representation, and sponsors continuing legal education seminars for corporate and outside counsel and insurance professionals.

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