Sentences with phrase «arts at mass»

Darren Waterston in Conversation with Susan Cross, Curator of Visual Arts at MASS MoCA from DC Moore Gallery on Vimeo.

Darren Waterston in Conversation with Susan Cross, Curator of Visual Arts at MASS MoCA.

Jen Catron and Paul Outlaw Artists Susan Cross Curator of Visual Arts at MASS MoCA Anna Maria Cuevas Director of Cuevas Tilleard Annica Cuppetelli Artist Jen Dalton Artist Kim Drew Founder of Black Contemporary Art Blog Meredith Drum Artist + Previous Resident Aliza Kelly Faragher Curator + Writer + Art Consultant Carley Gaebe Artist Alex Gingrow Artist + Previous Resident Eric Gleason Director at Paul Kasmin Anna Harsanyi Curator + Educator Katherine Hill Writer Jason Huff Artist Maud Jacquin Independent Curator + Scholar Paddy Johnson Founding Editor of Art F City Martha Joseph Curatorial Fellow at MASS MoCA Kirstin Lamb Artist + Previous Resident Emily Noelle Lambert Artist + Previous Resident Zoe Larkin Curatorial Assistant at Whitney Museum of American Art Nora Lawrence Associate Curator at Storm King Art Center Amanda Lechner Artist + Previous Resident Sally Morgan Lehman and Jay Lehman Owners + Directors at Morgan Lehman Gallery

North Adams, MA — Wilco's drummer, Glenn Kotche, takes a quick break from installing festival art at MASS MoCA and getting ready to perform four (or more!)

Not exact matches

Everyone who painted at Pinot's Palette left with a smile, and that became my goal: to work in a place where I could bring art to the masses in a fun and entertaining atmosphere with excellent customer service.

Each chapter discusses an aspect of the one theme that the central purpose of all education — whether in homes, schools, churches, business organizations, community agencies, or the mass media, and whatever the area of learning, whether science, art, health, or international relations — should be the transformation of persons from the life of self - centered desire to that of devoted service of the excellent, and at the same time the creation of a democratic commonwealth established in justice and fraternal regard rather than in expediency.

Almost every department of theological study is involved at this level, and this means not only attention to the symbols and images of the Christian faith; it also means attention to the symbols and images and art forms of the contemporary world, as they are encountered in literature and the fine arts, but also in popular expressions, community rituals, social ideologies, and not least in the mass media of the time.

One quiet afternoon we looked through the «Art book for Children», the first picture to catch her eye was a huge mass of swirling colour with a man throwing paint at a canvas on the floor.

Along with Mars 2020, STMD is hard at work, advancing promising technology for potential infusion into these Mars missions including: Heat - shield for Extreme Entry Environment, a tailorable, woven thermal protection system that would reduce entry loads and greatly reduce heat - shield mass; Deep Space Optical Communications, which will improve the data - return capacity from space to Earth by more than 10 times the current state - of - the - art; and the Deep Space Atomic Clock project which will revolutionize deep space travel by improving the precision of space navigation and enabling more efficient use of tracking networks like GPS.

The rebound can be used to weigh the ice sheet and determine how much mass it has lost and is currently losing, said Doug Wiens, PhD, professor of earth and planetary sciences in Arts & Sciences at Washington University in St. Louis.

«The finding shows the precision of the state of the art in mass budget work,» Jason Box, an ice sheet researcher at the Geological Survey of Denmark and Greenland, said in an email.

At mirraw we believe a trend isn't what a celebrity wears, but is everything the mass would feel comfortable in.Our motto is to design stylish comfort clothes, that adds spark to a woman's persona, that highlights all the right curves and pushes the feminism hidden right out of the covers.Our cotton jackets are part of the big trend to bring forward our traditionally rich art and as a much needed push to our cotton industry that is so diverse and rich but is sinking without much needed support.Our designers drain skills out on a paper to bring out these pieces of absolute elegance.Our ethnic jackets reflect the diversity in culture and incorporates the best of every culture in them.Richly embroidered ethnic jackets in multi colours feel like a mosaic of colours on a canvas.Threads of highly quality are used to immortalise the pattern a designer has mind.Available in every sleeve length from micro to full, and necks such as round and oval, our ethnic jackets bring up a mass appeal with the kind of styling we have added to them.

An art film is typically a serious, independent film, aimed at a niche market rather than a mass market audience.

In her review of Deathly Hallows: Part 2, Manohla Dargis observes that the Harry Potter series has «affirmed that the relationship between mass art and its consumers is at times incredibly rich.»

Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.

Objectified (Unrated) Industrial arts documentary takes an in - depth look at mass - produced items from the perspective of their designers.

As many of the best critics have stressed, film criticism's function is to resist becoming part of the machine for promoting films at either the mass market or indie / art film level, repeating the press notes and feeding the hype.

«Our students need more books, art and music programs, nurses and school counselors; they do not need more guns in their classrooms,» Eskelsen García said after Trump, in a listening session at the White House, proposed to arm teachers and school staff in an attempt to prevent mass shootings.

The new, large full - color art is magic realism at its finest, revealing mass cruelty as well as distinctive individuals and the connections between them.

«Mining the Masses: Big Profits from Little People» and «Let Them Eat Cake: Exploiting America's Obesity Epidemic» are just two of the courses at this school that also teaches the fine arts of hacking, blackmail and assassination.

Whether you need help in marketing, human resource, finance, information technology, mass communication, mathematics, geography, economics, arts, history, law, nursing, engineering, taxation, or any other academic discipline, our experts will guide you thoroughly at each educational writing step.

At our website students can get essay help in all the academic discipline whether it is history, English, management, nursing, marketing, IT, law, arts, hospitality, mass communication or any other.

The 1/4 Mile or 2 Furlong Piece (1981 — 98) at the inaugural exhibition of MASS MoCA (Massachusetts Museum of Contemporary Art), North Adams, Massachusetts, 1999.

Oursler has mounted solo exhibitions at prestigious exhibitions including PinchukArtCentre, Kiev, Ukraine; Tate Modern, London; ARoS Aarhus Kunstmuseum, Denmark; Kunsthaus Bregenz, Austria; Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; Institute of Contemporary Art, Philadelphia; MASS MoCA, Massachusetts; Kunstverein Hannover, Germany; Aspen Art Museum, Colorado; Museum of Contemporary Art San Diego, California; Centre d'Art Contemporain, Geneva, Switzerland; Honolulu Museum of Art, Hawaii; Museum fur Gegenwartskunst, Basel, Switzerland; P.S. 1, New York; Musée d'Art Contemporain de Bordeaux, France; Museo D'Arte Contemporanea Rome, Italy; Sao Paulo Museum of Modern Art, Brazil; Jeu de Paume, Paris; Musee d'Orsay, Paris; Kunstforeningen GL Strand, Kobenhavn, Denmark; Helsinki City Art Museum, Finland; Institut Valencia D'Art Modern, Valencia, Spain; Fridericianum, Kassel, Germany.

About Teen Programs Teen Programs at MASS MoCA expose area youth to contemporary art - making practices, build confidence and leadership abilities, provide creative avenues for self - expression, and deepen teens» connections to the museum and greater North Adams community.

Situated just outside of new galleries devoted to the musical instruments of Gunnar Schonbeck and works by experimental musician and artist Laurie Anderson, Slip conflates visual art and musical performance — cornerstones of MASS MoCA's program — at a grand architectural scale.

Until's Call and Response Program will continue throughout the run of the exhibition at MASS MoCA and will engage communities globally as Cave's project travels to Carriageworks in Sydney, Australia, and the Crystal Bridges Museum of American Art in Bentonville, Arkansas.

Along with his neo-Duchampian comrade - in - arms Robert Rauschenberg, he provided the transition between Abstract Expressionism and Pop Art, between serious (if often overblown) attempts at tapping into the unconscious to the canny (if sometimes perspicacious) coopting of mass media.

MASS MoCA's new collaboration with the Rauschenberg Foundation builds on convictions central to both organizations» missions: the importance of the relationship between the fine and performing arts, of nurturing new works by established and emerging artists, and of the ability of the arts to affect real change in the world at large.

Joseph C. Thompson, Krens» colleague at the Williams College Museum of Art, was named founding director of MASS MoCA and spearheaded the project's launch after Krens went to the Guggenheim in 1988, shortly after the Massachusetts legislature voted its support for the project.

She has completed residencies at MASS MoCA and Vermont Studio Center, Johnson, Vermont, and received the 2004 Gold Prize from the AHL Foundation Annual Arts Competition, New York.

Speaking of his early work and artistic concerns at large, Kelley had said, «My entrance into the art world was through the counter-culture, where it was common practice to lift material from mass culture and «pervert» it to reverse or alter its meaning... Mass culture is scrutinized to discover what is hidden, repressed, within it.»

His vast Chile Vencera Banner was made for a mass rally in Trafalgar Square in 1974 and was exhibited recently in Textiles: Art and the Social Fabric at MuHKA in Antwerp.

Community Event Series Together with the Massachusetts College of Liberal Arts, North Adams - based Common Folk Artist Collective staged «Venable 8: Three Lessons on Gun Violence in the Classroom,» in the Kidspace gallery at MASS MoCA, where Cave is also exhibiting.

In addition to MASS MoCA, Hwang has exhibited at international arts institutions including: the Queens Museum of Art, New York; The Hudson Valley Center for the Arts, Hudson, New York; the Chelsea Art Museum, New York; The Seoul Arts Center Museum; the Jeju Museum of Art, Jeju Island; Third Floor - Hermès, Singapore; and the International Museum of Art and Science, McAllen, Tearts institutions including: the Queens Museum of Art, New York; The Hudson Valley Center for the Arts, Hudson, New York; the Chelsea Art Museum, New York; The Seoul Arts Center Museum; the Jeju Museum of Art, Jeju Island; Third Floor - Hermès, Singapore; and the International Museum of Art and Science, McAllen, TeArts, Hudson, New York; the Chelsea Art Museum, New York; The Seoul Arts Center Museum; the Jeju Museum of Art, Jeju Island; Third Floor - Hermès, Singapore; and the International Museum of Art and Science, McAllen, TeArts Center Museum; the Jeju Museum of Art, Jeju Island; Third Floor - Hermès, Singapore; and the International Museum of Art and Science, McAllen, Texas.

Li curated solo exhibitions of Gaudy Art for artists including Feng Zhengjie and the Luo Brothers, and group shows entitled «Model for the Masses» and «Gaudy Life» with Liao Wen at the Beijing

Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

He has recently created major public art projects: Scaffold (2012), installed at the Walker Art Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New Englaart projects: Scaffold (2012), installed at the Walker Art Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New EnglaArt Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New England.

Simultaneously featured in the new Maine Center for Contemporary Art's 2016 Biennial, Carly Glovinski is the 2016 recipient of an Artist Advancement Grant from the New Hampshire Charitable Foundation, recently did a residency at the Studios at MASS MoCA, and has a solo exhibition at Carroll and Sons Gallery in Boston this winter.

Inside the museum, Kidspace at MASS MoCA is the museum's child - centered art gallery.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

South has exhibited widely in the United States and abroad, including at venues such as The Museum of Arts and Design (MAD), New York; The Weatherspoon Museum, North Carolina; The Whitney Museum of American Art at Altria, New York; MASS MoCA, Massachusetts; and Nassauischer Kunstverein, Wiesbaden, Germany.

Kidspace at MASS MoCA will move its ArtBar to the outdoors, with a variety of fun art projects in the FreshKids Tent where you can join the beards and braids bonanza.

«It draws a bright, bold outline between art and Galbreth's and (fellow Art Guy Jack) Massing's lives, at any raart and Galbreth's and (fellow Art Guy Jack) Massing's lives, at any raArt Guy Jack) Massing's lives, at any rate.

An art review on Friday about the contemporary art museum MASS MoCA, which recently expanded its gallery space, misstated the frequency of a residency by the band Wilco at the museum, where popular music events are also held.

Which opens art most to the masses, Chelsea in September 2008 or Damien Hirst at auction?

Liv's works have been exhibited across the globe, most recently her acclaimed Cathedrals for the Masses was shown at the Centro Pecci, Prato, Italy and the Tel Aviv Museum of Art, Israel in 2009 and 2010, respectively.

Treizman has participated in the Bronx Museum of the Arts» Artist in the Marketplace (AIM) program and in artist residencies at MASS MoCA, North Adams, MA; Vermont Studio Center; Johnson, VT; Berlin Collective / APT Institute (Brooklyn, NY); Ox - Bow Residency, Saugatuck, MI; NARS Foundation, Brooklyn, NY; ACRE Residency, Steuben, WI; and Triangle Artists» Workshop, Salem, NY.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstat Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstAt The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

NORTH ADAMS, MASSACHUSETTS — MASS MoCA announces a $ 500,000 grant from The Andrew W. Mellon Foundation to support the creation and presentation of new work at the intersection of the visual and performing arts through its Confluence Artist Residencies.