Sentences with phrase «arts graduate fellow»

Rios is also a Headlands Center for the Arts graduate fellow alumni.

Not exact matches

He was a graduate research fellow at Harvard Law School's Program on Negotiation and has taught at both Johns Hopkins University's Paul H. Nitze School of Advanced International Studies and Zanvyl Krieger School of Arts and Sciences.

Comparing Studies of German, Swiss, and North American Waldorf School Graduates — Jon McAlice Cultivating Humanity against a «Monoculture of the Mind» — Stephen Keith Sagarin Reports from the Research Fellows «Learning Arts, and the Brain» — The Dana Consortium Report — Patrice Maynard Waldorf Around the World — James Pewtherer The Intercultural Waldorf School of Mannheim, Germany — David Mitchell The Health and Heartiness of Waldorf Graduates — Douglas Gerwin

The study, published in the journal Psychological Science, was led by Johannes Eichstaedt, a graduate student in the School of Arts & Science's Department of Psychology, and included H. Andrew Schwartz, a visiting assistant professor in the School of Engineering and Applied Science's Department of Computer and Information Science; Margaret Kern, an assistant professor at the University of Melbourne, Australia; Gregory Park, a postdoctoral fellow in the School of Arts and Science's Department of Psychology; and director Martin Seligman, both of the Positive Psychology Center, as well as Lyle Ungar, a professor of computer and information science.

These one - week summer seminars, held at prestigious universities and historic sites around the United States are open to full - time K - 12 history, social studies, and English language arts teachers; community college faculty; school librarians; National Park Service interpreters and New Teacher Fellows (students about to graduate from college with a degree in history or education, who intend to pursue a teaching career).

As a current graduate student in the Arts in Education program at Harvard Graduate School of Education, he serves as the Co-Chair for the Pan-Asian Coalition for Education, Tri-Chair for the 16th Annual Alumni of Color Conference and Communications Fellow through the Voice graduate student in the Arts in Education program at Harvard Graduate School of Education, he serves as the Co-Chair for the Pan-Asian Coalition for Education, Tri-Chair for the 16th Annual Alumni of Color Conference and Communications Fellow through the Voice Graduate School of Education, he serves as the Co-Chair for the Pan-Asian Coalition for Education, Tri-Chair for the 16th Annual Alumni of Color Conference and Communications Fellow through the Voice Program.

He is an expert consultant to OECD and UNESCO, Consultant Advisor to Asia Society's Global Cities Education Network, Co-Chair Global Education Leaders Partnership, Board Director of the Innovation Unit UK, International Advisor to Learning Forward (USA), Advisory Board Member New York Academy of Sciences, Fellow of the Royal Society of Arts (UK), Board Director of the Foundation for Young Australians & Teach For Australia and Senior Fellow, Melbourne Graduate School of Education, The University of Melbourne.

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

Instructor: Meredith Mowder, a Joan Tisch Teaching Fellow at the Whitney Museum since 2013, is currently a PhD candidate in art history at The Graduate Center, CUNY, where she is writing her dissertation on performance art's migration into the sphere of entertainment in New York City during the 1980s.

She is an Associate of the Art, Design, and the Public Domain program at the Graduate School of Design at Harvard University, a 2013 - 15 fellow at the Vera List Center for Art and Politics, and an adjunct teacher at Cooper Union.

Instructor: Paula Burleigh is a Joan Tisch Teaching Fellow at the Whitney and a PhD candidate in Art History at the CUNY Graduate Center, where she is writing her dissertation about the use of archaic forms in a range of utopian projects in Western Europe during the 1960s.

Teaching 2017 Cooper Union, New York NY Visiting Teacher in the School of Art 2016 - 2017 Massachusetts College of Art and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph BArt 2016 - 2017 Massachusetts College of Art and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph BArt and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph BArt, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph Bart classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph Berg

In 1956, a fellow graduate from Michigan's Cranbrook Academy of Art, where Zacharias earned his M.F.A., told him about the East End, describing it as an enclave for artists.

Melissa Dubbin is a graduate of the Masters Program of Experimentation in Art and Politics (SPEAP) at SciencesPo, Paris, founded & directed by Bruno Latour, where she was a fellow from 2013 - 2014.

She is a graduate of the University of North Carolina at Chapel Hill (BFA, Fine Arts), School of the Art Institute of Chicago (MFA, Art & Technology), and was a studio fellow at the Whitney Independent Study Program.

Before the Met he was graduate curatorial fellow and curatorial assistant at New York University's Grey Art Gallery, where he worked on a groundbreaking survey of art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (200Art Gallery, where he worked on a groundbreaking survey of art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (200art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (2005).

Back then, Tossin was a recent CalArts MFA graduate and was beginning her tenure as a Core Fellow at the Museum of Fine Arts, Houston.

She is a Fellow of the Hambidge Center for the Creative Arts and Sciences, a past Writer - in - Residence at Rivendell Writers» Colony, and a 2017 graduate of Sewanee's School of Letters, the University of the South.

Samuel H. Kress Predoctoral Fellow (by application) A six - month fellowship awarded to an advanced graduate student, who has completed all course work and exams and is engaged in carrying out research leading to the completion of a Ph.D. dissertation in the history of art.

John Majewski, Dean, Humanities and Fine Arts Dick Hebdige, Chair, Department of Art Kathy Foltz, Interim Chair, College of Creative Studies Richard Ross, Faculty, Department of Art Kim Yasuda, Faculty, Department of Art Rose Bricetti, Postgraduate Teaching Fellow, Department of Art Kayla Mattes, MFA graduate 2019, Department of Art

He was a fellow of the 2013 New York Arts Practicum and a received his BFA graduate from the University of North Carolina at Greensboro.

Pesanti earned her undergraduate degree from the University of Pennsylvania, with graduate degrees from the University of Oxford, England, and New York University's Institute of Fine Arts, and was recently a 2017 fellow in the Getty Leadership Institute.

In 1963, he and fellow academy graduate Gerhard Richter, along with Manfred Kuttner and Konrad Lueg (who later changed his name to Konrad Fischer and became a successful art dealer), established a short - lived but brilliantly named art movement, Capitalist Realism.

She is a newly appointed Associate of the Art, Design and the Public Domain program at the Graduate School of Design at Harvard University, and a 2013 - 15 fellow at the Vera List Center for Art and Politics.

Most recently, Anna was an editor of aCCeSsions online journal of curatorial studies, graduate fellow at the Walker Arts Center, curatorial fellow for the Live Arts Bard Biennial We're Watching (Fisher Center for Performing Arts), and curator of the exhibition and performance Whispers in the Grass: The Living Theatre and The Brig (Hessel Museum of Art).

She is an Associate Professor of Art, Design and the Public Domain at the Graduate School of Design at Harvard University, and a 201315 fellow at the Vera List Center for Art and Politics.

Catherine Haggarty, Painter, Co-director, Ortega y Gasset Eric Sutphin, Critic and curator Ian Cofre, Independent curator and writer Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Counsel

Hank Willis Thomas: Unbranded is curated by Janet Dees, Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art, with assistance from Tamar Kharatishvili, 2017 - 18 Block Graduate Curatorial Fellow.

The first drawing by Giovanni Battista Tiepolo in the collection, Chronos Devouring his Child (Fig. 4), was purchased in 1934 from A. Everett «Chick» Austin, Jr., director of the Wadsworth Athenaeum at Hartford and a fellow Harvard graduate student with Professor of Art Agnes Rindge; Austin evidently bought the sheet from the Savile Gallery in London.21 The brown ink and wash drawing with traces of black chalk is a variation of a work in The Metropolitan Museum of Art and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collectiArt Agnes Rindge; Austin evidently bought the sheet from the Savile Gallery in London.21 The brown ink and wash drawing with traces of black chalk is a variation of a work in The Metropolitan Museum of Art and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collectiArt and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collectiart, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collection.

Drutt is a BFA graduate of the Tyler School of Art (1952) and a Tyler Alumni Fellow (1991).

She was Curatorial Coordinator for the 2013 MFA Thesis Exhibition, Milton Avery Graduate School of the Arts, Bard College and has been a Curatorial Fellow under Lauren Cornell at the New Museum in NYC.

Lyndon Barrois, Jr. received his MFA from the Sam Fox School of Design & Visual Art as a Chancellor's graduate fellow, and his BFA from the Maryland Institute College of Art.

Thursday, March 8, 2018, Panel Discussion: Considering Contemporary Art (featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri, Guest Curator, University Art Gallery and Mellon Pre-Doctoral Fellow, The University of Oklahoma) University Art Gallery, 5:30 pm

A reception for the artist will be held this Thursday, November 16th from 6 - 8 p.m. Tim Eitel, along with several fellow graduates of the Leipzig Academy of Visual Arts, first gained recognition after creating the collective art gallery, Liga, in Berlin in 2001.

Three Cranbrook Academy of Art graduates were selected as Fellows.

Ross is the recipient of the Studio Art Fellowship, Trinity College; the Graduate Curatorial Fellowship, SAIC; a 2015 ACRE Curatorial Fellowship; was a 2014/15 inaugural curator - in - residence at the Chicago Cultural Center; was a 2016 Independent Curators International Collaborator and a 2018 Independent Curators International / Joyce Foundation Research Fellow.

She is a graduate of the School of the Art Institute of Chicago, where she studied Art & Technology, and recently a fellow at the Whitney Independent Study Program.

As a graduate student, he was named the Henry Luce Fellow of American Art.

A graduate of the Yale School of Art, she is a Guggenheim Fellow, a Fulbright Scholar and the recipient of a Knight Award.

It was here, in 2008, that Li and eight fellow new - media graduates formed the boisterous all - male collective, Double Fly Art Centre — an ongoing influence on Li's ways of working.

He came to New York from San Francisco in 1961 along with Fleming, a fellow graduate of the California School of Fine Arts.

Soon after with a group of fellow grads, he formed Redux Contemporary Art Center in Charleston and remained founding director of the organization until 2005 when he left to pursue graduate studies at Yale University School of Art.

She graduated from the Royal College of Art's Sculpture MA programme in July 2014 and is currently Sculpture fellow at School of the Arts, University of Northampton.

Joslyn received the Russell Foundation Grant for her work with Holography, is a current graduate teaching fellow in Visual Arts at UCSD, and was two - time nominee for the Robert Motherwell Foundation MFA Fellowship in Painting and Sculpture.

«Members of these collectives embraced the motto «art as a social weapon»,» said John Murphy, Ph.D. candidate at Northwestern University and co-curator of the exhibition with former fellow graduate student Dr. Jill Bugajski.

May 13 — 31: 2017 — 2018 Great Worry, Or Great Freedom: The 2017 — 2018 Graduate Fellows Exhibition Guest curator: Rhiannon Evans MacFadyen Participating artists: Mrinalini Aggarwal, San Francisco Art Institute; Mark Baugh - Sasaki, Stanford University; Takming Chuang, University of California, Berkeley; Alison Haselbeck, Mills College; Richard - Jonathan Nelson, California College of the Arts; Joshua Solis, San Francisco State University; Faith Sponsler, University of California, Davis

Prior to joining the Met, Ian was graduate curatorial fellow and curatorial assistant at New York University's Grey Art Gallery.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Wintgraduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 19art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (WintGraduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

Regel is a graduate of the Royal College of Art and member of the Fellow Craft Potters Association.

She is also an Adjunct Instructor at Massachusetts College of Art and Design's Art Education Program and a Research and Teaching Fellow at Harvard Graduate School of Education, where she also received her Ed.M in Arts in Education.