Sentences with phrase «artworks in the exhibition represent»

Artworks in the exhibition represent a range of mediums, including mural art, sculpture, illustration, portraiture, large - scale installations, graphic novels, photography, and more.

Not exact matches

Consequently, the works in this exhibition are not studies, nor ancillary components of discovery or experimentation in preparation for another artwork; instead, they represent an acute choice of method.

Together, the artworks featured in this traveling exhibition represent artistic and intellectual growth generated by a change of scenery.

His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications, numerous solo and major group exhibitions in many museums, as well as prestigious private and corporate collections.

Edgar's artwork is currently featured in a group exhibition Me, Myself and I at Sara Meltzer Gallery, New York where he is represented.

This show features select artworks originally exhibited in the solo Thesis Exhibitions and represents the collective accomplishments of students as they transition into professional artists.

During this period, Tom Corby will present his international solo exhibition titled Body of Evidence at Kasa Gallery and, in collaboration with MoCC — the Museum of Contemporary Cuts — will produce a new set of artworks for the exhibition titled No Detectable Level that will analyze the relationship between contemporary financial cuts and the body representing and re-asking basic questions that have been left unanswered.

Museum exhibitions that focus on cultural identity often represent a predefined paradigm, where in a created space, cultural characteristics are objectified through the artwork and artifacts displayed.

«Qin's artworks represent the evolution that has allowed Chinese artists to free themselves from the confines of tradition, yet simultaneously formed a new chapter in their heritage,» according to an exhibition release.

Featuring exhibitions and artworks by every artist and estate represented by the gallery, the selection highlights the countless works that ended up in major museum collections worldwide.

Through artworks from the Sheldon Museum of Art's permanent collection, this exhibition investigates some of the ways history has directed, influenced, or been represented in art, exploring how it has been translated and construed by different people during different periods.

16 Nov 2009 Exhibition from Irish Museum of Modern Art at Tallaght Community Arts An exhibition featuring artworks focusing on the human figure by Irish and international artists represented in the Irish Museum of Modern Art's Collection opens to the public at Tallaght Community Arts on Tuesday 17Exhibition from Irish Museum of Modern Art at Tallaght Community Arts An exhibition featuring artworks focusing on the human figure by Irish and international artists represented in the Irish Museum of Modern Art's Collection opens to the public at Tallaght Community Arts on Tuesday 17exhibition featuring artworks focusing on the human figure by Irish and international artists represented in the Irish Museum of Modern Art's Collection opens to the public at Tallaght Community Arts on Tuesday 17 November.

The focus of the gallery since its inception has been to exhibit, represent and champion artists from around the world, in particular artists from Africa, East Asia, and North America, by mounting major exhibitions of their work in the gallery, presenting artworks at important fairs, securing museum exhibitions and publishing major catalogues and scholarly essays.

Sehgal's interpretations of the dance aesthetics of twenty of the greatest choreographers of the modern era, including Pina Bausch, Trisha Brown, Merce Cunningham, Isadora Duncan, Martha Graham, Yvonne Rainer, and Le Roy, represented for the artist a transformation from his past experience in choreographing a single, discrete piece into what might be understood as a conceptual artwork - exhibition of collected performances — in his words, «a museum of dance» 2 incarnate.

Most of the artworks in this exhibition were created in the 1990s, and represent various aspects of individual artistic practices in this period of rapid social change.

This exhibition will represent an amalgam of creative output, embodied in the artwork of the following artists who originate from United Kingdom, United States, China, Taiwan and the former Soviet Union: Glenn Brown, Michael Craig - Martin, Tim Head, Gary Hume, Linder, David Mach, Lisa Milroy, Paul Morrison, Julian Opie, Marc Quinn, Michael Sandle, Yinka Shonibare, Gavin Turk, Rachel Whiteread, Bill Woodrow, Richard Woods, Daniel Arsham, Jean - Michel Basquiat, Ashley Bickerton, Mike Bidlo, Robert Gober, Peter Halley, Keith Haring, Jenny Holzer, Clay Ketter, Jeff Koons, Sherrie Levine, Paul McCarthy, Richard Prince, Tom Sachs, Andres Serrano, Cindy Sherman, Mickalene Thomas, Jonas Wood, Ai Weiwei, Fang Lijun, Feng Mengbo, Gu Wenda, He An, Hung Tung - Lu, Inga Svala Thórsdóttir, Kwan Sheung Chi, Michael Lin, Liu Dahong, Liu Wei, Luis Chan, Made in Company (Xu Zhen), Qiu Anxiong, Qiu Zhijie, Qiu Qijing, Sui Jianguo, Tsang Kin - Wah, Tseng Kwong - Chi, Wang Guangyi, Wang Xingwei, Wang Ziwei, Wu Junyong, Wu Shanzhuan, Yu Youhan, Zeng Fanzhi, Zhang Peili, Zheng Guogu, Zhou Tiehai, Chang Tsung - Hsun, Chen Yi - Chieh (Agi Chen), Hou Chun - Ming, Mei Dean - E, Wu Tien - Chang, Yao Jui Chung, Yeh Wei - Li, AES + F, Blue Noses Group, Grisha Bruskin, Eric Bulatov, Vladimir Dubossarsky, Rimma Gerlovin, Valery Gerlovin, PG Group, Emilia Kabakov, Ilya Kabakov, Zhanna Kadyrova, Alexey Kallima, Vitaly Komar, Irina Korina, Alexander Kosolapov, Vladimir Kozhin, Oleg Kulik, Rotislav Lebedev, Vladislav Mamyshev - Monroe, Inspection Medical Hermeneutics, Alexander Melamid, Irina Nakhova, Anton Olshvang, Anatoly Osmolovsky, Boris Orlov, Pavel Pepperstein, George Pusenkoff, Recycle, Oleg Tselkov, Tsvetkov, Aidan Salakhova, Alexander Shekhovtsev, Sergey Shutov, Leonid Sokov and Alexander Vinogradov.

Art @ Des Peres Hospital Spring - Fall 2017 exhibition opened mid-May 2017 and features 118 original artworks in a variety of media by 17 St. Louis regional artists representing the four parntering artists» organizations: Art Saint Louis, The Best of Missouri Hands, Foundry Art Centre, and St. Louis Artists» Guild.

Songs include nods to artworks and artists represented in the exhibition, as well as references to eyes, sight, blindness, invisibility, sense and nonsense.

Lucas represented Britain at last year's Venice Biennale; Hirst, having created the world's most expensive artwork with his # 50m diamond encrusted skull, has just opened his own museum; Wallinger, the Chapmans, Wearing, Emin, Gordon, Landy and Hume are often included in major exhibitions in Britain and abroad.

The show represents the next phase of the project, through which the artworks created are shown in a travelling exhibition that extends the journey begun by the participating artists to multiple audiences.

For the exhibition, which first opens at Yorkshire Sculpture Park before touring to other venues around the UK, Gander has selected works from 30 different artists featured in the Collection, pairing figurative sculptures with other artworks containing the colour blue, which to Gander represents the abstract ideas often found in modern and contemporary art.

Maguire's artworks have also been shown at various solo exhibitions - including: Kenny Gallery, Galway (1970); Oriel Gallery, Dublin (1984); Bell Gallery, Belfast (1997)- and are represented in many public and private collections, such as: The National Self Portrait Collection, University of Limerick; Ulster Museum, Belfast; The United Nations Headquarters, New York; Department of the Environment, Northern Ireland; Queens University, Belfast; Aer Rianta, Dublin; The Haverty Trust; Provincial Bank of Ireland; Ulster Television plc; Peat Marwick McClintock.

The Museum collects in many areas, including contemporary artworks that represent the Project Series exhibitions.

Because the São Paulo Museum of Modern Art houses one of the most important collections of Brazilian art in the world, this exhibition represents only one constellation of artworks among many others that could be imagined.

In Art Gallery (www.inartgallery.com)-- New York's premier art gallery representing the most sought after Georgian artists and their fine artwork — is proud to present «Auto Portrait,» a solo exhibition featuring new work by Georgian artist Oleg Timchenko.

A performance space allows visitors to personally recollect and represent the works they believe should be remembered forever and the exhibition culminates in a weekend event entitled 2053: A Living Museum from 20 — 21 February 2016, when all artworks will have left the gallery to be replaced by members of the public.

Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes represents the most extensive visual arts exchange between the two countries in more than 50 years, and will include major exhibitions at MNBA and the Bronx Museum; an artist exchange with U.S. artist Mary Mattingly and Cuban artist Humberto Diaz; a teen exchange program; a series of educational and public programs; and the publication of a dual - language publication that will extend the impact of Wild Noise beyond the audiences that participate directly in the initiative.

If the classic English garden is an artwork of landscape representing an idealized, pastoral nature, curator Francesco Manacorda's exhibition in the heart of London promises to offer a landscape of artworks reflecting a nature that is every day less natural and more aberrant.

The tour will focus on the absence and history of People of Color and Women in ACT UP and AIDS activism, and speak to the representation of People of Color and women in the exhibition along with artworks represented in the exhibition that speak to each of them in remarkable ways.

Co-curated by Alexandra Munroe, Hou Hanru, and Philip Tinari, the exhibition is a rich, dense, and wildly ambitious selection of contemporary artworks produced by Chinese artists from 1989 to 2008, bearing the task of representing these works in a chronological, globally contingent, and historically - responsible manner.