Sentences with phrase «as a black woman curator»

Not exact matches

Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of The Conversation Series, about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to «recipes» for making art, his years spent in the Navy, becoming a hairdresser in order to meet women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s.

As the assistant curator of contemporary art at the Brooklyn Museum, 32 - year - old Rujeko Hockley is shaking up the art world — and crafting must - see shows that celebrate Black women.

The curator, Marie Costello, interim director of the gallery, writes in her catalog essay that the woman is reminiscent of a Renaissance Madonna, and indeed the woman's broad - brimmed black hat appears as a kind of halo around her head.

He redresses the absence of nonwhite faces in museum masterpieces, «using the power of images to remedy the historical invisibility of black men and women,» as Eugenie Tsai, the curator of the Brooklyn Museum show, observes in the accompanying catalog.

As both the oldest recipient and the first black woman to receive the prize, her award is certainly groundbreaking, but as an artist, educator, critic, and curator that centers blackness in her work, Himid's long career cements her standing as a pioneer of the British black arts movemenAs both the oldest recipient and the first black woman to receive the prize, her award is certainly groundbreaking, but as an artist, educator, critic, and curator that centers blackness in her work, Himid's long career cements her standing as a pioneer of the British black arts movemenas an artist, educator, critic, and curator that centers blackness in her work, Himid's long career cements her standing as a pioneer of the British black arts movemenas a pioneer of the British black arts movement.

The curators of We Wanted a Revolution, the museum's astute Catherine Morris and the rising star Rujeko Hockley (who is now at the Whitney), reminded us that black women were at the front lines of second - wave feminism — as artists, activists, writers, and gallerists — in a show that was as vibrantly beautiful (notably the paintings of Emma Amos, Dindga McCannon, Faith Ringgold, and Howardena Pindell) as it was edifying.