Sentences with phrase «as a photographer approaching»

As a photographer approaching this mystery, I am confronted by what might seem like a contradiction: Photographs capture what can be seen, and yet faith is often invisible.

Not exact matches

The experience — and the collaboration with editors at National Geographic — refined his eye and his visual approach, he says, and at that point he could have moved toward a career as a professional photographer.

«They often live in discarded bottles, which makes them relatively easy to approach, as they rarely stray far from their adopted homes,» says photographer Tony Wu.

As I approached the Root Studio, photographers were set and waiting for attendees.

With over a dozen award - winning books & hundreds of commissions as a photographer & director, he has built a reputation as a close collaborator whose immersive approach produces powerful storytelling.

Yet as old age approaches for the hippies A photographer famous for his iconic snapshots of the flower children of the 1960s, documents the hippies of today and their lives in and out of

It resonates beyond most of the recent crop of surreal scenes involving young women by photographers such as Justine Kurland, Anna Gaskell, and Jenny Gage; and, while Ramsay's sensibility is entirely her own, it approaches the rawness of work by Nan Goldin or Richard Billingham.

As photographer Nancy LeVine watched her dogs Lulu and Maxie approach their final days, she was inspired to immortalize them and other aging dogs.

Cities, too, need to be approached in a different way by photographers as well.

Often and traditionally portrayed as nudes, the female body in photographs stands in stark contrast to the portrayal of men — often the ones taking the portraits — famous male photographers such a Weston, Steiglitz, Man Ray, etc, who commonly employed «the male gaze» approach.

With over a dozen award - winning books & hundreds of commissions as a photographer & director, he has built a reputation as a close collaborator whose immersive approach produces powerful storytelling.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

She has been described as the «Accidental Photographer», referring both to her unconventional path to becoming a photographer and her «instant capture» approach to the subPhotographer», referring both to her unconventional path to becoming a photographer and her «instant capture» approach to the subphotographer and her «instant capture» approach to the subject matter.

Under the tutelage of the photographers and conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic approach of the Bechers and applied conceptual modifications, veering from the pure «straight» photography of their mentors to produce works that functioned more self - consciously as art, and ushering in a new era for photography where the medium was not simply accepted as art but embraced.

Critics frequently point to Höfer's studies with the German photographers Bernd and Hilla Becher, at the Kunstakademie Düsseldorf — where her contemporaries included Andreas Gursky, Thomas Struth and Thomas Ruff — as the foundation for her approach.

As with the use of Photoshop and similar programs, this historicizing approach runs counter to the mainstream of photography, which has always put a great emphasis on the representation of the world as it is now, right in front of the photographer's lenAs with the use of Photoshop and similar programs, this historicizing approach runs counter to the mainstream of photography, which has always put a great emphasis on the representation of the world as it is now, right in front of the photographer's lenas it is now, right in front of the photographer's lens.

As a photographer, Matter won acclaim for his purely visual approach.

Photographer Brett Weston (1911 - 1993) is celebrated as one of the great mid-century American photographers, known for his distinctive approach to a wide range of subjects, including cityscapes, landscapes, and abstractions.

This «clinical» approach was motivated in part by Sahihi's desire to see how the traditional relationship between a photographer and his subject is changed, when a third party, such as a hallucinogenic drug, asserts its own force.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

Educated in Italy, where she lives and works as a photographer, Cristina's approach to photography and its development is almost entirely self - taught.

This cross-disciplinary approach ensures that the final collection is the result of different perspectives — the history of the war, the significance of Buchler as a woman photographer and her artistic excellence as an «amateur».

WHETHER ONE THINKS OF AMANDA ROSS - HO AS A SCULPTOR, A photographer, or more broadly, a conceptual artist, it is clear that she applies a deliberate approach to exploring and controlling a passion for «stuff.»

Exhibition curator Jens Hoffman, of the CCA Wattis Institute for Contemporary Arts in San Francisco, revisited Stryker's approach to brief the contemporary photographers charged with recording the United States as the country struggled to emerge from its most significant economic downturn since the Great Depression.

As an example of this approach, at The Photography Show Rolf Art presented a survey exhibition of Argentine photographer Adriana Lestido.

As an example of this approach, at The Photography Show Rolf Art presented a solo exhibition of Peruvian photographer and artist Milagros de la Torre from the series «Under the black sun (Bajo el sol negro)».

His influences include the early photographic practices of Andy Warhol and Nam June Paik, as well as the cinematographic approaches of photographers Jeff Wall and Cindy Sherman.

Photographer Collier Schorr has said, «I want to show the whole temperature of masculinity because — and I can only approach it as a woman — from the outside, masculinity has been depicted in very black - and - white terms.»

He may be considered as the precursor of the new generation of photographers working in conceptual approaches to the medium, photographers including James Welling, Walid Beshty, Liz Deschennes, Marco Breuer and others.

The artist's raw and unrefined approach to photography has also served as an influence to major commercial photographers.

Lines, Marks, and Drawings: Through the Lens of Roger Ballen considers the artist's 40 - plus years as a professional photographer through a new approach: an examination of line and drawing in his photographs.The exhibition features 55 works and one video and traces Ballen's use of drawing in his photographs over the past four decades.

On another approach is British artist Tony Plant, a sand - painter and photographer who borrows his canvas from nature by using the wet sand of low - lying coastal lands of England as his working surface.

With over a dozen award - winning books & hundreds of commissions as a photographer & director, he has built a reputation as a close collaborator whose immersive approach produces powerful storytelling.

With over a dozen award - winning books & hundreds of commissions as a photographer & director, he has built a reputation as a close collaborator whose immersive approach produces powerful storytelling.