Sentences with phrase «as a white male working»

Not exact matches

A provocative new report from Sentier Research gives us insight into what might be the key factor in the Trump phenomenon: A secular decline in the financial well - being of white working class males and what we can infer as the resulting anger directed at the political powers that be.

A white male process theologian, for example, working (as most do) within the institutional structure of a North American college or university, simply can not become a feminist theologian or do black theology.

Looking back, many of us who stand in the tradition of process thought must recognize that quite unconsciously our work has largely expressed our position as white, middle - class, North American males.

Scientists are working on a form of IVF where egg cells would be removed from the remaining females, fertilized with semen collected from Sudan and other northern white males, and then inserted into female southern white rhinos who would serve as surrogates.

BMI is too high but I'm losing it, 6» 3», white male, married but looking alone for now, docs working on aches and pains from stupid crap I did as young man, I work 70 plus hours / wk so I'm looking for quality not quantity, maybe long - term FWB, I've tried many adult situations including bdsm where...

I am an anonymous and it's never been used to cultural free casual sex dating sites private escorts, as theme parks, dining in Sydney escorts agency - it's a service and meet guys limit your area but, getting press for girls that wan na fuck busty escort, pets and I came under White male escorts, female models, and News Classifieds offers to private work.

I carry the weight of both my work and my profession with me at all times; it's impossible to separate the two, especially working within an industry with origins as white and male as cinema.

This practice works best as a response to gaps in cultural learning and representation that happen when curriculum is perceived to have too narrow a focus on a white, middle - to - upper - class, male - dominated view of the world.

As much as I despise the Republicans, I hope they take hold of the reigns again, just to stick it to the Kumbaya - singing, cannabis - worshiping, rainbow - flag - waving haters of white, straight, working, middle - class, Christian maleAs much as I despise the Republicans, I hope they take hold of the reigns again, just to stick it to the Kumbaya - singing, cannabis - worshiping, rainbow - flag - waving haters of white, straight, working, middle - class, Christian maleas I despise the Republicans, I hope they take hold of the reigns again, just to stick it to the Kumbaya - singing, cannabis - worshiping, rainbow - flag - waving haters of white, straight, working, middle - class, Christian males.

These include the major Dorothea Rockburne and Mary Corse installations opening this spring, as well as works by emerging to midcareer artists working through the heretofore rigid, white male legacy of minimalism.

These pieces include a pair of paintings by Nak - Beom Kho, depicting closely cropped, chiseled male faces of mannequins, and black - and - white photographs of Nakamura's sculptural works such as Car Cover (1991), which show two forms that each resemble the shape of a car — one rounded and the other square - edged.

Critic Eleanor Heartney described the biennial as «social work or therapy» with pieces that were «numbing didactic,» and said that too many of the «most prominent works simply target the white male power elite as the source of all evil.»

She was also outspokenly opposed to routinely hosting shows of work by white men, as museums have traditionally skewed male - heavy.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

His works are staged in the public realm as well as in theatre / gallery spaces and are derived from his identity as a white South African gay male.

This shift reflects a new emphasis on correcting the blind spots and biases of the past; the purported universality of the white male artist's perspective is no longer a given, but is now seen as a form of oppressive hegemony, obscuring the contributions and innovations of women, people of color, and artists working outside Western art - world centers.

While it may be easy to paint the «creative differences» between Vergne and Molesworth as one of the director favoring blue - chip white male artists, and the curator wanting to create a more inclusive platform for women and artists of color, what can be said about the urged retirement of the long - term senior curator of color, who had been doing that work all along?»

Drexler's latest revival, along with such exhibitions as the Brooklyn Museum's 2010 show «Seductive Subversion: Women Pop Artists, 1958 — 1968» and last year's «International Pop» at the Walker Art Center (both of which included her work), is part of a recent reevaluation of Pop art that goes beyond the largely Anglo - American, white male artists with whom it has historically been associated.

Ms. Strobert, given her academic pedigree that also includes Cooper Union, is far from an outsider when it comes to the art world, but as an African - American woman working in the vein of Abstraction, she is keenly aware that she's treading on turf that has been historically monopolized by white male artists.

Yet in many other ways, Wiley's work could hardly be more different: in substituting male for female, black for white, and present for past, he upends the earlier sculpture even as he quotes it.

As artist Coco Fusco would rightly point out later, the ensuing debate brought to reality the Scanlan character's «castration fantasy about white male erasure» at the hands of a newly empowered group of younger, politically savvy artists and critics who read the works not from Scanlan's vantage point, but as women of coloAs artist Coco Fusco would rightly point out later, the ensuing debate brought to reality the Scanlan character's «castration fantasy about white male erasure» at the hands of a newly empowered group of younger, politically savvy artists and critics who read the works not from Scanlan's vantage point, but as women of coloas women of color.

Pioneer Works will present «White Man on a Pedestal: Kenya (Robinson) and Doreen Garner,» a two - person exhibition questioning prevailing western history that uses white - male heteronormativity as its persistent mWhite Man on a Pedestal: Kenya (Robinson) and Doreen Garner,» a two - person exhibition questioning prevailing western history that uses white - male heteronormativity as its persistent mwhite - male heteronormativity as its persistent model.

The first work, As Radical as Reality, revolves around Sudan — the world's last surviving male northern white rhinAs Radical as Reality, revolves around Sudan — the world's last surviving male northern white rhinas Reality, revolves around Sudan — the world's last surviving male northern white rhino.

There is no other conceivable explanation for the way institutions continue to represent the nation's art largely as the work of individuals who are White and male.

We also work very hard to make sure that our session speakers are diverse as well and so we will have — I think we are going to have parity right now between women and minorities and your kind of normal White male speakers that you see in a lot of other conferences, because we want our conference to reflect legal profession and we know that the legal profession is more than just any single type of person, just like there is no single type of law.

As a child, it didn't occur to me that the legal system's set against a strong, decent hard - working Aboriginal mother as opposed to a white male violent - drunkard with a criminal history was an example of structural sexisAs a child, it didn't occur to me that the legal system's set against a strong, decent hard - working Aboriginal mother as opposed to a white male violent - drunkard with a criminal history was an example of structural sexisas opposed to a white male violent - drunkard with a criminal history was an example of structural sexism.