As architecture critic, Kimmelman has written on issues of public housing, public space, infrastructure, community development, and social responsibility.
Not exact matches
To be sure, Tebele isn't the only player in the game, and he's largely banking on a type of humor that,
as one
critic puts it, «is charmingly moronic by its very
architecture.»
Michael Sorkin, an award - winning architect and the
architecture critic for The Nation, wrote a manifesto - length essay in response («
Architecture Against Trump») that describes the AIA statement
as «temperate, agreeable, indeed feckless.»
Critics say that,
as is, that's simply putting a Band Aid on a larger wound: Just last week, New York Times
architecture critic Michael Kimmelman, in a larger critique of the problems at the much - maligned terminal, called that plan «a project born of political expediency,» noting that Cuomo has «brushed off more sweeping proposals that might tackle once and for all the whole panoply of problems that plague Penn Station.»
He is the editor and creator of the videogames and
architecture zine Heterotopias and for the past 5 years he has worked
as a games
critic, specialising in virtual
architecture and games
as cultural objects.
Independent curator and
critic Andy Campbell, who confirmed the news, noted that Buchanan was «an artist who was
as attentive to her local communities
as she was to the social and political
architecture of poverty.»
In 1946 Motherwell asked Chareau to serve
as the
architecture editor for his review Possibilities, which he coedited with the
critic Harold Rosenberg and the composer John Cage.
When the gallery opened, its jaw - dropping location over Porthmeor beach and its seductively curvy
architecture were ecstatically admired, but the light flooding in through the great windows may have blinded a few
critics to its problems
as a gallery.
The book also includes commissioned essays by Jed Perl, art historian and author currently at work on the first full - length biography of Alexander Calder, and Paul Goldberger, Pulitzer Prize - winning
architecture critic,
as well
as poems by Karl Shapiro and John Updike.
Museums are giving trashy spectacle its due, with Peter Fischli and David Weiss, between
architecture and a wrecking ball, just
as mainstream
critics like Roberta Smith are turning against it and Europe is coping, badly, with its economy.
As a
critic and
architecture historian, Pettena has organized exhibitions on contemporary
architecture around the world, and was involved in a number of critical publications, among them L'anarchitetto (1973) and Radicals: Architettura e design 1960 — 1975 (1996).
In this traditional paperback, renowned
critic and curator Hans Ulrich Obrist teams up with Dutch avant - garde architect and paradigm - shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada,
architecture as metaphor, and the development of urbanism in the slipstream of globalization.
Since the mid-1960s when he started out
as a fledgling
critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and
architecture.
FT
architecture critic Edwin Heathcote has described the choice
as «a good result» from «a bad shortlist».
«Äù Vija Celmins «Äô drawings show at the Hammer Museum in Los Angeles (# 3 out of 10), garnered similar hyperbole,
as did Puryear «Äôs current retrospective at MoMA (# 5; TIME «Äôs art and
architecture critic / blogger Richard Lacayo proclaims Puryear «Äúone of the greatest living American artists «Äù).
Sally, David's widow, gave UTA the archives of material he worked on writing books and working
as the Dallas Morning News «
architecture critic for 25 years.
Kazimir Malevich
as one of her greatest inspirations and,
as a major exhibition of his work is on show at Tate Modern, together with curators and
critics Zaha considers the influence of Malevich's avant - garde art on her avant - garde
architecture.
Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art
critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art
critic for publications such
as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such
as digital media, lecturer for various academic art institutes such
as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and
critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art,
architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)
The extraordinary British architect and designer Thomas Heatherwick has been hailed
as a genius, lauded by The New Yorker
architecture critic Paul Goldberger for the uniquely inventive nature of his work, and praised by esteemed designer Sir Terence Conran
as the — Leonardo da Vinci of our times.
With a previous Ph.D. in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years
as an
architecture and design
critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York Times.
This book begins with an extensive conversation between Tom Eccles and Annabelle Selldorf,
as well
as an essay by
architecture critic Ian Volner.
BALTIC, Gateshead, until 26 February 2017 The
critic Jane Harris, writing in Artforum some years ago, described Italian artist Monica Bonvicini
as «something of a heckler», who is «taking aim at the granddaddy of all aesthetic boys clubs:
architecture».
As a
critic and historian, he championed the cause of modern
architecture and then went on to design some of his greatest buildings.
His notable works include Double Negative (1969 - 70), a pair of trenches in the desert near Overton, Nevada, created by displacing 240,000 tons of rock, and City, an ongoing project in Lincoln County, Nevada, described by
critic Michael Kimmelman
as «a suite of giant, variously shaped abstract sculptures over an area that covers more than a mile end to end — modern art turned into monumental abstract
architecture, with ancient ruins
as the model.»
Back in England, Hepworth and Nicholson were also involved with Paul Nash
as well
as the influential art
critic Herbert Read, in the formation of Unit One Group, formed in 1933 to promote British modern art,
architecture and design.
Privileging the nuanced and expressive qualities of color and scale, Bishop's luminous works have been described by American poet and art
critic John Ashbery
as «half
architecture, half air.»
The exhibition spans the entire career of Bernard Rudofsky (1905 1988), including his roots in the early years of European modernism; his world travels, which shaped his views
as a designer and
critic; and his influence
as a curator and writer on international discourse on
architecture, fashion, and design.
often) languid nation are ecstatic (self included)
As a doubter of some — uh — frequent — U.S. polices and architecture / planning critic for The Nation, it's great to see a new look from the old world, as well, as this current U.S. first ste
As a doubter of some — uh — frequent — U.S. polices and
architecture / planning
critic for The Nation, it's great to see a new look from the old world,
as well, as this current U.S. first ste
as well,
as this current U.S. first ste
as this current U.S. first step!
from interviews with significant creative forces such
as founders / owners, architects, artists,
critics / curators, designers, educators, historians and producers, to the discovery of front - line
architecture and innovative products, DA is read by a worldwide audience.
And
as Edwin Heathcoate, the British
architecture critic, pointed out recently, there's something to be said for simplicity and open - endedness in toys.