Sentences with phrase «as feminist scholars»

But, as some feminist scholars have underlined, there is a hidden inconsistency in many of the «We Girls Can Do Anything» messages (like the ones Barbie puts out in its «Barbie I Can Be» campaign).

As feminist scholars are not slow to point out, there is a very definite social context in Freud's time that led so many women to collapse into hysterics in his office.

Not exact matches

This may come as a surprise, and indeed, very little is known about these earlier feminists beyond the work of a few scholars.

After Our Likeness becomes more enigmatic when one recalls how carefully Volf has considered the historical studies of scholars such as Yves Congar, the theological insights of Reinhold Niebuhr and the ecclesial analyses of feminist and liberation thinkers.

Whereas in the»70s my «public image» was marked by scholarly bifurcation — among scholars I was known as an «expert» on the Apocalypse and among women as an emerging feminist theologian — this perception has changed dramatically in the»80s.

Joining with other feminist biblical scholars such as Phyllis Trible and Elizabeth Schussler Fiorenza, Brock reinterprets the Bible in light of women's experiences.

Leveraging the pluralistic stance of the contemporary academy to the advantage of faith - informed scholarship, he argues that academic freedom must be granted as fully to Christian scholars as it is to feminists and other committed researchers.

The Christian feminist response to this secular critique, however, from scholars such as Tina Beattie and Sarah Jane Boss, has brilliantly vindicated the Marian tradition.

This gives womanist scholars the freedom to explore the particularities of black women's history and culture without being guided by what white feminists have already identified as women's issues.

Her concept contains what black feminist scholar Bell Hooks in From Margin to Center identifies as cultural codes.

Granju's totally unsubstantiated claims about Badinter strike me as despicable discrediting of a feminist scholar to hide her inability to rebut Badinter's arguments.

strike me as despicable discrediting of a feminist scholar to hide her inability to rebut Badinter's arguments.

Readers of literature will find it too shallow, scholars of history will find it skewed, feminists will think it too masculine, filmmakers will be distracted by the inept camera work, and generally anyone will respond as Goldilocks.

The feminist's first reaction is to swallow the bait, hook, line and sinker, and to attempt to answer the question as it is put: i.e., to dig up examples of worthy or insufficiently appreciated women artists throughout history; to rehabilitate rather modest, if interesting and productive careers; to «re-discover» forgotten flower - painters or David - followers and make out a case for them; to demonstrate that Berthe Morisot was really less dependent on Manet than one had been led to think — in other words, to engage in the normal activity of the specialist scholar who makes a case for the importance of his very own neglected or minor master.

Feminist scholar Lisa Tickner argues that feminist art freed artists from the Oedipal narrative of art history, which she interprets as generations of (male) artists reacting to and rejecting the work of their «art fathers.»

Today, Faith Wilding, Dara Birnbaum and Amy Sillman are among the distinguished artists and scholars tackling topics such as feminist painting and transgender art in «The Feminist Art Project.»

came some four years after her diagnosis of liver cancer (plus breast cancer and subsequent mastectomy a decade before) and her position as an outsider, a Black lesbian feminist scholar living and slowly dying within a socially hardened America.

Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.»

As scholar Richard Meyer has written, they «eroticized the male body in ways that conformed neither to heterosexual convention nor to mainstream feminist thought at the time....

Surprisingly, or perhaps not for feminist scholars, women's bodies continued to be used by the new Islamic regime as a focal point to distinguish themselves politically and ideologically from their predecessors.

To this end, we engage with the writings of feminist scholars Sandra Gilbert and Susan Gubar, whose landmark work, The Madwoman in the Attic, critiques the image of the female monster as a creation of the male - dominated Western literary canon.