Sentences with phrase «as the audio publisher»

As the audio publisher, you're also responsible for marketing the audiobook, starting with its cover art.

Not exact matches

Nice to see this game will likely have dual audio for those of us who like to hear the games native language, I don't buy games like this if it's only available in English, not after the likes pandoras tower, arc rise fantasia, the last story etc, the voices in those games was make or break for me, I really appreciated Platinum giving us the option in the Wonderful 101, and they'll most likely do it with Bayonetta 2 as well, I don't know why Japanese game developers or publishers (whoever makes the decision) can't just leave them in there as an option, it's not like they lose anything by doing so, fyi, this game looks AMAZING.

And in keeping with the company's roots as an enhanced ebook publisher, Vook includes the ability to produce enhanced ebooks with video and audio (but remember the caveat above).

For the industry as a whole, authors and publishers need to pay more attention to audio production and focus on releasing new titles.

Almost every single novel from a major publisher has an audio edition that is released at the same time as print, often voiced by well known celebrities.

They are offering a 30 % discount on audio editions from major publishers such as Harlequin, Bloomsbury, HarperCollins and Open Road.

«As we've all seen recently reported across major media, the dramatic and sustained rise of audiobooks continues, so there is no better time than now to expand our catalog with an audio format that has seen amazing resurgence with a greater dedication of retail space and online merchandising,» Anthony Goff, svp and publisher, Hachette Audio, says in a statement.

ACTA Publications began in 1957 as a publisher of books and audio / video resources for Catholic religious education and marriage preparation.

And if I'm that licensee (a publisher) and I haven't licensed the audio rights from the creator, only text rights, can I distribute my text product to an entity like Amazon to enjoy and sell to the public as a text / reading?

As someone posted earlier here, early Amazon Kindle models had text - to - speech built in, but it was removed because publishers considered it as audio recording, and a violation of the licensAs someone posted earlier here, early Amazon Kindle models had text - to - speech built in, but it was removed because publishers considered it as audio recording, and a violation of the licensas audio recording, and a violation of the license.

Many publishers include audio rights as part of a publishing contract for the work.

The opportunity book apps bring is allowing publishers and authors the ability to create a new reading experience, that entwines the core story with interactive elements such as audio, video and interactive games.

You will be able to purchase audio editions from major publishers such as Hachette, Macmillan, and Penguin Random House.

Audio publishers and audio studios — as well as individual narrators with home studios — can search for titles that interest them and then audition to turn those rights into audiobooks.

As Rowling was savvy enough to retain the digital rights to all of the books in the series, and since she will be making the digital editions and audio downloads available through the Pottermore website, it seems kind of odd that her print publishers would feel any claim to the sales of the ebooks is warranted.

That includes software that helps authors and publishers produce textbooks, akin in overall simplicity to what the outlet compared to as Apple's Garageband audio software.

Foreign rights is the granting to a foreign publisher legal licensing rights to translate (or reprint in English in English - speaking countries such as Australia, New Zealand, United Kingdom, and India), publish and sell a «work» (book content) in its country in specific formats (printed book, e-book, audio, video, book club, etc.) for compensation in the form of royalties and an advance payment thereof for a specific period of time.

If you want a unique one that designates you as the publisher, you will need to purchase an ISBN number separately, and you will need one for each version of your book: eBook, paperback, hardcover, audio, etc..

We asked publishers to look even further ahead and, despite strong digital sales and opportunities in audio, publishers still back print as the dominant format in 2025.

The senior VP of digital and audio publishing at Hachette Book Group told Publishers Weekly recently that author David Baldacci's Kindle Single 15 - page short story No Time Left, priced at $.99 was «tremendously successful» for them and characterized the publisher as «extremely satisfied with the results.»

Publishing audio books has become much easier with Amazon's ACX (Amazon Creative Exchange) platform, and as Pandora White, audio publisher at Orion told The Bookseller last year, «Audio is the fastest - growing...

If you are trade published, there can be a delay before the release of the audio, as publishers test the water with the printed book.

It was produced by Audible Studios, the world's largest audio download publisher, and narrated — as was HUNTER — by the great Conor Hall.

He has been an actor, writer, director, and producer and he spent a decade as the Head of Production for Recorded Books, one of the largest audio publishers.

This year's census found that while publishers were bullish about new business models such as subscriptions from companies like Scribd, Oyster, and Kindle Unlimited, only a quarter were using this sales route and also publishing in formats like apps, e-books, audio and video.

As publishers fight to hold onto their rights and further limit the rights of those who buy books — whether those books are digital, audio or hard copy — how will that affect our libraries?

«What remains unknown is whether or not the digital marketing skills which publishers developed during the ebook revolution of the past eight years,» Hudson says, «will be put to use in a way that allows publishers to use audio content as a way of finally establishing a direct conversation with their customer: the reader.»

The problem as he sees it is that Amazon is giving away something that authors (and publishers) have traditionally sold, namely audio rights to their books.

The census discovered that publishers are bullish about new business models including subscriptions (such as Scribd, Oyster, and now also Kindle Unlimited) with 1/4 of publishers following this route, and publishing flexibly in formats like apps, e-books, audio and video.

While the total number of works available is only a fraction of the thousands of titles released by commercial publishers each year, the stated goal of LibriVox, which has more than eighteen hundred registered volunteers, is to eventually «make all public domain books available as free audio books.»

And self - published authors are now beginning to spread out more as the e-book market, audio and podcast market, and POD market all develop, which means Amazon eventually loses their AOL - like monopoly, just like AOL did, and just like Amazon lost near monopoly market share with the publishers» e-books.

The D2C audio edition of 1984 could be computer - generated and sell for $ 9.99, the same price as the Kindle edition; but in this case, the publisher keeps 100 % of the selling price, not whatever percentage they're receiving from Amazon for the Kindle edition.

First, abridgment is usually something asked for by a book publisher when the publisher feels a lengthy book can be shortened to make it practical to publish as an audio book.

* Our Audio Training Library with information and inspiration to help authors of all book genres get top literary agents, publishers, and book deals (text transcripts are also available) * The Ask a Question area of our main website where you can ask questions about literary agents and the best way to write, market, or publish your books * Live audio broadcasts and replays of our Radio Show with special guests, publishing industry executives, and bestselling authors such as Diana Gabaldon, Nelson DeMille, and Mary Higgins Clark * The Literary Agent Directory with detailed profiles and contact information for all literary agents looking for writers * The opportunity to register for an introductory Author Coaching Call via phone or Skype from anywhere in the world (authors must pay a fee for that service) * More insider information, articles, and updates in our Email Newsletter

HighBridge has built a reputation among booksellers and audiophiles as one of the industry's highest - quality audio publishers.

- Q&A: THX's Tuffy On God Of War II Audio, Neural THX Advances «As console tech advances swiftly, HDTVs are joined by surround sound systems as important equipment for high - end gamers, and THX's Mark Tuffy talks to Gamasutra about the company's audio / video standards, its work on Warhawk and God Of War II and plans for «a major publisher» to use its Neural THX tech next year.&raquAs console tech advances swiftly, HDTVs are joined by surround sound systems as important equipment for high - end gamers, and THX's Mark Tuffy talks to Gamasutra about the company's audio / video standards, its work on Warhawk and God Of War II and plans for «a major publisher» to use its Neural THX tech next year.&raquas important equipment for high - end gamers, and THX's Mark Tuffy talks to Gamasutra about the company's audio / video standards, its work on Warhawk and God Of War II and plans for «a major publisher» to use its Neural THX tech next year.»

It's no surprise radio and audio publishers are one of the first industries to rapidly adopt voice assistants as a tool for engagement.

As a recent guest on the Voicebot Podcast, XAPPmedia CEO Pat Higbie pointed out that for radio, smart speakers and voice assistants represent a sort of renaissance for radio broadcasters and audio publishers as they can bring traditional radio content back into the homAs a recent guest on the Voicebot Podcast, XAPPmedia CEO Pat Higbie pointed out that for radio, smart speakers and voice assistants represent a sort of renaissance for radio broadcasters and audio publishers as they can bring traditional radio content back into the homas they can bring traditional radio content back into the home.