Sentences with phrase «as the viewer enters»

by Nadiah Fellah A Closer Look The scent of Tara Donovan's recent work precedes any sight of it as viewers enter Pace Gallery's New York space.

The scent of Tara Donovan's recent work precedes any sight of it as viewers enter Pace Gallery's New York space.

Not exact matches

A familiar face to viewers of BBC One's This Week, Diane Abbott is a veteran left winger who first entered the Commons in 1987, as one of Britain's first black MPs.

In the final sequence, the viewer enters an immersive exploration of the filamentary structure of the local universe, navigating inside the filaments and visiting the major nodes such as the Great Attractor.

The biggest shortcoming — and perhaps the most / only significant one of the entire series — may be that viewers entering the film without reading the books will not be able to comprehend nearly as much as those who have.

It won two jury awards at Sundance, and arguably an appreciation for Nick Cave the artist would influence any viewer's perception of 20,000 Days On Earth, but what really affects ones viewing of this film is entering into it and viewing it as a documentary disguised as a fictional film, or a fictional film disguised as a documentary.

The fine Polish director Agnieszka Holland (Europa Europa) pays her respects with a daringly murky - looking movie that demands viewers enter the void too and meet Socha and his Jews as real, flawed men and women behaving in flawed ways under suffocating conditions.

Everything from breaking up the movie into chapters (titles rendered in trendy fonts) to faux - New Wave montages, to doubling - up on visual information with unnecessary voice - over (for instance, as Hawkins and Considine leave a restaurant together and enter his crystal - covered van, Oliver announces to the viewer: â $ œIt seems dear Mom is having an affair.â $), all provide escapism, not for the audience into the movie, but for the movie away from itself.

After the film, the solitary viewer enters a long dark hallway that features short video installations introducing the real - life Latinos who inspired the story and depicting the struggles they face as immigrants today.

That's what I wish for us all as viewers and reviewers this year: that we enter into each movie with a kind of renewed innocence, so that without abandoning our critical faculties we leave a part of ourselves open to chance, fate, seduction, and surprise.

Unfortunately, if there is any interest in Madagascar, it will probably come mostly from very young viewers, as the comedy and events that transpire are lively and colorful enough for toddlers and those just entering grade school, but there's little in substance for most everyone else.

TV viewers in America will be entering «Another World» as they discover the Seychelles islands in October through a major promotional campaign lasting one week.

Instead, Cave will exploit MASS MoCA's signature gallery to create his largest - ever installation, made up of thousands of found objects and millions of beads, making viewers feel as if they have entered the nap of a rich sensory tapestry.

As the title of the exhibition suggests, Wilson is inviting his viewers to enter the gallery, and then consciously slow down in order to actively experience his work in the same manner in which it was created.

This first book about Copley's home in Longpont invites readers and viewers to enter the residence as a thrilling avant - garde nexus.

The film avoids the structure of story and narrative, built instead as a musical composition, creating an ambiguous psychic space for the viewer to enter.

Viewers who enter (as I did, thank goodness) from the terrace (having clambered down the steel stairs from the seventh floor) are greeted by Brice Marden's inviting Garden Table brilliantly lit by sunlight from the east and a smile - inducing answer to the Murphy Cocktail as seen above.

By bringing the viewer into the work, as onto the stage, it had entered the world.

Viewers are invited to enter this intensely disorientating yet disturbingly familiar space, with Fitch and Trecartin seeing the audience's physical engagement as a crucial extension of the life of the work.

Standing upright and confronting viewers as they enter the gallery, the doors recall a crowd of demonstrators activating a common space, a point that is affirmed through the megaphones affixed to the tops of some of the doors.

There are paintings that confront you with a strong statement as soon as you enter the space — works by Kusama, Richter, Sherman, or Basquiat are bold, loud statements that demand the viewer's immediate and all - encompassing attention.

For each, a broken grid of icons and representation asks the viewer to enter into the artist's mind as if sharing a private language.

Manders makes a physical as well as mental space for the viewer to «enter the world of objects and matter and find poetry in it... and to know how poorly we normally see our daily life.»

In sensing this music, we as viewers unwittingly find ourselves entering the narratives of her work.

Instead, Cave uses MASS MoCA's signature football field - sized space to create his largest installation to date, made up of thousands of found objects and millions of beads, which will make viewers feel as if they have entered a rich sensory tapestry, like stepping directly inside the belly of one of his iconic Soundsuits.

InPinocchio Pipenose Household Dilemma (1994), the artwork controls the viewer: in order to enter the work, the viewer must put on the same costume as the performer.

McCarthy first performed this work at his exhibition at Villa Arson in 1994, and then presented it later as an installation in which viewers had to put on costumes like those in the performance video in order to enter a room to see that video.

The viewer enters the film as if into a labyrinth of speculation: What is art?

Consequently, there is a narrative within each piece as the imagery reverberates and creates a cumulative effect that surpasses the individual elements and invites the viewer to enter into this world of disquiet.

Upon entering the gallery, viewers will find five certificates, acting as a kind of performance documentation for the works in the exhibition all from the artist's series Rivals.

«I hope my paintings can serve as portals for the viewer to enter their own meditative Kairos.»

Upon entering the Chimney's space, viewers discover an unruly and jungle - like environment: sculptures suspended from the ceiling, a video projected on paper works as well as architectural elements.

It is impossible for the viewer to enter this emotional landscape without making their own identifications and associations, without being an implicated participant within the unfolding of history, its apparatuses and institutions as well as its human narratives.

This exhibition deals with the subject of decisions and engages each viewer as participant, confronting them as the enter the installation.

«Cave uses MASS MoCA's signature football field - sized space to create his largest installation to date, made up of thousands of found objects and millions of beads, which will make viewers feel as if they have entered a rich sensory tapestry, like stepping directly inside the... Read More

Suspended from the ceiling, Atmosphere in White, 2005, the viewer «wears» it as a new layer of skin by entering your arms, legs, torso and head into the sculpture.

The large scale of these works is important - the artist invites the viewer to feel as though they can enter into the scene, that it lurks somewhere between reality and dream.

The work was an installation where viewers enter a Felix the Cat head to watch a video in which Leckey himself is dressed as Felix.

The first allows viewers to enter into the painting using their mobile devices to actually see what traditionally only be imagined, such as the backs of the figures, obscured parts of space, etc..

The viewer enters a controlled environment featuring objects as well as light, sound and projected imagery.

On entering, viewers will see a massive cast staircase by Rachel Whiteread, a British sculptor, and then a series of galleries showing emerging artists such as Jorge Macchi, an Argentine, mixed with works by Francis Bacon, Philip Guston and Antoni Tapies.

The viewer enters the Photoshop workspace as the ubiquitous move tool — the hand — appears to climb over a mountainous landscape carefully assembled from screenshots.

The artwork enters the real space of the viewer as the barriers between sculpture and architecture dissolve, resulting in graphical purity and logic, sparked by clarity and elegance.

In her series If I Could — named after the traditional Peruvian song «El Condor Pasa» (as made famous by SImon and Garfunkel)-- Zapata required viewers to take off their shoes before they could enter her fanciful, textile world.

And then, since it is in the form of a gate, the participant, the viewer, will be able to enter into this very deep chamber that does, in a way, the same thing to one's reflection as the exterior of the piece is doing to the reflection of the city around».

Upon entering the gallery space, the viewer is confronted by an installation consisting of three video projections that present the most pressing questions concerning the supposed objectivity of academic knowledge by pointing out the corporatization of institutions of higher learning in the United States and the sometimes controversial positions that universities fall into when trying to physically expand amidst disenfranchised communities, as well as falling into possible contradictions with the agendas of university donors.

One simply enters the field as if form and space had no division, as if the subjecthood of the viewer and the objecthood of the work were inseparable.

Merz extends the bison's hooves below the canvas to enter the space of the viewer, which upon closer inspection emerge as painted shoeboxes.

By the skillful expressions of rich nuances in Sugito's work, viewers are able to feel even physical sensations such as the senses of touch, light and shade, and temperature, which enter into viewers» minds and embrace the space.

Thomas» striking billboard confronts the viewer head on as the first image the visitor sees upon entering the park, stimulating a dialogue on the relationship between land, labor, American history, and culture.