Not exact matches
As of late October, it has logged 1.1 billion «watch time» minutes on YouTube — that is,
viewers have
spent more than one billion minutes watching content across the company's channels.
The rationale is that
viewers spend longer looking at those which defy their expectations, presumably
as they try to work out what's going on.
SPECIAL FEATURES The commentary track, which features director John Milius and Schwarzenegger, is a hoot: They
spend most of it alternating between a sort of masturbatory reverie -LRB-» That's a great shot»), play - by - play commentary -LRB-» Here's the scene with the giant snake»), and filmmaking insight (in casting Conan's adversaries, Milius made sure that they were all bigger than Arnold, so that
viewers wouldn't see his victory
as a foregone conclusion).
A talented and attractive actress who has managed to wrangle a remarkable number of affecting roles despite her youthful age, Elisabeth Moss may be best known to television
viewers as the President's daughter on the acclaimed series The West Wing, though thoughtful characterizations in such features
as Girl, Interrupted and Imaginary Crimes have been a testament to an actress not afraid to court more challenging and emotionally demanding roles unusual for an actress of her age.Born to music manager and a mother who specialized in the blues harp in 1983, Moss
spent her childhood in Los Angeles and was inspired to pursue acting at an early age by screen idol Bette Davis.
If your work entails programming or anything related to the nuts and bolts of digital technology, you're unlikely to encounter anything in this brisk feature that you haven't contemplated at length; but if you
spend a good portion of your waking life online,
as increasing numbers of
viewers do, but take it for granted, you may appreciate the way Herzog comes into the the subject: from a borderline - layman's perspective, wry and curious.
I said it about both LONE RANGER and PACIFIC RIM - once the greenlight was made, and the money
spent,
as a
viewer I couldn't care less about their grosses while enjoying the film.
The title,
as you would guess, is how long Ralston
spent fighting for his life and although that time is condensed for us to a reasonable 94 minutes with credits,
viewers still come away understanding that harrowing struggle and empathizing with the man who endured it in April of 2003.
It's also quite confusing to follow for many
viewers,
as alternate realities, paradoxes, and time traveling theory aren't the sorts of things most people who loved Back to the Future
spent a good deal of time exploring in their thoughts while watching it.
We
spent a while with Discovery Tour (watch our gameplay video above) and got here away considering it is an expertise that has an enormous quantity of potential, each
as a singular option to current sport worlds to those who love video video games, and
as a wise option to leverage the immense efforts put into creating them to achieve a broader
viewers that is probably not into video games.
As in all of her work, Donovan
spends months or even years searching for a method of assembly that allows the simple and immutable characteristics of the chosen material to generate complex, emergent phenomena which keep the
viewer cycling between perception of the parts and the whole between the forms themselves and the light that surrounds and divides them.
We know that Rauschenberg
spent four years trying to find a role for the silvery goat, a way in which it could truly inhabit a work: the resulting Combine has the unexpected effect of keeping the
viewer at a distance,
as though approaching some gorgeous, doomed ceremonial beast.
Both Shapiro's and Wren's paintings are crafted in layers, and unfold for their
viewers in layers
as well — offering more meaning and connections the more time is
spent with them.
As such, she focuses on the «face time» each
viewer spends with the art, hoping to create a uniquely interactive moment from the first glance.
The exhibition came together organically, and I hope it will unfold in a similar way for
viewers as they
spend time looking and walking around the objects.
Inspired by Giorgio de Chirico, Andre Breton and other 20th century surrealist painters, Weldon's dream - like and fantastical narratives playfully coax the
viewer to consider the role of social media in our everyday lives - the absurdity of time
spent scrolling through photographs and feeds,
as well
as the the withdrawn insularity of choosing social media over genuine social interactions.
The exhibition
as a whole is visually stunning, but after
spending time with the works, the
viewer understands the artist's critical philosophy of the modern world.
This idea ties together all the exhibitions, whether it's Stop.Look.Listen, which is asking you
as a
viewer to become an active, rather than a passive witness to temporal works of art; or Joanne Tod's painting installation which is a memorial witnessing of what's taking place in Afghanistan; or Robert Hengeveld's slowly forming salt pile, which you have to
spend vast amount of time with in order to see it actually take place.
This is work that encourages
spending time with it, work that dares a
viewer to dismiss it
as minimalist or readymade.
By creating content that
viewers find informative and relevant, easy to digest and in multiple formats (like audio or video
as well
as written), you are encouraging them to
spend more time on your site.
By pitting fans against one another to see who has cheered / tipped the most, Twitch could potentially encourage increased
spending by the channel's
viewers who want to be perceived
as a top fan.