Sentences with phrase «asian visual artists»

SAWCC presents an opportunity for emerging visual artists with an intensive all - day seminar geared toward helping female South Asian visual artists who are committed to their practice to meet established artists, curators, and arts professionals; participate in a slide slam; receive individual portfolio reviews; and tour artists» studios.

The course will be led by freelance curator Adelaide Bannerman who has worked for organisations such as the 198 Gallery, South London Gallery, African and Asian Visual Artists Archive (AAVA), Arts Council England and Artquest.

She works in curatorial, consultative and project management capacities for organisations that include Autograph ABP, International Curators Forum (ICF), African and Asian Visual Artists Archive (AAVAA), PLATFORM, The Showroom, Live Art Development Agency, Hastings Museum and Art Gallery, Arts Council England.

In 1989 Eddie Chambers established the African and Asian Visual Artists» Archive (AAVAA), the only dedicated research and reference facility in the country, concerned with documenting the history, presence and work of British - based Black artists.

Process / Practice / Portfolio is an intensive all - day seminar geared toward helping female South Asian visual artists who are committed to their practice.

Adelaide Bannerman has worked predominantly freelance as a project manager, curator and consultant for UK arts institutions working transnationally with critical and creative practitioners, for the past 18 years, including the International Curators Forum (ICF), Iniva (Institute of International Visual Arts), African and Asian Visual Artists Archive (AAVAA), Tate, Live Art Development Agency, and Arts Council England.

ISBN: 0 -8223-3420-8 320pp, paperback, 250 x 200 mm, 116 illustrations Duke University Press in association with Iniva and African and Asian Visual Artists» Archive (AAVAA), 2005

2004 PhD Fine Art (Practice & Theory) with Aavaa (African & Asian Visual Artists Archive) School of Architecture & the Visual Arts, University of East London 1996 MA Feminism & the Visual Arts Department of Fine Art, University of Leeds (Distinction) 1994 BA Hons Fine Art Bretton Hall College, University of Leeds (First)

Not exact matches

Through our programme we work predominantly with British - born and British - based visual artists of African and Asian descent supporting them at different stages in their careers.

2008 Law and Visual Resistance: Perspectives on Contemporary Art and Politics, South Asian Bar Association, NY Impossible Archives, Kevorkian Center for middle Eestern Studies, New York University riDYKEulous: The Odds Are Against Us, PS1MOMA, NY Gelman Studio Lecture, Columbia University, NY «Visual Ignition», Visiting Artist Lecture, American University, Washington, DC California College of Arts, Visiting Artist Lecture, San Francisco, CA

Some of his grants and residencies include the Visual Art Grant: United States (Asian Cultural Council, Japan, 1990), Artists in Berlin Program (Deutscher Akademischer Austauschdienst, Berlin, 1990 - 1991), and Artist in Residence (Fondation Cartier pour l'art contemporain, Paris, 1993).

2011 Don't Get High On Your Own Supply, David Castillo Gallery, Miami, FL G - Spot (Public Art Project), Downtown Development Authority, Miami, FL Artist - in - Residence exhibition, McColl Center for Visual Art, Charlotte, NC Asian Film Festival Berlin, Germany Sum of the Parts, David Castillo Gallery, Miami, FL All - Media Juried Biennial, Art and Culture Center of Hollywood, FL

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

The residencies of the artists included in this show are generously supported by: The Andy Warhol Foundation for the Visual Arts (USA), FRAME (Finnish Fund for Art Exchange), The Arts Council / An Chomhairle Ealaíon (Ireland), The Netherlands Foundation for Visual Arts, Design and Architecture, Bergen City Council (Norway), Asian Cultural Council (USA), J.F. Kostopoulos Foundation (Greece), The Yageo Corporation, (Taiwan).

He was awarded with the Asian Cultural Council Altius Fellowship and the HK Arts Development Award (Young Artist / Visual Arts) in 2014.

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.

Leo Valledor (1935 - 1989), an Asian American artist who grew up in the Fillmore district of San Francisco, studied Abstract Expressionism at the California School of Fine Arts (currently, San Francisco Art Institute) and was part of the «Beat» scene — the cross cultural and dynamic fusion of visual art, jazz music and poetry.

I have already wrote a generic post about this collective exhibition that compare William Klein photography and Asian contemporary visual artists on 11 April 2018.

However, the group's critique of institutional racism in and beyond Britain's art world [6] became a part of the impetus that led to The Other Story, a seminal survey of African and Asian artists at London's Hayward Gallery in 1989 as well as the founding of the Association of Black Photographers and the establishment of Iniva, the Institute of International Visual Arts — some of which have exhibited Piper's work.

Asian Arts Initiative provides a lab for contemporary visual arts practice that includes a diversity of artists and communities in Philadelphia and beyond.

SAWCC's seventh annual visual arts exhibition features the works of fourteen South Asian women artists who use their art to navigate through private and public space, making meaning within larger political, social, and cultural frameworks.

Highlights include In and Out, Text & Subtext: International Contemporary Asian Women Artists Exhibition, Site + Sight: Translating Cultures and Compound Eyes: Contemporary Visual Art from China.

Performing Visible Resilience is an immersive visual arts exhibition and performance showcase featuring the stories and works of LGBTQ Asian Pacific American artists.

The mission of the Asian American Women Artists Alliance (AAWAA) is to support and promote Asian American Women artists in the visual, literary and performinArtists Alliance (AAWAA) is to support and promote Asian American Women artists in the visual, literary and performinartists in the visual, literary and performing arts.

The exhibition presents a focused look at a group of artists of Middle Eastern and South Asian descent whose work engages the diverse forms of Islamic visual tradition to explore religion, culture, and socio - political issues today.