Sentences with phrase «associate directors organize»

Not exact matches

The letter accepting the presidency's directive to SSNIT to be part of the project was written on August 19, 2016 by Albert W.S. Essamuah, Managing Director of Albert Essamuah Associates Limited, who are the Supervising Consultants of the project; and said they were appointed by the government through the Ministry of Transport under former Minister, Dzifa Attivor and Anator Holding, proponents, to establish the Master Plan Implementation Office which comprises the legal technical and financial structure to organize, follow and monitor the realization of the preliminary and implementation phases of the SEZ project.

The briefings, organized by AAAS with support from the Dana Foundation, provide scientific evidence to lawmakers with the hope that it will help them find solutions to society's problems, said Erin Heath, associate director of the AAAS Office of Government Relations.

«There is a lot of informal, self - organizing activity regarding ADS,» says Stuart Henderson, associate director for accelerators at the Fermi National Accelerator Laboratory in Batavia, Illinois.

The largest component of the OMB are the four Resource Management Offices which are organized along functional lines mirroring the U.S. Federal Government, each led by an OMB Associate Director.

March 2015 - IAWTI director and associates organize and lecture at the Animal Welfare Track of the UC Davis Winter Conference (all species)(co-sponsor with Humane Society Veterinary Medical Association).

The 2016 edition of the Hammer Museum's biennial, «Made in L.A.,» will be organized by Aram Moshayedi, a curator at the museum, and Hamza Walker, the director of education and associate curator at the Renaissance Society in Chicago.This marks the... Read More

Video Acts was organized by Klaus Biesenbach, P.S. 1 Chief Curator and founding director of KW (Kunst - Werke Berlin), with Barbara London, Associate Curator in MoMA's Department of Film and Media, and Christopher Eamon, Curator of the Kramlich Collection.

Curated by Margaret Miller, Director, USF Institute for Research in Art, and Megan Voeller, Associate Curator of Education, USF Contemporary Art Museum; organized by USF Contemporary Art Museum.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

The Art Amnesty is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1, with Jocelyn Miller, Curatorial Assistant.

Made in L.A. 2016: a, the, though, only is organized by Hammer curator Aram Moshayedi and Hamza Walker, director of education and associate curator, Renaissance Society, with January Parkos Arnall, curatorial assistant, Public Engagement and MacKenzie Stevens, curatorial assistant.

The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.

The exhibition is organized by Carolyn Peter, director at the Laband Art Gallery, Loyola Marymount University and former associate curator at the Grunwald Center for the Graphic Arts, Hammer Museum.

So it seems fitting that you may actually recoil when you step off the elevator into the first gallery of «Jeff Koons: A Retrospective,» the lucid, challenging, brilliantly installed exhibition organized by Scott Rothkopf, the Whitney's associate director of programs.

E. Charlton Fortune: The Colorful Spirit is organized by the Pasadena Museum of California Art and curated by Scott A. Shields, Ph.D., California art scholar and Crocker Art Museum's Associate Director and Chief Curator.

Published in conjunction with the project Matthew Ritchie: Remanence, an interdisciplinary 18 - month artist residency from 2013 to 2014, organized by Jenelle Porter, Mannion Family Senior Curator, with John Andress, Associate Director of Performing Arts, and Gabrielle Wyrick, Associate Director of Education.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

Open Plan: Michael Heizer is organized by Deputy Director for International Initiatives and Senior Curator Donna De Salvo and Melva Bucksbaum Associate Director for Conservation and Research Carol Mancusi - Ungaro.

The first exhibiton at the new gallery space, Audible Presence: Lucio Fontana, Yves Klein, Cy Twombly, was curated by Dominique Lévy and Associate Director Jennifer G. Buonocore, and organized with support from the Yves Klein Archives, Paris, and the Fondazione Lucio Fontana, Milan, Audible Presence will present more than 30 paintings and sculptures.

She has organized exhibitions and programs at the Guggenheim, SFMOMA, the Getty, White Columns, Artists Space, the Yerba Buena Center for the Arts, and elsewhere, including SF Camerawork, where she was previously Associate Director.

States of Incarceration is organized for the Tang Teaching Museum by Rachel Seligman, Assistant Director for Curatorial Affairs, Tang Teaching Museum, and Eric Morser, Associate Professor of History, Skidmore College with Skidmore College students from the course «Adventures in Public History: The Prison Project.»

Tania Bruguera: Talking to Power / Hablándole al Poder is organized by Yerba Buena Center for the Arts and curated by Lucía Sanromán, director of visual arts, and Susie Kantor, curatorial associate.

Jay Levenson, Director, International Program; Astrid Persans, Programs Associate; and Amy Horshak, Museum Educator at The Museum of Modern Art have also organized the African Museum Professionals Workshop, an important initiative that will provide fifteen curators and educators from sub-Saharan Africa an opportunity to experience institutional practices in New York, while establishing relationships with museums and galleries in New York City, Washington D.C., and Los Angeles.

The exhibition is curated by Heidi Zuckerman and organized at MoMA PS1 by Peter Eleey, Curator and Associate Director of Exhibitions and Programs.

Presenters — most of whom knew Wong personally — are Sean Corcoran (who also moderates), curator of prints and photographs at the Museum of the City of New York, where he organized a major exhibition of Wong's collection of graffiti and street art; Yasmin Ramirez, curator at the Bronx Museum of Art, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with his.

The exhibition is organized by David R. Collens, Director and Curator, Storm King Art Center; Melissa Chiu, Director, Asia Society Museum, New York; and Nora Lawrence, Associate Curator, Storm King Art Center.

The Museum's presentation of «Rosemarie Trockel: A Cosmos» has been organized by Massimiliano Gioni, Associate Director and Director of Exhibitions, and Jenny Moore, Associate Curator, in collaboration with Rosemarie Trockel and Lynne Cooke, chief curator of the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

One of the few non-juried museum exhibitions still offered on Long Island, the show is open to all members of Guild Hall Museum and is organized by Michelle Klein, Assistant Curator / Registrar and Associate for Museum Education, with installation design by Christina Mossaides Strassfield, the museum's Director and Chief Curator.

The Hammer's presentation is organized by Cynthia Burlingham, deputy director, curatorial affairs, with Leslie Cozzi, curatorial associate, Grunwald Center for the Graphic Arts.

Contemporary Art from the Collection is organized by Kathy Halbreich, Associate Director, and Christophe Cherix, Curator, Department of Prints and Illustrated Books, The Museum of Modern Art.

ANNANDALE - ON - HUDSON, NY, March 2, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) commences its 20th anniversary year schedule of exhibitions with Matters of Fact, a collaborative project organized by CCS Bard Executive Director Tom Eccles; CCS Bard Curatorial and Program Associate Nathan Lee; and CCS Bard graduate students Suzy M. Halajian and Alicia Ritson, with reinstallations of historic exhibitions by CCS Bard alumnus Kelly Taxter and CCS Bard co-founder, Marieluise Hessel.

The New Museum's presentation has been organized in conjunction with the artist and curator by Massimiliano Gioni, Associate Director and Director of Exhibitions, and Jenny Moore, Associate Curator.

This year, the conference organizing team, Lauren Cornell, Curator and Associate Director, Technology Initiatives, New Museum; Michael Connor, Artistic Director, Rhizome; Kaela Noel, Program Coordinator, Rhizome; and Sara O'Keeffe, Assistant Curator, New Museum, worked with artist and curator Aria Dean, activist Grace Dunham, and writer Nora Khan to develop the program.

Open Score is organized by Lauren Cornell, Curator and Associate Director, Technology Initiatives, New Museum; Michael Connor, Artistic Director, Rhizome; Kaela Noel, Program Coordinator, Rhizome; and Sara O'Keeffe, Assistant Curator, New Museum.

The exhibition is organized by the Hammer Museum and the Los Angeles County Museum of Art, and is curated by Cynthia Burlingham, director of the Grunwald Center for the Graphic Arts and deputy director of collections at the Hammer Museum, with Britt Salvesen, department head and curator of the Wallis Annenberg department of photography and department head and curator of prints and drawings, and Leslie Jones, associate curator of prints and drawings, at the Los Angeles County Museum of Art.

Shinique Smith: Secret Garden Laughing Place was organized for the first time in New York at our Museum by Lauren Kelley, Associate Director, Curatorial Programs.

The exhibition, which is organized by curator and Associate Director of Programs Scott Rothkopf, will feature almost...

The museum's associate director has organized the first exhibition to unite work in all mediums by the elusive German artist Sigmar Polke Read More

This symposium is conceived by Defne Ayas (Director, Witte de With) and Adam Kleinman (Chief Editor, WDWReview) and organized by Associate Curator Amira Gad with assistance from Renée Staal (Curatorial Intern), and is presented in collaboration with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary Art.

This Pulse Series Exhibition, organized by MOCA Cleveland, is curated by Megan Lykins Reich, Director of Education and Associate Curator.

On view in the William D. Ginn Gallery, this exhibition was organized by MOCA Cleveland and coordinated by Megan Lykins Reich, Director of Education and Associate Curator.

«Literally, this photo is a way for women artists to stand up and be counted, and tell history that they are here,» says Sarah Michelle Rupert, gallery director at Girls» Club Collection in Fort Lauderdale, which is helping to organize the photo with Schoenstadt, local artist Jane Hart and PAMM's associate curator, Diana Nawi.

The only problem with the traveling show «Black Folk Art in America,» organized by the Corcoran Gallery in Washington D.C. and culminating this month at the Institute for the Arts, Rice University, Houston, is its premise and the abysmal catalogue essay by Jane Livingston, the Corcoran's associate director.

Based on a touring exhibition organized by Espai d'art contemporani de Castelló, Castellon; Musée d'art moderne et contemporain Saint - Étienne Métropole; and Ikon Gallery, Birmingham, with Coordinating Curator Daina Augaitis, Chief Curator / Associate Director, Vancouver Art Gallery.

A Year with Children 2018 is organized by the Education Department at the Guggenheim Museum: Greer Kudon, Associate Director; Emmy Goldin, Associate Manager; Amy Boyle, Associate Manager; and Lara Tootleman, Education Coordinator.

The exhibition is organized by Aylet Ojeda Jequin, Associate Curator of Contemporary Art, National Museum of Fine Arts, Havana; and the Bronx Museum's Christine Licata, Director of Community and Public Programs; and, Heather Reyes, independent curator.

This exhibition was organized by Director Louis Grachos and Associate Curator Claire Schneider.

Using Walls, Floors, and Ceilings: Alex Israel is organized by Kelly Taxter, Associate Curator and Jens Hoffmann, Director of Special Exhibitions and Public Programs.

But against them I set my encounter with the show, organized by Nancy Spector, the museum's deputy director and chief curator; Nat Trotman, associate curator; and Katherine Brinson, assistant curator.

«It's the projection of someone's interior,» said Peter Eleey, associate director of exhibitions and programs at MoMA PS1, who organized the show with Stuart Comer, MoMA's chief media and performance art curator.