Much better:
Associate Field Producer, TV Programming
Not exact matches
Polar Fellows (Alaska
Field Experience) Victoria Barber, News Editor, The Arctic Sounder Michael Barnes, Freelance Science Documentary
Producer / Director Jennifer Bogo, Popular Mechanics * Julia Gross, Freelance Print Journalist, Germany Louisa Jonas, Louisa Jonas Media Julia Kumari Drapkin, Global Post, Argentina Correspondent Susan Moran, Freelance Print Journalist * Jane Qiu, Nature Magazine * Ben Shaw,
Producer / Editor, National Geographic Weekend Chelsea Wald, Freelance Science Journalist Gretchen Weber,
Associate Producer, Climate Watch, KQED
Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive
producer, Gresham Lochner; visual effects, BaconX, Locktix; line
producer, Gingi Rochelle;
associate producers, Doug Patterson,
Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.
WFOR - TV — Miami, Florida 2004 - 05
Associate Producer Writing and editing of local and news wire stories, disseminating information, monitoring scanners, coordinating reporters, calling live shots, researching and selecting news copy, producing cut - ins, pitching story ideas, communicating with
producers, anchors, editors, and
field reporters.
WGAL - TV — Harrisburg, Pennsylvania 2003 - 04
Associate Producer Assisting
producers with morning shows, producing cut - ins, monitoring scanners, writing, selecting news copy, pitching story ideas, recording feeds, beat calls, communicating with
producers, anchors, editors, and
field reporters.
«The Gates»; Maysles Films, Inc. 2003 — 2005
Associate Producer, Production Manager Hired and managed 76 - person crew; lead fundraising; uncovered personal stories of «The Gates» for each shooting team to follow; served as
Field Producer with several teams in Central Park over 60 shooting days; secured all locations; coordinated press; supervised Music and Stock Footage research and licensing.