Sentences with phrase «at modern horrors»

At Modern Horrors, we are big fans of slasher movies.

A stunning look behind the scenes at a modern horror masterpiece Alien: Isolation, developer The Creative Assembly's recent foray...

Not exact matches

His later experiences, first in Cairo and later in New York, filled him with horror at where modern civilisation seemed to be going.

And at least twice in our century hardheaded politicians and diplomats, shaken by the horrors of modern warfare, have dared to dream the dream.

Hence admiration and wonder at the inexhaustible life forces of nature is as wholly lacking as the typically modern horror of blind nature against which spiritual, personal life rebels in vain.

And a look at past and modern sci - fi, fantasy fiction and horror stories shows how prevalent and easy - to - conjure this stuff was and is.

I twisted in horror at the use of some modern pop songs that were used here and there, that really spoilt the atmosphere, but twas nice to hear Ennio Morricone's «Ecstasy of Gold».

On Monday night, Modern Horrors ventured to Austin, TX for a unique, experiential screening of Trey Edward Shults It Comes at Night (review).

Modern Horrors attended the Texas premiere for It Comes at Night.

Retrospectives / Re-Performances The Count (Peter von Bagh, 1971) at IFFR Horror Film 1 (Malcolm Le Grice, 1971/2012) at Leeds Art Gallery Chika Hiroba (Underground Square, Keiya Ouchida, 1970) at Nippon Connection Melancholia (Lav Diaz, 2008) at AV Festival The Illiac Passion (Gregory Markopoulos, 1967) at BFI Southbank Handsworth Songs (John Akomfrah, 1986) at Close - Up Film Centre Anna (Alberto Grifi & Massimo Sarchielli, 1975) at Tate Modern The Movement of People Working (Phil Niblock, 1973-1991/2012) at AV Festival Screen Play (Takahiko Iimura, 1963/2012) at Place M Gallery Shlosha Yamim Veyeled (Three Days and a Child, Uri Zohar, 1967) at Tokyo FilmEx

I would implore anyone who ever wrote it off as a soulless remake to dig a little deeper with a rewatch, because you might just be surprised at how great of a modern horror movie it truly is.

The spirit of a vicious child serial killer resurfaces in the nightmares of teens in modern - day and is responsible for their subsequent and shocking deaths in this tense, spooky thriller from who else, but Wes Craven (I'm actually not that familiar at all with his style, but since this is a horror film for the ages I figured I'd best get ahead and jump on the bandwagon as quick as possible to make up for lost time).

Compared to modern - day horror games, the original was decidedly ineffective at conveying the shock, awe and horror of Freddy Krueger the nightmare demon.

Ti West's period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.

«The Men Who Were «The Thing» Look Back on a Modern Horror Classic»: Our own Simon Abrams and Matt Zoller Seitz chat with John Carpenter, Keith David, Richard Masur, David Clennon and Wilford Brimley at LA Weekly.

After attending a screening for Jim Hosking's debut feature (review here), Modern Horrors had the opportunity to sit down with director Jim Hosking and lead actors Sky Elobar and Michael St. Michaels at the SXSW Film Festival.

According to Variety, Netflix is developing a «modern re-imagining» of Shirley Jackson's horror novel The Haunting Of Hill House with Hush and Oculus director Mike Flanagan at the helm.

Details of this new Elm Street's approach are under wraps at the moment, but with Halloween, Friday The 13th and The Texas Chainsaw Massacre all at various stages of journeys to new instalments, it was probably unthinkable that the fourth of «modern» horror's big four wouldn't be back at some point too.

The official British Palme d'Or entry at the 1974 Cannes Film Festival, Symptoms is a sophisticated modern gothic horror film exploring the themes of sexual repression and psychosis.

The horror genre is always at its best when imbued with social relevance, but Peele delivers something sly but barbed, frightening not much because of its surface plot but its underlying, undeniable modern social context.

This new maze will combine the studio's classic monsters with modern horror - themed dance music at the upcoming annual attraction.

But even look at the more modern horror directing talents who are all being scooped up by larger studios to inject their talents into decided non-horror fair.

David Reynolds, Games Publisher at Microgaming, comments: «Halloween is a true classic and set the standard for modern horror films.

Like the Abbotts» daily routine, A Quiet Place is an exercise in restraint, and I was reminded immediately of this concept of rule - abiding and extreme isolation that was intensely focused upon in Trey Edward Shults» It Comes At Night — incidentally one of those modern titles that has encouraged Krasinski to give horror another chance.

Bluebeard (Edgar G. Ulmer, 1944) Screened during Fantasia at the launch of the book Recovering 40s Horror Cinema (highly recommended), this serial killer film set in Paris but filmed in a poverty row Californian studio has a busy soundtrack like a completely modern film.

His ability to be awkwardly charming and menacing at the same time makes Duplass a great modern day Horror villain.

It's a long way from the modern Dirty South to historic Harlem, but The Ballad of Black Tom by Victor LaValle brings home one of the author's favorite Lovecraft stories — «The Horror at Redhook» — and retools it with expertise.

Get a taste of colonial days at the majestic Notre Dame Cathedral, see the beautiful central post office and get an insight into the horror of modern war at the War Remnants museum.

The modern world has proven just how great the appeal for more advanced games fit for the young minds of today has become, the old shovelware nonsense of the past has been surpassed by fun, entertaining, and thoroughly educational games like space tactics game FTL, rocket science themed masterpiece Kerbal Space Program, and even the popularity of, while darker and more advanced (and for older children) than the other two, the insane popularity of the horror franchise Five Nights at Freddy's and its habit of making the players work and dig for its story elements which have created communities of amateur sleuths.

As horror drama The Witch arrives on disc, we look at the modern themes beneath its period setting...

Best of all, you can look at both games as example of how to do modern horror right and how to do it, well, not so right.

We looked at the musical journey of the game as kind of a «history of horror film», from orchestral, through the 1980s synth scores, and on to a more processed, artificial modern sound.

No one was really expecting a new Resident Evil game quite yet (what with so many spin - offs seemingly floating about at once), least of all one that drops the classic third - person zombie antics of recent games of something far more akin with modern horror tastes.

Vertigo Sea, a triptych video installation on show at the Arnolfini in Bristol, weaves the greed and horror of the whaling industry together with that of slavery and modern - day migration.

Combining the influence of ancient pre-Columbian cultures and Mexican art with modern - day schlock horror and comic - strip grotesque, Yarber's work, at once disturbing and comedic, trashy and mythical, embodies an eternal contemporaneity.

Yang Shaobin, whose work can be seen at the Long March Space in Beijing, has written, «In my paintings I aim to convey a sense of disquiet, that hidden agenda which it is often hard to put a finger upon, but which is really responsible for the horrors the modern world is facing.»

The use of vivid and very aggressive colors is something very usual in his career as an artist, Todd James ridicules and emphasizes to its last consequences the personality of the Western reality in which we live; as if it were a horror comic, he describes a modern world but at the same time, it's full of compassion for those who live and suffer in it.

From an exhibition of George Condo's comedy horror paintings in London to «the father of pop art» Richard Hamilton at Tate Modern, find out what's happening in art around the country

, Somerset House, London, UK (2013); Glasstress: White Light White Heat, Fashion Space Gallery, London, UK (2013); Frida Kahlo: A Life in Art, Arken Museum of Modern Art, Skovvej, DE (2013); ArTricks, The Israel Museum, Jerusalem, IS (2013), GLASSTRESS: White Light / White Heat, collateral Event of 55th Venice Biennale, Venice, IT (2013), The Art of Chess, Saatchi, London, UK (2012); Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, New York, US (2011); Family Ties, GALERIE THOMAS, Munich, DE (2011); The Unconscious in Everyday Life, Science Museum, London, UK (2010); Rude Britannia — British Comic Art, Tate Britain, London, UK (2010); The Surreal House, Barbican Art Gallery, London, UK (2010); Distortion: 53rd Venice Biennale, The Gervasuti Foundation, Venice, IT (2009); Statuephilia: Contemporary sculptors at the British Museum, The British Museum, London, UK (2008); and Apocalypse — Beauty and Horror in Contemporary Art, The Royal Academy, London, UK (2000).

1996, Haus der Kunst, Munich, Nov. 1996 - Jan. 1997 (5, reproduced in colour p. 87) Masterpieces of British Art from the Tate Gallery, Metropolitan Museum, Tokyo, Jan. - March 1998, Hyogo Prefectural Museum of Modern Art, Kobe, April - June 1998 (92, reproduced in colour p. 152) Literature: Michael Ayrton, «Art», Spectator, vol.174, no. 6094, 13 April 1945, p. 335 Raymond Mortimer, «At the Lefevre», New Statesman and Nation, vol.29, no. 738, 14 April 1945, p. 239 Sam Hunter, «Francis Bacon: The Anatomy of Horror», Magazine of Art, vol.95, no. 1, Jan. 1952, p. 12 Robert Melville, «Exhibitions: The Venice Biennale», Architectural Review, vol.116, no. 693, Sept. 1954, p. 189 (as «Study for a Composition») John Rothenstein, The Tate Gallery, London 1958, p. 116, reproduced John Rothenstein, «Introduction», Francis Bacon, exhibition catalogue, Tate Gallery, London 1962, pp.2 - 3 Ronald Alley, Francis Bacon: Catalogue Raisonné and Documentation, London 1964, pp. 11, 12, 36, pl.16 Mary Chamot, Dennis Farr and Martin Butlin, Tate Gallery: The Modern British Paintings, Drawings and Sculptures, I, London 1964, pp.21 - 2 John Russell, Francis Bacon, London, Paris and Berlin 1971, 2nd ed.

The Gallery of Modern Art at Royal Exchange Square, hosts Cellular World: Cyborg - Human - Avatar - Horror, a group exhibition featuring works by nine internationally renowned artists, curated by Parry.

WHO: Willie Nelson, Orlando Bloom, Miranda Kerr, Helen Hunt, Emmy Rossum (Shameless), Ed O'Neill (Modern Family), Dylan McDermott (American Horror Story: Asylum), Sophia Bush (One Tree Hill), Ed Begley Jr. (Easy To Assemble), Navid Negahban (Homeland), Michelle Branch (Recording Artist), Josh Radnor (How I Met Your Mother), Catt Sadler (E! News Host), D.W. Moffett (Switched at Birth), Luke Perry (Beverly Hills, 90210), Senator Barbara Boxer (California Senator), Johnny Knoxville (Jackass), Peter Mensah (Spartacus: War of the Damned), Angela Lindvall (Model / Actress), Caitriona Balfe (Model / Actress), Walton Goggins (Justified), Laura Linda Bradley (17 Again), LP (Recording Artist), DJ Garth Trinidad (KCRW), among others.