Sentences with phrase «at least the story seems»

At least the story seems interesting a little The Fall meets Pans Labyrnth.

Not exact matches

In putting together a sidebar for that story about the most important FPS games in the history of the medium, I noticed a fascinating trend that seems to say something poignant about the times we're living in: brand has become a stronger selling feature than the artist, at least in games.

«Farmland, at least in certain places, seems to have the most contagious «new era» story right now.»

Though the Canadian Business of the 1930s covered many topics that wouldn't seem out of place in the 21st century — rising taxes, truth in advertising, the imminent death of the airline industry — it also ran many stories the editors of 2013 likely would never touch («The story of safety glass») or would at least think twice about («The «social» diseases and business: what is syphilis costing Canada?»).

Though it opens with a rundown of the day's headlines and usually covers at least one «today» story at some length, much of the show seems unpegged and featurey — hardly a must - view.

compared to the old there seems to be a whole different god or that god has changed i think i am going to trust studies — at least they state the margin of error, the religious stand by the bible as fact, the word of god... it would seem your god is a moron who can't keep his story straight.

Religions of today, at least the Western ones I am most familiar with, seem to hold on to the old stories without understanding their original dynamic value and rather look to them for creating rules and reconstructing an ever more implausible history.

We all feel at least a slight anxiety about dementia because these dreaded symptoms seem to assault our very identities, to dissolve the autobiographical narratives that constitute the very story of our lives.

The constitutional project, by contrast, seems so far to be at least a qualified success story.

They can't seem to get past their Tony Blair era world economy stance in their stories, but they do at least cover more than four countries.

Both stories seem plausible and there are probably many others, so I guess we have to be content just with the fact that at least someone in America invented them.

Santi Cazorla has also been missing for the last couple of seasons, and we had a scare story not long ago that said our little Spanish magician would miss at least 90 % of this year, but the 32 year - old seems determined to get himself back to full fitness and is desperate to play for Arsenal again.

C — Wolters gets the start — and still can not hit 1B — Desmond already injured — McMahon is now 0 - 3 with 3 Ks and seems over matched 2B — LeMahieu with another solid game SS — Story moved out of the # 4 spot finally — still goes 0 - 3 but does not strike out at least 3B — Arenado had an off night with a couple Ks LF — Parra — nothing exciting CF — Blackmon hitting 2 HRs — Nazty was the offense tonight RF — CarGo seemed comfortable in the # 4 spot — let's keep him there UTIL — nothing exciting SP — Márquez pitched pretty well overall — 4 walks added to an already ridiculously high number thru 3 games though.

If this story about Arsenal sending Mesut Ozil off to the international break with Germany carrying a knee problem that he may have been carrying during the Premier League clash with Chelsea on Sunday is true, it would at least answer the questions about why our 25 - year old playmaker seemed to struggle to influence the game in the same way as the Chelsea midfielders Eden Hazard and Cesc Fabregas did.

Supporters that use social media seem to think everything in the newspapers is fact, when they see fit at least, which generates discontent, leading to more negative «stories».

«Every day seems to bring a new horror story from the subways and, so far at least, New Yorkers pin the blame more on Gov. Andrew Cuomo than Mayor Bill de Blasio,» said Maurice Carroll, assistant director of the Quinnipiac University Poll, which released the new study Thursday.

With every component of GreenSingles.com, Crosby's main goal is to stay connected with users and adapt to their needs, which seems to be working because she receives at least one success story every day.

While the series mostly keeps a suspenseful tone there are a few moments of seemingly long dialogue which just seemed to pad the running time, but again those might make more sense on subsequent viewings - once you know how the story ends it practically begs to be watched at least one more time.

It adds intrigue into this mysterious suicide circle and the individual stories, while the constant voice over monologues are probably the worst (as in self - indulgent and pretentious) part of the movie other than the length, at least seem to be hinting that they're all heading toward the same end.

The story also featured photos of the characters — marking what seems to be the first photographs of Quicksilver and Scarlet Witch to be released, or at least approved, by Marvel Studios (previous shots have come into the public, but they were taken by photojournalists and paparazzi on the set of the movie)

Being misjudged seems to be the theme of Shaun's (Gabrielle Union) life — at least, that's what she tells people throughout James McTeigue's uneven «Breaking In» — and while the sentiment seems cliche, it's hard to argue with it once she harbors the full range of her abilities in service to a story best described as some sort of reverse «Panic Room.»

While happiness seems eternally out of reach for the Phantom, this celluloid adaptation at least makes his story more accessible to those of us living off Broadway.

At least part of the credit belongs to screenwriter Diablo Cody, who seems to have set out to write a greatest - hits Jonathan Demme movie — complete with full - length live musical numbers, kitsch décor, and a wedding — while taking another go at the basic premise of her script for Young Adult: the story of a nobody returning to nowherAt least part of the credit belongs to screenwriter Diablo Cody, who seems to have set out to write a greatest - hits Jonathan Demme movie — complete with full - length live musical numbers, kitsch décor, and a wedding — while taking another go at the basic premise of her script for Young Adult: the story of a nobody returning to nowherat the basic premise of her script for Young Adult: the story of a nobody returning to nowhere.

The limiting constraints of Dogme 95, most of them aimed at stripping filmmaking of all artifice, seems to purify the emotionalism latent in stories of paralyzed lovers and star - crossed priests — perhaps the least expected offshoot of a movement that is not only extremely distracting, but probably began life as something of a joke.

She turns out to be no one at all in the story, but the moment — especially as scored by Miklos Rozsa — seems like an hommage to Vertigo, and at the very least is a hint of Romantic splendors to come....

And it also seemed to me that the movie was a little late to the party, at least when it came to a story about bicycle messengers in NYC.

Also, in an age when every inane, mind - numbing blockbuster seems to have to come with the obligatory running time of at least 150 minutes, isn't it just a treat that a film like this can tell its heart - warming story in just over an hour.

The reactions seemed to be mostly split, at least from what this story by my friend Rebecca Lewis wrote, with women head over heels for it and men decently impressed, with Negga in particular.

The stylishly empty period crime drama Gangster Squad, from Zombieland director Ruben Fleischer, is ostensibly based on a true story, but it steals liberally from James Ellroy, Dick Tracy, and The Untouchables, and it seems hell - bent on topping its transparent inspirations in at least one crucial respect: the volume, intensity, and ubiquity of its wall - to - wall violence.

Another disaffected youth story, writer / director Sofia Coppola at least seems to have adapted one with a more concrete beginning, middle and end than usual.

My bad, as in reality.45 is a story about a battered wife, or at least girlfriend, whom everyone seems to want while she stays with her violent partner.

The trouble is that the director has tackled what seems, at least as translated, like lesser Le Carré; the story, involving a German intelligence officer (Philip Seymour Hoffman) keeping tabs on a Russian - Chechen immigrant who may be a security threat, feels like a long trudge towards a single damning point.

At least half of the story takes place twenty - five years later (though Russell Crowe seems to have aged three years).

At first, they provide a bit of amusement in a story that doesn't seem the least bit amusing.

Set in 1987 during the titular US holiday weekend and narrated by Tobey Maguire (who seems to do this a lot - see also The Ice Storm, The Great Gatsby and at least part of Spider Man 3), Labor Day tells the story of the reclusive Adele (Winslet) and her devoted 13 - year - old son Henry (Gattlin Griffith).

«The Film Critic» is primarily an imaginative look at a budding romance between two quite different people, but in addition the story is filled with amusing side characters such as Victor's fellow critics who often seem comatose at the advance screenings and especially Leandro Arce (Ignacio Rogers), who would like to kill Victor as his films have been regularly panned by Victor, and whose columns have relegated at least one movie editor to a menial job.

It's been noted that none of the characters from this movie are that sympathetic, mostly because they seem to occupy the roles of noir stereotypes; yet at least for me, this didn't make their story any less intriguing.

Glatter: I saw a story a few months ago that one in four teachers within Chicago Public Schools misses at least 10 days every year, which seems like a lot of time.

That said I found it at times difficult to keep track of all the characters and all the different story lines, I think there were at least seven, and in the conversations between the characters seemed forced and oftentimes stilted and awkward.

And now that KU is blind to the length of your story, you're free to craft it however you like... and given that readers seem to love short stories and serials (at least in romance, but increasingly in other genres), I don't expect those forms to go away.

So if you are a starting author, the message seems to be, try it yourself first — at least you'll have an idea of what the market thinks your story is worth.

All the playlists have at least a couple of songs missing (and in some cases, * most * of them missing), and none of the ones they do have seem to be in order, which is a shame since played in the right sequence the music tells a story.

When Graeme Norgate spoke to Eurogamer, his comments seem to corroborate at least parts of this unconfirmed story:

This game is half about how your characters interact with each other, and just having them get all lovey dovey with each other without any build - up would seem odd, so tying it to battle and other ways to bump up relationship points added a way of complementing the story, in my book at least.

The story, at least in the demo, seemed to be there just to give you a reason to run around and blow stuff up.

It's a cool twist on the RPG story set in modern day Japan, with a story that seems to slightly hint at the concepts in the cult movie Battle Royale (at least to me, anyway).

Following this the story seemed to take a while to pick up, and honestly where the original games had that something special close to the start of the game with your characters I didn't feel that here, at least not at first.

Also, the big choices we have to make in this first episode doesn't seem to have a really big impact on the story, but I am sure at least two of those big choices will show their repercussions in the next episode or so.

yeah but ironically the story they added seems worse than the one it «did nt have», but at least did nt spend tons of qte and cutscenes upon.

I would even have been reasonably happy if you were restricted to the one spot but at least had the scenery change with each new stage of the story... but instead it's as if all events come to you in your one spot, all characters, battles... all seem to take place in your one little area of Wonderland.