Others soon followed, including our favorite to date, Samsung's HK - 950, which uses a total of four up - firing drivers and even wireless surround speakers for a 5.1.4
Atmos configuration.
Bigger rooms might require a 5.1.4
Atmos configuration.
Choose from either a 5.1.2
Atmos configuration, or 7.1 flatbed surround.
While the soundbar is quite nice — boasting an out - of - the - box Dolby
Atmos configuration — the inability to better direct audio flow might irk some AV enthusiasts looking for complete control over their home entertainment setup.
Whether upgrading your home theater setup with an advanced
Atmos configuration or enjoying your favorite music, Dynamic Balance ensures a rich, clean, full - range sound no matter what you're listening to.
For example, by adding an additional 2 - channel power amplifier, it can support up to 7.1.4 or 9.1.2 Dolby
Atmos configurations.
Not exact matches
Note: To experience Dolby
Atmos at home, a Dolby
Atmos enabled AV receiver and additional speakers are required, or a Dolby
Atmos enabled sound bar; however, Dolby
Atmos soundtracks are also fully backward compatible with traditional audio
configurations and legacy home entertainment equipment.
Dolby
Atmos eliminates multiple print masters — a single DCP includes the information necessary for any theatre
configuration.
Dolby
Atmos captures the director's intent and brings it intact to any theatre of any size and
configuration, from 5.1 and 7.1 up to 64 channels.
The brain of the Dolby
Atmos platform, the RMU provides the rendering engine for the mix stage, plus tools for room
configuration, management, and print mastering.
The Dolby Access app walks you through the
configuration of your Windows 10 PC or Xbox to support Dolby
Atmos via HDMI to your Dolby
Atmos enabled home theater or sound bar.
Several speaker setup options are possible, from a traditional 5.1, 7.1, or 7.2 channel speaker
configuration, to a Bi-amp setup where four channels can be devoted to compatible front speakers, and a 5.1.2 channel speaker Dolby
Atmos setup option can be accommodated (not all at the same time, of course).
Dolby
Atmos enables adaptive rendering to ensure that the playback experience is as close as possible to the creator's original vision in any given environment, irrespective of the specific speaker
configuration in the playback environment.
Released in both FWD and 4WD
configurations, the double over head cam 4G93
atmo and turbo moves 1.8 litres, and generates 112kW at 6500 and 145kW at 6000 rpm respectively.
By adding an additional 2 - channel power amplifier for example, it can run a big Dolby
Atmos experience up to 5.1.4 or 7.1.2
configurations.
The most basic
configuration (and the most common in
Atmos soundbars) is 5.1.2, which involves a typical 5.1 setup (left, center, right, and two surrounds), along with two height speakers, which can be mounted overhead, or angled up from ground level to bounce sound down from the ceiling.
Dolby
Atmos and DTS: X: Some of today's top - of - the - line soundbars will let you take advantage of the latest object - oriented audio technologies, such as Dolby
Atmos and DTS: X. Soundbars that feature object - oriented audio, are typically limited to 5.1.2 or 7.1.2
configuration, where they only reproduce the front two height effects channels.
While the 5600 offers both Dolby
Atmos and DTS: X, it's got its own caveats, namely that it depends on your room
configuration (and seating position) for optimal performance, and it doesn't come with a subwoofer.
It features support for both Dolby
Atmos and DTS: X object - based surround sound, in either 7.1.4 or 5.1.4
configurations, depending on whether you want to leave channels free for a second zone for another room in your home.
Both support DTS: X and Dolby
Atmos (which Netflix began offering over the summer) in up to 7.2.4 - channel
configurations.
No matter the source, when a Dolby
Atmos stream is fed to an A / V receiver (AVR) or sound bar compatible with Dolby
Atmos, the processing will render the object - based audio to your system's unique speaker
configuration to precisely recreate the sound the filmmakers intended.
Atmos, for the uninitiated, is a scalable object - based sound system available with seven channels of amplification, in a 5.1.2 (five surround channels, one subwoofer output and two height channels) speaker
configuration.
Just about every cutting edge - audio technology is available, too, including Dolby
Atmos and DTS: X 5.1.2
configurations.
The most common home cinema
configuration for Dolby
Atmos is 5.1.2 (that's the regular 5.1
configuration with two height channels), or 5.1.4 (the same, but with four height channels).
When you shop for a new
Atmos and DTS: X compatible receiver, pay special attention to which speaker
configurations the receiver supports.
Factoring in sounds and their positional data, setups can scale the Dolby
Atmos output, regardless of the limitations of any particular
configuration.
To please music lovers, it has Dolby
Atmos technology along with 32 - bit audio DAC (Digital - to - Analog Converter) and tri-operational amplifier
configuration.
The STR - DN1080 AV receiver is an Object Audio Compatible with improved sound quality, flexible speaker solutions, and support for the latest audio formats such as Dolby
Atmos and DTS: X. By combining Sony's «Phantom Surround Back» technology, it can provide a 7.1.2 speaker
configuration with an actual speaker setting of 5.1.2.
A 7.1.2 or 7.1.4
configuration is based on a 7.1 speaker layout with 4 overhead, or Dolby
Atmos - enabled speakers.
The UBP - X700, complete with HDR capabilities, promises a much wider color range and higher contrast and brightness compared to standard Blu - ray players, claims Sony, while the STR - DH790 has been designed exclusively for Dolby
Atmos, once again according to the OEM, and features a 5.1.2 channel
configuration supporting DTS: X.
The AV7702 has the processing power to run a more enveloping, 7, 9, or 11 channel Dolby
Atmos layout using 5.1.2, 5.1.4, 7.1.2, 7.1.4 or 9.1.2
configurations utilizing ceiling mounted, or Dolby
Atmos - enabled speakers.
A 5.1.2 or 5.1.4 speaker
configuration is based upon a traditional 5.1 speaker layout complemented by 2 or 4 overhead, or Dolby
Atmos - enabled speakers.
We've seen this
configuration on other phones before, and it normally works well enough, but Samsung has stepped it up a notch by offering virtual surround sound via Dolby
Atmos.
A «proper» Dolby
Atmos speaker
configuration relies on in - ceiling speakers or upward firing modules to create an enveloping sound effect, something headphones can't offer.
DTS: X also aims to be more flexible and accessible than
Atmos, making use of pre-existing speaker layouts in theaters and supporting up to 32 different speaker
configurations in the home.
Much like its predecessor, the X Pro embodies Dolby
Atmos surround sound, here in its second - generation
configuration.