Sentences with phrase «audience award movies»
Watch the Young Audience Award movies!
https://www.europeanfilmawards.eu/ Not exact matches
The beloved production based on the novel by Victor Hugo received the Tony Award in 1987 and gained an even more wide - spread audience with the release of the 2012 movie with Russell Crowe, Hugh Jackman, Anne Hathaway and other huge names.
Heder's dead - on characterization struck a chord with audiences and the small independent film became a huge hit, raking in over 44 million dollars and winning the MTV Movie Award for Best Movie.
Grainger first came to the attention of American audiences in the television series THE BORGIAS, and has appeared in such television productions as BONNIE & CLYDE, playing the titular role of Bonnie and earning nominations from the Critics» Choice Awards for Best Actress in a Movie or Mini-Series and the Satellite Award for Actress in a Miniseries or a Motion Picture Made for Television; and in LADY CHATTERLEY»S LOVER among others.
The runner - up for the audience award at last year's Toronto Film Festival, the movie represents a change of pace for director Isabel Coixet (My Life Without Me, Elegy), best known for clunky dramas on weighty themes.
In addition to entertaining the audience throughout the awards ceremony, the band gave a special red carpet performance during the live pre-show, and also performed «Stuck in the Middle with You» from the movie «Reservoir Dogs.»
There's a reason why this movie has won audience awards at nearly every festival it's played, and I can't wait for mainstream audiences to be blindsided by it in 2018.
Piven's first big movie, «Fully Loaded,» won PBIFF's 2011 audience award.
The U.S. documentary audience award went to «Chasing Coral,» a movie about the declining state of coral reefs around the world.
Now that Toronto is almost over, predictions are being made about which movie might win their audience award, which is always a nice boost heading into Oscar season.
The movie won both the Audience Award and Grand Jury Prize at this year's Sundance Film Festival.
Even without Evan's rave review (or the knowledge that it picked up a SXSW Audience Award), this movie just looks like it has a ton of awesome scifi action potential.
So, seizing the opportunity of a sympathetic audience, and amidst a season where many of the 84 movies put forward by their home countries as Academy Award contenders are floating around at festivals — big and small, rural and urban, American and elsewhere — I thought I'd weigh in on the titles I've caught.
An annual marketing tradition, tonight's MTV Movie Awards take aim at the summer audience with a targeted barrage of clips.
It won the Audience Award for good reason - everyone loves this movie.
We hope awards voters don't overlook the performance the same way audiences overlooked this gem of a movie.
Of all the Oscar season awards, this week «Äôs Amazon.com Best of 2010 Movies & TV Editors «Äô Picks, emailed this Monday, are probably the most ignored by movie cognoscenti, despite the vast audience they reach.
According to the SXSW audience awards announced earlier today, E.L. Katz's Cheap Thrills was the popular pick of this year's midnight - movie crop, and it lives up to its title in its nihilistic view of humanity — or at least males — as fundamentally beholden to such urges as money and pride.
The movie was popular with critics and audiences, and it garnered six Academy Award nominations including best picture.
Grand Jury Prize - Venice Film Festival 2014 Critics Prize (FIPRESCI)- Best Film of Venice Film Festival 2014 European Critics Prize (FEDEORA)- Best European and Mediterranean Film of Venice Film Festival 2014 Online Critics Prize (Mouse d'Oro)- Best Film of Venice Film Festival 2014 Human Rights Nights Award - Venice Film Festival 2014 Danish Academy Award for Best Documentary (Robert Prize)- 2015 Danish Film Critics Association Prize for Best Documentary (Bodil Prize)- 2015 Peace Film Prize - Berlin Film Festival 2015 Best World Documentary (Cinephile Prize)- Busan International Film Festival 2014 Audience Award - Best Film, Festival Favorites - SXSW Film Festival 2015 Dragon Award Best Documentary - Gothenburg International Film Festival 2015 Audience Award - Best Film - Festival d'Angers 2015 Audience Award - Sheffield Doc / Fest 2015 Grand Prize (DOX Award)- CPH: DOX 2014 Aung San Suu Kyi Award - Burma Human Rights Human Dignity Film Festival 2015 Prize of the Danish Arts Council - 2014 True Life Award - True / False Film Festival 2015 Audience Award - Documenta Madrid 2015 Audience Award - Docs Barcelona 2015 Amnesty International Award - Docs Barcelona 2015 Grand Prix - Festival de Cinéma Valenciennes 2015 Prix de la Critique - Festival de Cinéma Valenciennes 2015 Prix Étudiants - Festival de Cinéma Valenciennes 2015 Best Documentary - Sofia International Film Festival 2015 Best Film - Prague One World Film Festival 2015 Audience Award - Movies That Matter Festival 2015 Best Documentary - Denver Film Festival 2014 Best Documentary - Victoria Film Festival 2015 Best Director (Baltic Gaze)- Vilnius International Film Festival 2015 Amnesty International Award - Docs Against Gravity - Warsaw 2015 Wild Dreamer Award - Subversive Film Festival 2015 Special Jury Prize - NordicDocs 2015 Best Director (Documentary)- River Run Film Festival 2015 Don Quixote Prize - Tromsø International Film Festival 2015 Best Film - Cine de Derechos Humanos - Uruguay International Film Festival 2015 Best Documentary - Calgary Underground Film Festival 2015
2016, Festival coverage, festival preview, Chicago International Film Festival, 52nd Chicago International Film Festival, Black Perspectives, Special Presentations, Moonlight, Barry Jenkins, Trevante Rhodes, Ashton Sanders, Alex Hibbert, Barbara Lewis, Mahershala Ali, Naomie Harris, Tarell Alvin McCraney, Brad Pitt, Plan B, #OscarsSoWhite, James Laxton, Nicholas Britell, Loving, Jeff Nichols, Andre Holland, Jharrel Jerome, Janelle Monae, Jaden Piner, Liberty City, Miami, LGBT, LGBTQ +, Boyhood, Richard Linklater, film review, movie review, film commentary, movie commentary, Life lessons from movies, life lessons from films, life lessons from movies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independent movie review, film commentary, movie commentary, Life lessons from movies, life lessons from films, life lessons from movies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independent movie commentary, Life lessons from movies, life lessons from films, life lessons from movies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independentmovies, life lessons from films, life lessons from movies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independentmovies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independentMovies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independentMovies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independent Movie Has a Lesson, independent films
From the evocative Sweetie (1989) and the television movie 2 Friends to the provocative The Piano (which garnered Holly Hunter and Anna Paquin Academy Awards), Campion has since struggled to find an audience — and critics» approval — to appreciate her perspective.
Not to say that Million Dollar Baby is a total mutt, just that it's an obvious, self - important, overwritten thing designed to appeal to specific, stodgy, awards - season prestige audiences that love film so much, this will be the first movie they see this year.
The first trailer has almost everything required of an Oscar contender, and audiences might be dissuaded from seeing a movie they believe is purely meant to capitalize on awards potential.
Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.
The Festival Genius Audience Award: WAITING FOR «SUPERMAN» Davis Guggenheim, director; Leslie Chilcott and Michael Brietal, producers The Festival Genius Audience Award was voted on line by filmgoers who love movies.
Beyond the buzzed about Centerpiece screenings (which includes The Good Lie, St. Vincent, Laggies, and the Toronto International Film Festival Audience Award winner The Imitation Game), Philly's screenings includes programs like «Greater Filmadelphia» (with work from Philadelphia's home grown talent), «Masters of Cinema» (movies from world - renowned filmmakers), and «The Graveyard Shift» (horror, action, and anything weird), providing a variety of options for audiences of all tastes.
It went on to win the audience awards at the Edinburgh, Toronto and Chicago film festivals, and I note on the Internet Movie Database that it is currently voted the 54th best film of all time, and hasn't even opened in America yet.
If Ratatouille still retains a viable contender as a spoiler, it's not because audiences continue to drink whatever Pixar puts in the Kool - Aid that gets, as Laurie Anderson would say, «ah - dults» hailing each of their new movies as the studio's everlasting masterpiece of classic filmmaking (making it simply a matter of time before one of them actually wins an award outside the best animated feature playpen), but rather because its presence in this category might remind voters that one or two of the striking writers aren't just trying to feed their own mouths.
Winner of the Midnighters Audience Award at SXSW in 2013, E.L. Katz's directorial debut is the kind of movie that gets a strong reaction from it's aAudience Award at SXSW in 2013, E.L. Katz's directorial debut is the kind of movie that gets a strong reaction from it's audienceaudience.
But it doesn't stop there: this is an important festival both because of its timing as a final stop on the Fall Awards circuit, and because it draws national media and a national upscale audience who go home telling all of their friends about our movies, said David Glasser, COO / President, The Weinstein Company.
At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.
Instead, the Grand Jury Prize in Dramatic Competition went to Macon Blair's directorial debut I Don't Feel at Home in This World Anymore and the Audience Award went to Crown Heights, and while neither is a bad movie, I don't think either will get the buzz that something like Whiplash received.
Actor Jason Segel and Director James Ponsoldt talked End Of The Tour, their acclaimed movie about the Rolling Stone magazine interview of author David Foster Wallace when they came to participate in Deadline's big awards season event, The Contenders Presented By Deadline which took place last month in front a packed audience of AMPAS and key guild members at the DGA.
Janney delighted audiences with outstanding performances in the Oscar - nominated ensemble Juno and in the movie version of the Tony Award winning play Hairspray, which was also awarded Best Ensemble from the Hollywood Film Awards.
But it wasn't just many critics who loved the movie: The ticket - buying audience at the public screenings in Toronto also voted to award the film the People's Choice Award, historically a solid indicator of future awards - season sucaward the film the People's Choice Award, historically a solid indicator of future awards - season sucAward, historically a solid indicator of future awards - season success.
Though it was rapturously reviewed by critics and beloved by audiences, and received a number of critics and guild awards, the subject matter probably sank the movie's chances with the Academy — but not the sense that Gerwig has many years of great work ahead of her.
The U.S. competition documentaries — Marc Silver's 3 1/2 Minutes, Daniel Junge's Being Evel, Morgan Neville & Robert Gordon's Best of Enemies, Bobcat Goldthwait's Call Me Lucky, Matthew Heineman's Cartel Land, Laura Gabbert's City of Gold, Bryan Carberry & Clay Tweel's Finders Keepers, Jill Bauer & Ronna Gradus's Hot Girls Wanted, Alexandra Shiva's How to Dance in Ohio, Jean Carlomusto's Larry Kramer in Love & Anger, Jimmy Chin & E. Chai Vasarhelyi's Meru (winner of this year's audience award), Louie Psihoyos's Racing Extinction, Lyric R. Cabral & David Felix Sutcliffe's (T) error, Michael Beach Nichols & Christopher K. Walker's Welcome to Leith, Bill Ross & Turner Ross's Western and Crystal Moselle's The Wolfpack — offered a wide array of styles and subjects and wider audiences will surely have a chance to discover many of these movies for themselves later this year.
Along with the movie getting the Audience Award and his win for Best Screenplay, Peele also received the Breakthrough Director Award.
Even if a movie has got the goods creatively, audience reception can play a large role in helping a studio decide whether or not a movie is worthy of getting the full awards push.
The movie won the SXSW Film Festival's documentary audience award.
Similar to another TWC awards season release — Michael Keaton in The Founder or another criminally focused movie like War Dogs, there isn't anyone for the audience to root for.
Chalamet, 22, has charmed audiences at awards shows and talk shows and, for all I know, bake shows as he has gladly made the rounds spreading the good word about «Call Me by Your Name,» a movie that still feels a little neglected.
The film has also been nominated for two NAACP awards as well as the Cinema for Peace Most Valuable Movie of the Year Award and has won 11 Audience Awards on the Festival circuit, including the Mill Valley Film Festival, Chicago International Film Festival, and runner - up at the Toronto International Film Fesawards as well as the Cinema for Peace Most Valuable Movie of the Year Award and has won 11 Audience Awards on the Festival circuit, including the Mill Valley Film Festival, Chicago International Film Festival, and runner - up at the Toronto International Film FesAwards on the Festival circuit, including the Mill Valley Film Festival, Chicago International Film Festival, and runner - up at the Toronto International Film Festival.
For audiences familiar with Keegan - Michael Key and Jordan Peele's award - winning sketch show Key and Peele, odds are their new movie Keanu is going to feel very familiar.
That film reportedly was a valuable lesson in the type of movie he didn't want to make, and Greengrass returned to real - life drama in 2002 with «Bloody Sunday,» a film which, while financed by Granada TV, premiered in Sundance where it won the audience award, and played Berlin, tying with «Spirited Away» for the Golden Bear.
When the MTV Movie Awards first began, it was instantly evident that they weren't exactly taking themselves seriously... or, perhaps more accurately, they were only taking themselves as seriously as they felt their target viewing audience would let them.
Zombie movie Juan Of The Dead picked up the Lexus Audience Award at the 29th annual Miami International Film Festival in Florida on Sunday...
Though audiences will sadly have to wait a little longer to see Martin Scorsese's «The Wolf of Wall Street» after the director failed to meet the original date, there are still plenty of great movies on tap, including a few award hopefuls, a pair of blockbuster sequels and more.
The movie took home the Grand Jury Prize and Audience Award at Sundance, and, according to Fishkin, could be on its way to more.