For
authors working with publishers (with or without representation), this kind of thing is a whole other ball game.
Authors working with publishers will typically have a designer assigned to them.
It's just as important for
authors working with a publisher as it is for self - publishers.
Not exact matches
«Many
authors are choosing not to
work with big
publishers,» says Coker.
As an example, I not only agented this book myself to a major NYC - area
publisher, I brought in Jay and his famous brand, I brought in Stephen M.R. Covey for the foreword, and even wrote my own back cover (something most
authors never get to do when
working with a major
publisher).
While this strategy
works just fine for large
publishers that already have established brands and get thousands of shares on any new article they publish (such as Mashable or TechCrunch), a more pragmatic approach is needed for just about every other business.It's true that getting quality inbound links starts
with great content on your client's website, but the missing link is getting journalists, contributors,
authors, and editors at quality publications to become aware of that content so that they can link to it when writing relevant stories / articles.
Produced and directed by Boston - based visionary youth sports parenting expert and
author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and
publisher of MomsTEAM.com, the acknowledged «pioneer» in youth sports concussion education, «THE SMARTEST TEAM» documents how de Lench
worked with a high school in Newcastle, Oklahoma to address the challenges concussions pose in football.
Produced and directed by visionary youth sports parenting expert and
author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and
publisher of MomsTEAM.com ®, the acknowledged «pioneer» in youth sports concussion education, «The Smartest Team» documents how de Lench
worked with a high school in Newcastle, Oklahoma to address the challenges concussions pose in football.
Produced and directed by visionary youth sports parenting expert and
author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and
publisher of MomsTEAM.com ®, the acknowledged «pioneer» in youth sports concussion education, «The Smartest Team» documents how de Lench
worked with a high school in rural Oklahoma to address the challenges concussions pose in football.
As for the errors in its database, «Thomson Reuters» editorial team continuously
works with publishers, identifying ways to improve item - level matching, providing
authors with simple processes to correct their records, contributing to cross-industry initiatives and encouraging use of standard identifiers.»
Not to be confused
with the imaginative book and CD - ROM The Way Things
Work (by David Macaulay and Ardley) from the same
publisher or 101 Great Science Experiments by the same
author and
publisher, this will be invaluable on primary teachers, shelves.
About Site - Kids Book Review is a voluntary children's literature and book review which
works with authors, illustrators and
publishers Australia - wide and internationally.
Australia About Blog Kids Book Review is a voluntary children's literature and book review which
works with authors, illustrators and
publishers Australia - wide and internationally.
As early implementers, these educators have gone both to the «source» of the standards and used other proxies for quality and alignment: They've
worked directly
with and learned from the standards»
authors themselves and / or used tools created by them (e.g., the
Publishers» Criteria developed by Student Achievement Partners and several other groups).
Some years ago, I signed on as an editor at a major
publisher of elementary school and high school textbooks, filled
with the idealistic belief that I'd be
working with equally idealistic
authors to create books that would excite teachers and fill young minds
with Big Ideas.
They include Emily Callahan and Amber Jackson, who are using their skills and intellect to turn oil rigs into coral reefs; Nate Parker, the activist filmmaker, writer, humanitarian and director of The Birth of a Nation; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the
author of «Is Shame Necessary»; Brent Stapelkamp, whose
work promotes ways to mitigate the conflict between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who
worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace
working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12),
Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the
author of «Is Shame Necessary»; Brent Stapelkamp, whose
work promotes ways to mitigate the conflict between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who
worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace
working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12),
Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
Dr. Hasbrouck
works with the McGraw Hill
publishers as an
author of their «Treasures» and «Wonders» reading and intervention programs.
It also
works for
publishers and
authors who want to sell ebooks
with Aerio.
Conversley,
publishers and self publishing
authors need to deposit a copy of their
work published in Australia
with the National Library
«We were looking for a way to cast a wider net and give
authors and agents and
publishers opportunities to
work directly
with us.
KSB Promotions has
worked with hundreds of
publishers and
authors, and dealt
with a wide array of media people since forming the company in August of 1988.
While the
author retains creative control when
working with a hybrid
publisher, they have the opportunity to utilize the services of experienced editors, designers, etc..
I always thought an
author made more money
with a creditable
publisher providing they
worked out the «right» deal.
Why would an
author use a
publisher, when they can
work directly
with IBooks, Kobo, or Amazon, and keep a larger share of the proceeds?
Most distributors would prefer to
work with a
publisher who carries a variety of titles instead of an individual
author.
Publishers work with Rob to raise the bar, grow book sales, and maximize key
author relationships.
Knowing I was
working full time in the equestrian field, as do most of their
authors, my
publisher was generous
with their deadline — I had 14 months to deliver my 90,000 word book.
Experienced
with publishers and independent
authors, fiction and non-fiction (including academic
work).
Despite being based in Ireland, the
publisher hopes to
work with authors from across the globe and says that its «editors
work with authors on a one - on - one basis to ensure each book presented is of the highest quality... the
publisher works side - by - side
with authors to develop effective marketing plans and promotional programs, advising on career choices and forward career planning, and assist in setting up the
author's overall image.»
With the POD / Subsidy / Vanity
Publisher, the
author is back to
working for a royalty as they would be if they were traditionally published.
From their website: «eBook Architects, a service of Firebrand Technologies,
works with authors and
publishers of all sizes, designing high - quality ebooks for the Kindle, iPad, NOOK, and other devices.
Some of the
authors Brian
worked with as an editor and
publisher include Ridley Pearson, T. Jefferson Parker, James Lee Burke, Ken Follett, Daniel Silva, Eve Ensler, Jon Krakauer, Jack Olsen, Leonard Nimoy, Jesse Green, Roger Kahn, M. Scott Peck, Linda Barnes and Bill Carter.
Founder Lauren Wise spends a ton of time researching the new methods of publishing, talking
with CEOs of
publishers that range from hybrid to traditional to electronic, and compiles a hand - picked list every year of the best companies for Midnight Publishing
authors to
work with.
We
work with traditional and indie
publishers and
authors.
But for most of the indie
authors and small
publishers I
work with, money is at a greater premium than time.
If you think your
work is good, my advice would be to go for the self -
publisher... it is cheaper and faster and lets the
author move foward
with her own marketing quickly.
Author may,
with Publisher's consent, license other parties to reproduce, display, perform, distribute and sell copies of the
Work, so long as such copies are not directly competitive
with Publisher's.
Authors have become shell - shocked with the level of work expected of them that in the old days, publishers enthusiastically supported and advocated for their a
Authors have become shell - shocked
with the level of
work expected of them that in the old days,
publishers enthusiastically supported and advocated for their
authorsauthors.
Having
worked with traditional
publishers and self - published several of her books, Massey has great advice for indie
authors on independent publishing, book marketing and strategies for getting a book into bookstores, libraries and reviews.
Publisher shall also have the right to edit, revise and abridge the
Work, subject to
Author's approval
with respect to style and literary content thereof, which approval shall not be unreasonably withheld.»
Authors and
publishers can browse profiles, write project briefs, request quotes, and then
work with top level freelancers, including editors, interior designers, cover designers, ghostwriters, and book marketers.
Authors need to focus on the big picture first, then follow up
with sentence - level
work if the problems are severe enough to frustrate an agent or a
publisher.
We deliver essential book development, book printing and binding services
with one aim: to help first - time and veteran self -
publishers get to market while retaining their
authors» rights and full control over their
work.
It's fairly well - known that self - publishing once carried a stigma (some would argue it still does), and that it was considered primarily a fall - back plan for
authors who couldn't find an agent or traditional
publisher to
work with them.
As we wrote at the time, this example makes the point that
authors already have a lot of the tools for marketing their
work, and in some cases — as
with Hocking, Locke and other self -
publishers such as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a traditional publishing deal.
The day was filled
with provocative observations from innovative
publishers, an
author or two, and even retailers — as in Miriam Robinson's announcement that The Bookseller, itself, will
work with Foyles in a February workshop to formulate plans for a 40,000 - square - foot «bookshop of the future.»
With the popularity of electronic reading devices, the entire world of information / reading was split wide open with so many opportunities for authors to publish the works that might not ever have seen the light of day with the traditional publish
With the popularity of electronic reading devices, the entire world of information / reading was split wide open
with so many opportunities for authors to publish the works that might not ever have seen the light of day with the traditional publish
with so many opportunities for
authors to publish the
works that might not ever have seen the light of day
with the traditional publish
with the traditional
publishers.
This change means that the very
publishers who sell their own
works — whether they are the
authors themselves, fully operating
publishers, or
authors with their own imprint for business purposes — can now be undersold and therefore not be the actual seller when a consumer (oblivious to the rule change) clicks «add to cart.»
Wow, you really are out of touch
with the publishing industry if you think that indie
authors aren't investing as much (if not more) money in getting their
work edited, covers designed etc that the larger
publishers put into their titles.