* wink wink * And what you have found on the other side is absolutely amazing and totally usable for your fiction and you are raring to jump to
the BIG emotional scenes in your novel and write write write!
Murray, Goodman, Dujardin and Balaban are wasted in roles that could have been played by anyone, and while Bonneville gets a decent little arc, even
his big emotional scene is undercut by Clooney's questionable direction.
He has more than enough charisma to hold it together, even if his one
big emotional scene feels a bit, well, stony.
When your movie's
biggest emotional scenes are given to Vin Diesel (Riddick), a fine performer in the right kind of flick but not exactly a powerhouse of a thespian, you know you have a problem.
Not exact matches
Portman's
big scene and the most
emotional moment in the movie comes during that shock - reunion.
As an actress, Hough unexpectedly nails a trite
scene that requires a
big emotional outburst, but she otherwise isn't asked to do much, short of keeping those nimble limbs moving and maintaining a hot - girl elitism until it's time for third - act purification.
Everything else, including a
big brunt of the
scenes that were meant to give the film
emotional gravitas, feel trite and sometimes forced.
She is currently on the
big screen reuniting with Du Vernay for «Selma» — and much like Tessa Thompson makes an
emotional impact in the few
scenes she has on screen — and can be seen on TV in the Ioan Gruffud series «Forever,» a show we've as yet not caught up with, but her stint on «OINTB» has kicked her up several profile levels to the point that she'll hopefully be headlining something soon.
Possessed (Warner Archive, Blu - ray)-- As Joan Crawford aged out of glamorous roles and glossy romantic dramas she remade herself in the 1940s as a tough, driven woman in a series of melodramas that gave the actress an opportunity to play
big,
emotional scenes.
The writing is the
biggest problem, mostly because it tries to inject some
emotional melancholy into the proceedings when its not directly aping the first movie; since the show's wit is dulled and these actors are no Woody Harrelson, Emma Stone or Abigail Breslin, these
scenes fall flat and are completely unearned.
Cooper is an old hand at creating individual
scenes that evoke characters» flaws and
emotional backstories through a minimum of words and gestures, but the
bigger picture seems to elude him.
Hannah, having no
emotional connection or sexual attraction to Jack (Let's just say the sex
scene is played for comedy), doesn't think it's that
big of a deal until she starts watching Jack and Iris together.
Woody Harrelson as Haymitch does a bit of angsting; Elizabeth Banks as Effie in her trademark overblown peplums gets an
emotional closeup near the end after a few nondescript
scenes; Stanley Tucci as smarmy broadcaster Caesar flickers briefly on the
big screen while issuing a video news bulletin; we even get a glimpse or two of the late great Philip Seymour Hoffman as Plutarch Heavensbee who, in a nice farewell touch, has almost the last word in his final missive to Katniss which is read aloud.
Despite having the deepest
emotional reaches to plumb, Hathaway's [who really does deserve an Oscar ® nomination] Kim is the glue that holds the film together, rather than the
big scene stealer.
Stark
scenes alternating between anarchy and police states are counterbalanced by deepening
emotional ties and ethical dilemmas, creating a novel that asks far
bigger questions than it answers.
It helps set the tone for an
emotional scene, pumps you up for that
big boss fight up ahead, and for many of our favorites it sticks in your head and...
The reason people are drawn to indie games, I think, is because the indie
scene tends to focus on
emotional experiences over
big set pieces and explosions.