Not exact matches
The
film, while certainly reminding me of Baskin due to the fact that its home country isn't known for
being a hotspot for
horror, reminds me more of The
Babadook.
Horror still reigns in Park City Extending a tradition that's already stretched from The Babadook and The Witch to Get Out, Sundance proved a dependable launching pad for standout horror: This year's Hereditary — a nightmarish supernatural grief drama starring an unhinged Toni Collette — was the one film that came closest to a consensus favorite (if by favorite, we mean a movie that thoroughly traumatized all audie
Horror still reigns in Park City Extending a tradition that
's already stretched from The
Babadook and The Witch to Get Out, Sundance proved a dependable launching pad for standout
horror: This year's Hereditary — a nightmarish supernatural grief drama starring an unhinged Toni Collette — was the one film that came closest to a consensus favorite (if by favorite, we mean a movie that thoroughly traumatized all audie
horror: This year
's Hereditary — a nightmarish supernatural grief drama starring an unhinged Toni Collette —
was the one
film that came closest to a consensus favorite (if by favorite, we mean a movie that thoroughly traumatized all audiences).
It can't
be entirely coincidental that last year
's breakout
horror film, The
Babadook,
was centered around the frustrating and intimate relationship of a mother and her child and this year
's best
horror film — it
's true, I
'm putting it in writing —
is very similarly themed.
The first of three tremendous directorial debuts on this list, Jennifer Kent «
s The
Babadook is the best
horror film of the year, and a solid emotional drama even beyond it
's terrifying nature
s terrifying nature.
It
's one of those
films, like «The
Babadook,» that will transcend
horror fans and become one of the most talked - about
films of 2016 in any genre.
The
Babadook is one of the best
horror films of the year and certainly the most original.
You might have noticed that indie
horror is having a moment, with recent
films like The Witch, It Follows, The
Babadook and Goodnight Mommy pointing towards a growing trend in more serious, mood - driven storytelling which doesn't rely on cheap scares and lazy cliche to get its message across.
The best
horror film of 2016
was, like The
Babadook and The Witch before it, a director's bold debut — which bodes well for a genre always in need of fresh blood.
Among the other fiction
films to look for in theaters or on VOD: John Michael McDonagh
's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who
is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton
's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who
's looking for inspiration in a legendary city that
's as much mirage as actuality; and two
horror films, Jennifer Kent
's uncanny, driving psychodrama The
Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour
's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.
It
's some kind of feat the hype surrounding Jennifer Kent
's much - acclaimed
horror film has gotten to the point where it feels like watching the «scariest
film in years» this far into 2015
is, yeah, a little like... Continue reading The
Babadook
It
's unclear at this point if Australian director Jennifer Kent wants to continue making
horror films, but judging by her terrifying and moving debut feature, The
Babadook, it
's obvious that
horror needs her.
Filmmaker Jennifer Kent
was honored with the Breakthrough Artist award for her work on the
horror film «The
Babadook,» which also won four awards at Austin's Fantastic Fest earlier this year.
I haven't seen The
Babadook either and I
'm getting to the point where I
'm getting tired of hearing how it
's «the best
horror film ever.»
************************ SPOILERS AHEAD ************************* If the new
horror movie The
Babadook really
is the scariest
film of the year, as many critics have claimed (a view with which we tend to agree), it isn't because there
's something inherently terrifying about -LRB-...)
The
Babadook is definitely one of my favorite
horror films this year.
The
Babadook had a great visual style and
was a refreshing
film in the psychological
horror genre.
But what makes it a classic
is that, like «Get Out,» a body - snatching movie about racism, or «The
Babadook,» a supernatural
horror film about childhood fears, it also works so well on so many other levels.
Oh, and three of my top 10
horror films were made this decade: The
Babadook, It Follows and Get Out.
My list of didn't - see - yet shame includes: Eskil Vogt's Blind that everyone raved about, Brendan Gleeson's Calvary which Fox Searchlight picked up, German drama Wetlands, Jake Paltrow's sci - fi western Young Ones, Jim Mickle's Cold in July, bedtime
horror The
Babadook that some said
is the best of the fest, Mark Duplass & Elisabeth Moss in The One I Love, Jenny Slate in Obvious Child, A.J. Edwards» Lincoln
film The Better Angels, plus the highly praised closing night
film They Came Together, not to mention the Audience Award winning doc Alive Inside: A Story of Music & Memory.
After catching my own, and many other peoples, favorite
horror film of last year, The
Babadook, at last year's BiFan, I
'm looking to do the same again this time around and We
Are Still Here might well
be the one.
One of the eight
films announced in the Park City at Midnight category of the 2014 Sundance Film Festival
is an Australian
horror - thriller called The
Babadook.
The
Babadook is the best
horror film slash psychological thriller I've seen in a long while.
The
Babadook was not only one of the best
films of 2014, but frankly, one of the best
horror films released within the last decade.
IFC Midnight has debuted a new trailer for «The Hallow,» the supernatural
horror film that Yahoo! Movies suggests could
be this year's «The
Babadook.»
The best
horror film (indeed, one of the very best
films, period) of 2014
is available today for home entertainment and you must see The
Babadook.
This compares to fellow indie
horror The
Babadook «
s # 348k from 147 screens (a slightly higher screen average), although the Australian
film, which opened late October, arguably benefitted from the
horror genre'
s traditional Halloween bump.
Australian actor turned director Jennifer Kent
is the latest to attempt to take
horror in a different direction with her feature debut The
Babadook, a
film that takes supernatural
horror and shunts it off into a novel course.
Technically, The
Babadook is clearly the product of someone who knows what a
horror film needs to succeed, which gives the necessary support to allow the accomplished performances of its two leads and the deft thematic elements to shine.