Sentences with phrase «back gallery installation»
19th Annual No Dead Artists International Juried Exhibition of Contemporary Art [Back Gallery Installation View] photography courtesy of Mike Smith
http://www.jonathanferraragallery.com/ Not exact matches
Adrian doesn't understand why Monroe's highly literal works like Pushpin Stuck in Wall (2008) and Light Bulb Turning On and Off (2008)-- which suggests Martin Creed's 2001 Turner Prize - winning installation, The Lights Going On and Off — are shown prominently in the gallery while his brother's paintings are relegated to a back room.
His Berlin Installation takes up an entire length of the gallery's back room (unusually, broken up with temporary walls for this show dividing the characterful space, which works perfectly for installations and immersive works, into a more classical gallery for showing photography).
In conjunction with the exhibition, Michel Auder's three - channel video installation Untitled (I Was Looking Back to See If You Were Looking Back At Me to See Me Looking Back at You)(2012 - 14) will be presented in the BCMA's adjoining media gallery.
The gallery goes on to note that the installation is meant to address the following: «In a very tense political climate, this ambiguous gesture represents a futile attempt to roll back the clock and speak about community, citizenship, and identity.»
Serves as a member of the Pennell Committee at the Library of Congress until 1993, replacing Jim Dine; works first with Donald Saff and then with Yvonne Jacquette to select prints for the Library of Congress Pennell Print Collection; is guest teacher at Cornell University, SUNY Purchase, and University of Southern California, Los Angeles; sings in and designs a set based on Goya's prisoner figures for the «El Salvador» oratorio concert by the Back Bay Chorale under the direction of conductor Larry Hill, which takes place at Harvard's Sanders Theater on 18 May; exhibition Wakeby Day / Wakeby Night: Monumental Monotypes by Michael Mazur opens 11 March at the Hayden Gallery, MIT (colorplate 18), in conjunction with installation of Wakeby monotypes at the 500 Memorial Drive dormitory building.
We've been busy here at Curious Matter ---- an exhibition of work by Arthur Bruso in the gallery, Le Bouquiniste, our small & independent press kiosk is back in town, and a special installation from the Department of Reparative History.
Drams, Whits, Scintillas, a multimedia installation incorporating video, sound and drawing by Lynn Tomaszewski and Kevin Schlei, brings the garden into the gallery and spreads back out onto the grounds.
Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).
Seen individually, the whispers might seem like a gimmicky move, but together they have the effect of further uniting an already cohesive installation, particularly in the back gallery, where Rolph's paintings have just the right amount of breathing room.
This installation piece, composed of pre-fabricated pieces of Elvis memorabilia, inhabits the back room of the gallery, hidden like a secret side chapel.
For those who loved his show at the Whitechapel Gallery at the beginning of the year, William Kentridge is back with a new immersive installation at the Coronet Theatre in Notting Hill, London, on for four days only.
As we step back to view Taylor's work, we glimpse the front gallery before continuing to a vertical installation of acrylic on paper paintings by Amber Boardman
By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.
Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings
Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.
Self (I was born to love not to hate) in the back gallery illustrates this in a series of mirrored echoes reverberating from the corner installation.
Your relationship with Norte Maar dates back to an amazing installation at the apartment gallery on Wyckoff Avenue in Bushwick.
The American photographer Louise Lawler may be the wittiest and most gimlet - eyed member of the Pictures Generation, revered for her matchless photographs of the secret life of art, as it cycles through gallery back rooms, collectors» homes, and museum installations.
This show presented in the main gallery along with sculpture in the project room includes antediluvian wall works and installation that harks back to lost civilizations.
Tear - away handouts with all of the floor plans were also provided at the back entrance to the main gallery, so visitors could review them while moving through the installation.
Installation view of Olia Lialina's My Boyfriend Came Back From The War in Hacking / Modding / Remixing as Feminist Protest exhibition at the Miller Gallery at Carnegie Mellon University, 2017
2004 African Art, African Voices: Long Steps Never Broke a Back, Philadelphia Museum of Art, PA, USA Continental Drift: Installations by Ilya Kabakov, Joan Jonas, Juan Muños, Yinka Shonibare, Norton Museum in West Palm Beach, FL, USA Fashination, Moderna Museet, Stockholm, Sweden The Fabric Workshop and Museum, New York, NY, USA Flexible 4: Identities, Landes Museen, Linz, Austria Between The Lines, James Cohan Gallery, New York, NY, USA Black President: The Art and Legacy of Fela Anikulapo - Kuti, Yerba Buena Centre for the Arts, San Francisco, CA, USA, (catalogue) 2003 Looking Both Ways: Art of the Contemporary African Diaspora, The Museum for African Art, New York, USA (catalogue) Love over Gold, Gallery of Modern Art, Glasgow, Scotland Black President: The Art and Legacy of Fela Anikulapo - Kuti, New Museum, New York, NY, USA, (catalogue) Flexible 4: Identities, The Whitworth Art Gallery, Manchester Supernova: Art of the 1990s from the Logan Collection, SF MOMA, San Francisco, CA, USA (doublures), vêtements de l'art contemporain, Musée national des beaux - arts du Québec, Québec, Canada (catalogue) Independence, South London Gallery, London The African Exile Museum, Migros Museum, Zürich, Switzerland Somewhere better than this Place, The Contemporary Arts Center, Cincinnati, Ohio, USA
Hubbards drawings articulate the potential of both the body and camera to delineate space while her large scale photogram installations lead us back to the very real and physical boundaries of the gallery itself.
We gave you a preview of Jeremy Fish's new exhibition, «Hunting Trophies,» at Mark Moore Gallery in Culver City a few weeks back, and now we have some views of the installation and set
In the Curatorial Research Lab at the back of the gallery, don't miss «Signs on the Road,» a three - part installation organized by Workroom G and curated by Gogue Projects (Phase 1), Cathouse FUNeral (Phase 2), Camel Collective (Phase 3).
The installation has already been snapped up, along with its building, by someone we can assume has a big back garden (in fact, an American collector, though the work will also be seen in public galleries in the US).
We gave you a preview of Jeremy Fish's new exhibition, «Hunting Trophies,» at Mark Moore Gallery in Culver City a few weeks back, and now we have some views of the installation and set - up of the paintings and mixed - media works in the show.
This panoramic view shows the work of most of the participating artists: Foreground, Sylvia Netzer; clockwise around the gallery: Rachel Friedberg on the left wall, my installation grid on the back wall, Diana Gonzalez Gandolfi and Megan Klim on the right wall
This year, with the help of Sprüth Magers gallery, Laliberté's back at it again with a seven - month exhibition and site - specific installation by Jenny Holzer.
Courtesy Charlie James Gallery; Jeremy Dean, Back to the Futurama (2010), -LCB- CTS -RCB- Creative Thrift Shop installation view; Bill Smith, detail of magnetically stabilized, air driven, computer interfaced, chaotic emu egg pendulum (2010), PPOW Gallery; Anthony Lister, Red Spots, 2010, Acrylic and mixed media mural.
Over the last four years, the projects I have curated with CC grantees include: Brent Green's Gravity Was Everywhere Back Then, presented by artwithoutwalls at LOT Gallery in 2011; Shih Chieh Huang's Luminosity, an artwithoutwalls installation at LOT and at the Kentucky Center for the Performing Arts during IdeaFestival 2011; Chris Doyle's The Underglow, a site - specific public projection in Stockholm (2011), and two related works in downtown Louisville, Scenes from the Underglow and Rondo (2011).
Installation view of Gallery 1, showing: Foreground: «Spam» (2004, polystyrene, jesmonite, paint) Back right: «Unknown Soldier» (2003, concrete boots, neon tube)
Installation view of Gallery 1, showing: Foreground: «Suffolk Bunny» (1997 - 2004, tan tights, blue stockings, chair, clamp, kapok, wire) Back left: «Jubilee» (2012, concrete, breeze - blocks, steel rods, paving slabs, MDF plinth) Back right: «Eve» (2006, tights, kapok, wooden chair)
In addition to the work shown in the gallery, LVL3 will also be premiering a permanent mural installation on the back of the building by Chicago - based artists Wyatt Grant and Mike Paro; this mural was partially funded by the Covenant Project Grant.
German duo HERAKUT is back in the US with «Masters of Wrong» a new solo show at Corey Helford Gallery in downtown Los Angeles that will be featuring over 20 paintings including some installations
German duo HERAKUT is back in the US with «Masters of Wrong» a new solo show at Corey Helford Gallery in downtown Los Angeles that will be featuring over 20 paintings including some installations that incorporate works created on site.
But here is the kicker: D * Face was recently ordained and in connection with the theme of his show (bringing back a little romance into the modern era), he will perform a real marriage ceremony during opening night (9/23) in front of a chapel installation inside the gallery.
One of these wall works the artist showed already 1993 in a spectacular installation in the rooms of the gallery, which back then was still called Galerie Franck + Schulte.
Some of the items expose back - room brokering, like a letter sent in 1973 by installation artist Louise Nevelson to painter Adolph Gottlieb as part of an effort to woo Gottlieb to the gallery's roster: «Adolph, I'm too old to beat around the bush and know you too long for that,» she wrote.
The Angel, his famous glass sculpture, graces the whole back gallery, whereas a selection of his early works, works on paper, sculptures and installations, fills the front gallery.
In the gallery installation two projections are simultaneously presented on the front and back of a large scale suspended screen.
Installation view of NOS 2009 Work by John Finneran (left) & Linda Francis (back wall) Tuesday, April 13, 2010 Daytime Preview: 10 am — 5 pm Evening Sale & Cocktails: 6 - 8 pm Robert Goff Gallery 537 B West 23rd Street NYC Tickets Advance Purchase: $ 25 Door Price: $ 30 NOS Patron: $ 50 (includes acknowledgment in the 2010 catalog) Featuring the work of more than 80 international artist.
In the center of this large room the museum has constructed a smaller gallery showing a 3 - monitor installation of Drawing Restraint 7 (in which satyrs wrestle in the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpture.
Open Source Gallery presents Kurdish artist, Savas Boyraz's video installation, Back Drop.
Terence has gone back to the land in the form of a lived - in gallery installation, and all the inhabitants — Terence, his cat, the bees in the hive in the garden on the roof — are, for the duration, doing their thing.
Jan 1: Kippenberger Cleaned Out Looking back on 2011, we empathize with the cleaner (turned contemporary art critic) at the Ostwall Gallery in Dortmund who inadvertently ruined a $ 1 million modern installation sculpture by the controversial postmodernist artist Martin Kippenberger (1953 - 97).
Back Gallery: STACK From a cluttered configuration of second hand furniture and other found objects to a smooth white rolling surface, New York - based artist Colin Zaug clashes mediums and aesthetics for his sculptural installation, STACK.
Artist Talk: Conor Kelly: Friday, January 6, 2006 7:30 pm Back Gallery: Plainsong Conor Kelly's Plainsong is a five channel video installation that is «an irreverent, infectious hymn to the mundane and the temporal» (Art Forum, -LSB-...]
Back in 2013, I was blown away by his massive draped jute sacks wall installation at Saatchi Gallery, so it is little saying that I'm very excited by his upcoming exhibition at White Cube:» Mahama is known for large - scale installations incorporating jute sacks, previously used to transport cocoa beans and charcoal, which are stitched together and draped over architectural structures.