Sentences with phrase «back gallery artist»

Not exact matches

You acquire the skill that is indispensable to all artists and entrepreneurs — the ability to switch back and forth in your imagination from your own point of view as writer / painter / seller to the point of view of your reader / gallery - goer / customer.

«We're loose, we're laid - back, we're not pretentious,» Bryan Sperry is saying about Art Attack, the storefront gallery he and fellow artist Troy Abshire opened last April at 1937 W. North Ave. in the bustling neighborhood where Wicker Park and Bucktown meet.

His brother Josh (Eion Bailey) is the commercially successful artist in the family whose artwork Madeleine (Marley Shelton) sells out of the back room of her gallery to hotels and hospitals to support her showcasing less mainstream artists.

This November, the symbiote psychopath and most dangerous serial killer in the Marvel Universe is back in Carnage # 1, and we've got a first look preview for you right here; click on any of the gallery images for larger versions... Legendary writer Gerry Conway (Amazing Spider - Man: Spiral) and artist Mike Perkins (Deathlok) take you -LSB-...]

Newly married to dashing George (Alessandro Nivola), Chicago art gallery owner Madeleine (Embeth Davidtz) is on her way back to his home state of North Carolina to court moderately - disabled «found» artist David Wark (Frank Hoyt Taylor), who could be the Next Big Thing.

London's world - renowned museums showcase everything from today's cutting edge artists at the Tate Modern to famous paintings dating back to the 13th century at the National Gallery.

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, 1976,» which looks at the first few years of the performance and video artist's career, we turn back to 1972, when Acconci had one of his most famous shows, at Sonnabend Gallery in New York.

We also ran a gallery out of the space for just over 2 years, however we closed the gallery in January of this year so I could get back to being an artist full time.

As a nonprofit business, the Art Rental and Sales program returns the majority of the rental fees it receives back to the artists, with the remaining funds going to the Vancouver Art Gallery.

For someone who spends all of their time in a very tactile, analog world, digital communication can seem ephemeral and fleeting.It's tempting to abandon the medium as so much dross and go back to doing things the way that they've always been done: send out mailings, find an artist's representative, and hope your gallery works out.

Lois Dodd, Pink Scabiosa, Back View, 2013, oil on panel, Courtesy of the Artist and Alexandre Gallery, New York

It consists of artists who had shown with Feature, and are now sold by their current galleries; some of the work is from back in the day, but much of it is new.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Artists are back on site using the Glyndor Gallery as studios, exploring the grounds and studying Wave Hill's living collection.

Inscribed «Alberto Giacometti» on top of base, at back; «Susse Fondr Paris» on back of base;» 4» on r. side of base Bronze, 27 1/4 x 5 3/8 x 9 1/2 (69.5 x 13.7 x 24) Purchased from the artist (Grant - in - Aid) with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (78) as «Standing Woman» c.1958 - 9; Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (73)

«Call and Response,» an enormous group show hung salon - style in the back gallery at Gavin Brown, includes many of the artists whose work comprises «The Forever Now,» but the work selected by Gavin Brown, in a context both more cogent and more expansive, seems genuinely of the moment.

Each artist has multiple, large - scale pieces on view; Kerstin Brätsch's monumental works on paper encased in glass lean against the gallery entryway like laid - back bouncers.

In the back gallery, individual objects that are more like the artist's usual work, and much closer to traditional paintings, are hung alongside her grandmother's needlepoint exercises, coyly implying that there is no difference between so - called high art and the cliched.

At the back, don't miss a group show of other gallery artists, including lovely works on paper by Elise Engler, Robert Strati, Colin Keefe and Noah Loesberg.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Tucked away in the back galleries are some of the exhibition's greatest showstoppers, including a mesmerizing painting by Ukraine - born Shimon Okshteyn; two red - drip paintings by Israeli - born, East Hampton - based poet, musician and painter Haim Mizrahi; and an abstract painting by another East End musician and artist, David Demers.

Spanning the gallery's entire ground floor, Joo's exhibition encompasses a body of new «caloric tray paintings,» as described by the artist himself, influenced by an older series, The Saltiness of Greatness, produced back in 1992.

Off - site galleries offered strong artist - is - present showings: at Central Fine on Normandy Drive, airbrushed paintings by Hubert Bush; at Emerson Dorsch, Back On Earth, hatched by Miami locals, Hugo Montoya and Brandon Opalka; at Locust Projects Daniel Arsham's fierce intervention into the gallery floor, 25 feet wide and up to 3 feet deep, filled with artefacts from the recent past (a bashed - up guitar, a push - button telephone, radios, blown tyres — painstakingly recreated in concentric circles of volcanic ash, crystal and steel, and all sourced from eBay.

He had his first solo show back in 1961 at LA's legendary Ferus Gallery, and his compulsive horror show has its parallel in Bay Area artists like Ed Kienholz, Bruce Conner, and Jay DeFeo.

Nominated in the Visual Art category are John Akomfrah and George Shaw for their respective exhibitions «Vertigo Sea» at Turner Contemporary in Margate and «My Back to Nature» at the National Gallery (Apollo's coverage of both exhibitions can be found here and here), as well as Artangel's multi-artist project «Inside: Artists and Writers in Reading Prison» (also covered in Apollo here).

Three years after his first solo show with the gallery Argentinian artist is back with an

Back in the old gallery, the recent work of Arte Povera artist Marisa Merz is presented — her first UK solo exhibition at a public institution.

GG One remembers an occasion a few years back when the West Coast group called an art gallery to ask how many women artists it represented.

Then we circled back to talk to artist Margaret Lee again about her own gallery 47 Canal, which she built from scraps into one of the most closely watched laboratories for next - level art around.

Three years after his first solo show with the gallery Argentinian artist is back with an all new body of work, mostly consisting of intense collage works.

A final treat anchored in the corners of the back gallery is a series of oil paintings by Adam Umbach, works that flirt with wistful nostalgia, painted with a technique and luminosity that draws inspiration from such varied artists as Gerhard Richter and Dan Flavin.

Last week I wandered through the Virginia Museum of Fine Arts's American art galleries with two art - world debates in the back of my mind — one a local one about the dearth of work by Houston artists in Houston museums» permanent - collection galleries, the other about the startling lack of diversity at this year's Whitney Biennial.

Michael S. Riedel, too, gives art a back seat compared to where he first encountered it — in this case, in the same gallery but by another artist entirely.

However, his flat, which is located in the back of the gallery, is full of the works of artists connected with a diametrically different kind of art: Jean Dubuffet and Hans Bellmer.

19th Annual No Dead Artists International Juried Exhibition of Contemporary Art [Back Gallery Installation View] photography courtesy of Mike Smith

Sharon B: I want to go back to on of Ed's earlier comments about having a gallery's artist refer you: you NEED to work with the community around you.

The limited edition print Damned Youth (2011) was produced by Wilhelm Sasnal exclusively for the Whitechapel Gallery and the title plays on the fleetingness of youth, alluding to the artist's experience of looking back at twenty years of working as a painter.

Her father's money backed Castelli's first gallery, in prewar Paris, and she sold work that she had collected to keep her galleries and her artists alive.

3/1 — 4/21 The notorious feminist avengers are back, filling two gallery spaces with videos, posters, and banners featuring the artists in their signature gorilla masks.

A couple months back Zach Feuer Gallery hosted an exhibition by artist Dasha Shishkin and it blew me away.

It is an especially important year for looking back and many artists and galleries are making note of it.

Some Kabinett galleries have opted for the historical approach: Kukje Gallery / Tina Kim Gallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as theGallery / Tina Kim Gallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as theGallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as thegallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as the 1960s.

Appropriately enough, Moyer had first become interested in the formal qualities of moving blankets — their off - kilter color combinations, the patterns of their stitching — while assisting the artist Mika Tajima, who at the time had taken to displaying paintings in the kind of wooden storage racks typically found in a gallery's back room.

She was a kid with platinum hair even back then, working in another gallery space (Daniel Newburg Gallery) that was then showing unknown artists like Maurizio Cattelan, John Armleder, and Rudolf Stingel, and she seemed to know every young artist and critic igallery space (Daniel Newburg Gallery) that was then showing unknown artists like Maurizio Cattelan, John Armleder, and Rudolf Stingel, and she seemed to know every young artist and critic iGallery) that was then showing unknown artists like Maurizio Cattelan, John Armleder, and Rudolf Stingel, and she seemed to know every young artist and critic in town.

Too we added an impromptu show of gallery artists» work from the back room that was curated & installed by our trusty gallery assistant Lauren and our intern Michelle.

Be sure to visit Kim Bernard's solo exhibition in the front gallery and (insert shameless plug here) a peek into the back room, where the work of gallery artists, including my own, is on salon - style display.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Ashley Bickerton is the latest artist in a starry line - up to take the stage at Damien Hirst's Newport Street Gallery, tucked away in the back alleys of Vauxhall.

These back - to - back shows from married artists, at galleries run by formerly married dealers, could be a real treat, albeit one featuring fairly opposing styles.