Sentences with phrase «band painting series»

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Set in the enchanted world of Rayman, Rayman ® Legends Definitive Edition follows Rayman and his colorful band of friends as they discover a mysterious tent filled with a series of captivating paintings.

Set in the enchanted world of Rayman, Rayman Legends: Definitive Edition follows Rayman and his colourful band of friends as they discover a mysterious tent filled with a series of captivating paintings.

Set in the enchanted world of Rayman, the game follows Rayman and his colourful band of friends as they discover a mysterious tent filled with a series of captivating paintings.

In 1969 I began a continuing series of stain paintings combining stained surfaces, with hard edged colored bands, painted in different sizes across the bottom (some of which had abstract writing in them) and later, colored bands of different lengths and widths on the edges.

through May 25th Julie Langsam This exhibition features several recent paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered views of iconic modernist buildings on top of a band of gridded abstract motifs inspired by classic modernist paintings and beneath ominously lit skies that invoke Romantic landscape painting.

Realising that the inner band epitomised her career - long aim to demonstrate how dramatically perception affects our experience, she began a series of White Inner Band paintings in 1999.

(1959), «Black Paintings» series «Out of frustration with some previous works I'd made using combinations of black, yellow and red stripes, I started making symmetrical paintings with all - black bands that radiated in concentric patterns from the center of the comPaintings» series «Out of frustration with some previous works I'd made using combinations of black, yellow and red stripes, I started making symmetrical paintings with all - black bands that radiated in concentric patterns from the center of the compaintings with all - black bands that radiated in concentric patterns from the center of the composition.

This exhibition features several recent paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered views of iconic modernist buildings on top of a band of gridded abstract motifs inspired by classic modernist paintings and beneath ominously lit skies that invoke Romantic landscape painting.

This new aesthetic found expression in a series of new paintings, the Black Paintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpaintepaintings, the Black Paintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpaintePaintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpainted canvas.

While the work clearly recalls Stella's iconic series of black and aluminum paintings, with their repeating monochrome bands, this piece is in fact a small collage of metal foil applied to Masonite, and it has a wonderfully handmade quality that's perfectly in line with his early Minimalism.

In 1959, Stella created his «Black Paintings,» series, in which bands of black paint are separated by thin, precise stripes of bare canvas.

From 1967 to 1973, Thornton Willis worked on a series of paintings now called his «Slat Series» involving a «wet on wet» process working on the floor on large wet unstretched canvas and using rollers with long extension handles to develop striped bands across the entire picture series of paintings now called his «Slat Series» involving a «wet on wet» process working on the floor on large wet unstretched canvas and using rollers with long extension handles to develop striped bands across the entire picture Series» involving a «wet on wet» process working on the floor on large wet unstretched canvas and using rollers with long extension handles to develop striped bands across the entire picture plane.

With its arrangement of alternating black and white bands, Untitled forms part of this remarkable group of works on paper; as one of the first examples in the series, it evidences the exploratory energy that Newman harnessed to produce his iconic series of paintings.

The figure — the head — is captured with the qualities of a film still, caught within a frozen and blurry moment, depicted in a reduced palette of colors that are rendered in a series of horizontal bands of paint seemingly pulled across a smooth surface — slick and evocative.

The lithographs in Black Series I, on view in New York Cool, reproduce the compositions of the original Black Paintings, whose bands ran parallel to their borders.

The first painting in this series, Work No. 508 (Black Painting) 2006 is composed of a stack of horizontal rectangular bands similar to Work No. 1103 except that the sequence of painted strokes reverses so that the thinnest band is at the bottom with the strokes getting thicker towards painting in this series, Work No. 508 (Black Painting) 2006 is composed of a stack of horizontal rectangular bands similar to Work No. 1103 except that the sequence of painted strokes reverses so that the thinnest band is at the bottom with the strokes getting thicker towards Painting) 2006 is composed of a stack of horizontal rectangular bands similar to Work No. 1103 except that the sequence of painted strokes reverses so that the thinnest band is at the bottom with the strokes getting thicker towards the top.

Chris Bors's solo exhibition of new paintings includes his series using logos from hardcore punk bands with a diverse range of imagery in which any visuals are fair game for repurposing, as well as several relying on text only.

The relationship between Scully's painted bands in the Landline series therefore becomes one not just of colour, texture and form, but of weight and density — the material qualities of air, water and land become evident in his work.

Susan Schwalb's new series of carefully constructed silverpoint paintings uses delicate horizontal lines and bands, drawn across layered fields of color, to create serene and meditative works.

Inspired by his experience in the early 80s, performing in post-punk noise bands during the downtown NY scene, the Mosh Pit series embodies Witz's desire for comparable intensity and rebelliousness in his painting.

Arnoldin's «Progress Bar 3:52» is a new series of paintings based on images from an iconic eighties music video, «Looks That Kill», by the pioneering hair metal band Mötley Crüe.

In Conversation I and Conversation II, Mr. Phillips superimposes patterns from artist Albert Oehlen's series Computer Paintings and bands of color over photographs of nude women that he had photographed in racecars for a project in Playboy magazine.

Also included in Pace's exhibition are works from Noland's Mysteries series, paintings composed of concentric or horizontal bands of varying width and color.

Fine's Accordment series of paintings made use of an underlying linear structure over which bands of color were set in deliberate pattern.

Each painting is banded with a series of vertical stripes, each about a half - inch in width, in pastel hues.

Even in its geometric variety, the series shares a cohesive formal language derived from Stella's choice of a single metallic pigment and his methodical application of painted bands that echo the frame of the canvas until they reach a central void that also repeats the shape of the frame.

Realizing that the inner band epitomized her career - long aim to demonstrate how dramatically perception affects our experience, she began a series of White Inner Band paintings in 1999.

In Graham Boyd «s Descender (1976) the large canvas has undergone a process of masking and spray painting resulting in a series of subtly gradated narrow bands of rich colour creating an undulating optical space.

At Gregory Lind Gallery through October 20th, Don Voisine's second solo show exhibits a new series of paintings that explore and experiment the both the boundaries of the medium and of painting's surface and perimeters by central expanses of overlapping black rectangles against white fields, bound above and below by elemental color bands.