So, some of the most absorbing sections of the book deal with the place of miracles and mysticism in post-Tridentine Catholicism, with the role of demonology and witchcraft in the new landscapes of belief in seventeenth century Europe, and a fascinating — and hair - raising — treatment of the importance of hell in
Baroque religious culture.
Looking to Brazilian folklore and
Baroque religious imagery, as well as Alchemical and Pagan symbols, Stephan has created his own unique language and style which embraces his influences and lets them evolve naturally into his own autobiographical work by combining them with his roots in urban art and Pop
culture.