Inglourious
Basterds made a strong statement against the Nazi's, while this latest goes hard after slave owners.
Not exact matches
I will be keeping an eye on the Greater Portuguese Gob's touchline antics throughout the game.He will be keeping one eye on the cameras
making sure they catch his best side the egotistical
basterd.
«Django Unchained» is «Blazing Saddles» with a body count, a positively incendiary entertainment about America's greatest shame, the personal and social toll of slavery, and like Tarantino's last film, «Inglourious
Basterds,» this is a case of history being remixed in a way that
makes more emotional sense to Tarantino as a storyteller.
French actress Melanie Laurent first
made waves in America with her role in the 2009 Quentin Tarantino film Inglorious
Basterds.
The aliens, we learn, can understand English, but speak in their own indigenous language of guttural grunts and clicks (
making this one of two major releases this month, along with Quentin Tarantino's Inglourious
Basterds, to predominantly feature subtitled dialogue).
Like its predecessor, Inglourious
Basterds, the film's opening sequence places Quentin Tarantino's loquacious script in the capable hands of Christoph Waltz to set up an elaborate deception,
making purposeful use of Elmore Leonard-esque dialogues.
DiCaprio, having a blast,
makes Candie the equivalent of Waltz's Nazi in Inglourious
Basterds: a racist villain who mesmerizes us by elevating his ideology into a puckishly thought - out vision of the world.
Christoph Waltz, who played the charming, sadistic SS officer Hans Landa in «
Basterds,» here plays Dr. King Schultz, a charming, sadistic German bounty hunter (masquerading as an itinerant dentist) whose distaste for slavery
makes him the hero's ally and mentor.
The point of «Inglourious
Basterds» was not to engage in counterfactual speculation about a successful plot to kill Hitler, but rather to carry out a vicarious, belated and altogether impossible form of revenge, using the freedom of cinematic
make - believe to even the score.
Watching Django Unchained, it's easy to imagine that Quentin Tarantino had such a blast
making his last picture, the ebullient Holocaust fantasia Inglourious
Basterds, that he decided to take his whole blood - spattered historical tent show on the road, this time putting down stakes in antebellum Dixieland.
Echoing Ben, I was just reading a WGA story over at Steve Pond's, which mentions that Inglourious
Basterds isn't eligible for the WGA, and sidenotes that Tarantino isn't a WGA / DGA member and his films aren't
made under their agreements.
As directed by Ron Howard, «Rush» stars Chris Hemsworth as Hunt, German «Inglourious
Basterds» star Daniel Brühl in what's apparently going to be a star -
making role as the disciplined Austrian perfectionist Niki Lauda, plus Olivia Wilde, Alexandra Maria Lara («Control») and «Game Of Thrones» actress Natalie Dormer (and maybe a cameo from Russell Crowe, playing Richard Burton).
All the while there are several tepid
make - out scenes going on and the humans venture out of their lair to steal food and provisions, while a demented alien security officer, or «Seeker» (Diane Kruger, «Inglourious
Basterds «-RRB-, is searching Monument Valley for the resistance, even killing her own to get at them.
Based on the 2009 book by Robert M. Edsel, the real - life story of the Monuments Men is practically tailor -
made for the big screen; a unique slant on the typical WWII film that, at least on paper, appeared to be equal parts «Ocean's Eleven» and «Inglourious
Basterds.»
Though Inglorious needed way more (yes, this sounds stupid) action scenes to really convey why the
Basterds are total badasses, Tarantino usually doesn't not
make bad movies... We will excuse his Grunge House movies.
Tarantino has
made better films (Pulp Fiction, Inglourious
Basterds) but Kill Bill is easily his most entertaining.
There is potentially a play to be
made by The Weinstein Company to position 2 - time Best Supporting Actor Oscar winner Christoph Waltz (Inglourious
Basterds and Django Unchained) to be pushed to this category even though, by all that have seen Big Eyes, he is clearly a co-lead.
This time out, Alice in Wonderland's Mia Wasikowska is the the brooding Jane, an abused girl that
makes it out of her hellish upbringing only to have her heart broken by the virtues of her day, and Inglourious
Basterds» Michael Fassbender as her employer hiding a terrible secret that will deeply hurt them both.
Meryl Streep & Sandra Bullock Best Supporting Actor: Christoph Waltz, Inglourious
Basterds Best Supporting Actress: Mo'Nique, Precious Best Young Actress: Saoirse Ronan Best Documentary: The Cove Best Foreign Language Film: Broken Embraces Best Animated Movie: Up Best Comedy Movie: The Hangover Best Score: Up Best Song: The Weary Kind Best Costume Design: The Young Victoria Best
Make - Up: District 9 Best Action Movie: Avatar Best Cinematography: Avatar Best Visual Effects: Avatar Best Art Direction: Avatar Best Editing: Avatar Best Sound: Avatar
[00:31:00] New Kick Ass Poster with Nick Cage [00:32:12] James Cameron talks Battle Angel [00:36:30] Golden Globe Nominations [00:38:29] JJ Abrams to
make a real movie version of Man On Wire [00:43:27] Eli Roth's father talks about Inglorious
Basterds [00:46:33]
Others that have embraced the format range from Love Actually to Crash and The Departed to Inception, whilst directors such as Woody Allen (Hannah And Her Sisters, Vicky Cristina Barcelona), Robert Altman (The Player, Gosford Park), Paul Thomas Anderson (Boogie Nights, Magnolia) and Quentin Tarantino (Reservoir Dogs, Inglourious
Basterds) have
made it the basis of their careers.
If «The Hateful Eight» lacks something, it's that extra quality that «Inglourious
Basterds» and «Django Unchained» had, a larger purpose, a vision of history that
made sense of all the bloodletting and left audiences with a sense of having engaged with an important subject.
Directed by Cary Fukunaga, who
made a splash in 2009 with Sin Nombre, this adaptation stars Australian actor Mia Wasikowska (Alice in Wonderland, The Kids are All Right) as the titular heroine and Michael Fassbender (Inglourious
Basterds) as Edward Rochester.
The details: Circa 1958, a young German prosecutor (Alexander Fehling, from Inglourious
Basterds) stumbles upon concealed evidence of Nazi war crimes, and starts
making waves when he begins to pursue former Third Reich officials who returned to their pre-war lives.
The fact that the film is exploiting the history of slavery in the USA in order to
make a triumphantly violent movie is no more controversial than Inglourious
Basterds «exploitation of Nazi atrocities during World War II.
Thoughts by TSR: Quentin Tarantino has yet to
make a film I dislike, so hearing he'd finished writing his follow - up to Inglourious
Basterds was cause enough for celebration.
Today's announcement brings the Hollywood Supporting Actor prize for Christoph Waltz in «Inglourious
Basterds,»
making this officially the widest possible net festival brass could have cast.
There is something very relaxing about Death Proof, as if it is a lighter and more fun movie than Tarantino usually
makes, without the overlapping themes or tone of Django Unchained or Inglorious
Basterds.
That's what I'd call the top tier of this category, but there are a number of other performances with their own champions, like Mélanie Laurent in «Inglourious
Basterds,» the film's truest hero (
make that heroine).
Source: Deadline Thoughts by TSR: Quentin Tarantino has yet to
make a film I dislike, so hearing he'd finished writing his follow - up to Inglourious
Basterds was cause enough -LSB-...]
Even though Inglorious
Basterds isn't my # 1 film of 2009 it
makes me happy inside that Tarantino is getting so much love for his WWII fantasy film.
His roles in films like Hunger, Fish Tank and Inglorious
Basterds is what
makes him the actor of this upcoming decade that we'll probably be hearing the most about.
Diane Kruger reckons starring in «Inglourious
Basterds»
made Hollywood realise she is a tough girl.
Due to date of the audition being from July 6th, 2016, it's likely from the Doug Liman (Edge of Tomorrow, American
Made) incarnation of the film (2015 - 2017), as Liman was hellbent on recasting certain roles, including French actress Lea Seydoux (Spectre, Mission: Impossible — Ghost Protocol, Inglorious
Basterds) as female lead Bella Donna Boudreaux.