Sentences with phrase «battleship potemkin»
The high, wide concrete stairway to his imperious second - floor space, designed by Richard Gluckman, has been nicknamed «The Odessa Steps,» in reference to the famous sequence in «Battleship Potemkin.»
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Bacon's response to the art of the past which he admires deeply is for the paintings of Rembrandt, Velazquez and Goya (e.g. the series of screaming popes which he began in the mid-1950s based on Velazquez's portrait of Pope Innocent X, which are also related to the «still» of the screaming nurse in Eisenstein's film The Battleship Potemkin, and the detail of the woman screaming in Nicolas Poussin's The Massacre of the Holy Innocents).
The 10 or so films include Eisenstein's Battleship Potemkin (1925) and Ten Days that Shook the World (1928), and Vertov's Man with a Movie Camera (1929).
Brian De Palma actually makes the wise choice in realizing that less - is - more, only pulling his stylish flourishes when necessary, such as the Battleship Potemkin homage with a baby carriage, which is a truly classic piece of filmmaking for both films.
HOME MOVIES Another Girl Another Planet by Steven Mears, Blacula & Scream Blacula Scream by Chuck Stephens, 101 Dalmatians by David Filipi, Captive by Yonça Talu, Killers by Grady Hendrix, Jupiter Ascending by Nathan Lee, A Man for All Seasons by Michael Sragow, Traps by Violet Lucca, Battleship Potemkin & October by Patrick Friel, State of Siege by Nicolas Rapold
Like a modern - day Battleship Potemkin, it re-creates some of the events of the morning of September 11, 2001, focusing on United Flight 93, which was prevented from reaching its target and crashed into a field.
Foremost: catching Dziga Vertov's Chelovek s kinoapparatom (Man with a Movie Camera, 1929) with a live score, composed and performed by the Michael Nyman Band, on the Odessa steps during the 6th Odessa International Film Festival, and not least because Nyman and co. rapturously chased it down with a surprise encore scoring of the Odessa steps sequence of Bronenosets Potyomkin (Battleship Potemkin, Sergei Eisenstein, 1925).
Roll over Citizen Kane and tell Battleship Potemkin the news, that genuinely looks like the best film ever made!
By the end, El Mariachi, rebel - without - a-crew Rodriguez's alter ego, walks off into the sunset draped in a Mexican flag, Rodriguez having ripped off the church shootout from The Killer, a chunk of the hospital and morgue intrigue from Hard - Boiled, the plastic surgery discomfort from Face / Off, and, switching directors briefly, the falling escape from Tsui Hark's Time and Tide, and the Odessa Steps sequence from Battleship Potemkin.
The worst part is DePalma's cooptation of the Odessa Steps sequence from Battleship Potemkin.
I was very happy to see Lang's masterpiece on the top, however as a film lover i found for myself some obvious omissions: Bicycle Thieves, Leopard, Nosferatu, Battleship Potemkin, Mirror, as well as more recent masterpieces like White Ribbon, Melancholia, Breaking the Waves etc..
At times you can see the visual influences from political films of the past, such as Metropolis and Battleship Potemkin.
Not a lot of new stuff this week, but when the new ones are A Star is Born, To Kill a Mockingbird, The Battleship Potemkin, it's kind of hard to complain.
The Untouchables (1987) further advanced the telling of the tale by borrowing a scene from Battleship Potemkin (1925).
Battleship Potemkin Director: Sergei M. Eisenstein Year: 1925 Because of brutal living conditions, the crew of the Prince Potemkin revolts against their cruel officers, igniting a rebellion in Russia and a violent massacre in Odessa.
An experimental non-narrative directed by Dziga Vertov, a contemporary of Sergei Eisenstein (Battleship Potemkin), Man With a Movie Camera is an impressionistic portrait of urban life, giving us no characters but, rather, the sense of the complex comings and goings of everyday people through a city.
Battleship Potemkin 141.
Animal House wasn't exactly a masterpiece, but Old School makes it look like Battleship Potemkin.
The scene, intentionally drawn - out for maximum effect, is as agonizing as De Palma's famous homage to The Battleship Potemkin's Odessa Steps in The Untouchables.