Sentences with phrase «beach state history»

MATCHUP: No. 11 Roosevelt - Eastvale (24 - 8) vs. No. 12 Centennial - Corona (24 - 9), 2 p.m., March 18 at Long Beach State HISTORY: Roosevelt has the opportunity to reach its first - ever state championship game.

MATCHUP: No. 1 Bishop Montgomery - Torrance (29 - 2) vs. No. 2 Mater Dei - Santa Ana (33 - 2), 8 p.m., March 18 at Long Beach State HISTORY: Bishop Montgomery defeated Mater Dei, 70 - 55, just weeks ago in the CIF Southern Section Open Division championship game at Honda Center.

MATCHUP: No. 1 Clovis West - Fresno (31 - 2) vs. No. 2 seed Long Beach Poly (26 - 3), March 18, 4 p.m. at The Pyramid at Long Beach State HISTORY: Cal - Hi Sports No. 2 Clovis West has never even played for a Southern Regional championship while Cal - Hi Sports No. 3 Long Beach Poly will look to improve on a 7 - 3 record in SoCal title games.

MATCHUP: No. 1 Windward - Los Angeles (28 - 4) vs. No. 3 Ventura (25 - 7), March 18, Noon at the Pyramid at Long Beach State HISTORY: Windward is 3 - 0 in Southern Regional title games but two of those were in Division IV.

Not exact matches

Known as «Tark the Shark» by many, Tarkanian's coaching career at Long Beach State, UNLV and Fresno State stands as one of most successful in NCAA history.

In the history of the Mr. Baseball State Player of the Year honor, all of the previous No. 1 overall MLB draft picks, including Tim Foli (Notre Dame - Sherman Oaks) in 1968, Jeff Burroughs (Wilson - Long Beach) in 1969 and Darryl Strawberry (Crenshaw - L.A.) in 1980, are also Mr. Baseball club members.

This test consists of 20 items (with an associated answer key for the teacher) that assess the vocabulary, grammar, and cultural concepts listed below: - Country / Region: United States: La Florida - Vocabulary Themes: Modes of transportation; The beach; Weather - Grammar Themes: Prepositions: Overview; Contractions: a + el / al (to the), de + el / del (from the)- Culture Theme: History of Florida: San Agustín, Immigration from Latin America, cultural fusion, geography, ecology An alternate version of the test is also provided to the teacher, in case a student needs to re-take the assessment or for use in large classrooms.

Ben earned his Bachelor's Degree in History from the University of California, San Diego and his CTE Credential from California State University, Long Beach.

The state of South Carolina is known for its beaches and rich colonial history.

Experience the romance and unspoiled beauty of Moloka'i's Kalaupapa Peninsula, the Highest Sea cliffs in the world, Birthplace of Hula, the history of Father Damien, and the longest white sand beach in the state of Hawai'i.

The Cannon Beach History Center & Museum is honored to welcome back Dr. Cameron M. Smith of Portland State University on Saturday, October 17, 2015 at 7:00 p.m. as they celebrate International Archaeology Day.

Dune Allen Beach Homes offer charming vacation opportunities full of outdoor fun in an area that not only has beautiful beaches, but also is full of history and home to Topsail State Preserve.

Nestled on the golden sands of Wailea's Polo Beach, this award - winning oceanfront paradise redefines luxury with a state - of - the - art spa, cuisine deep rooted in the history of the island and authentic cultural experiences.

Patrick's Point State Park (only a few miles from Trinidad) is beautiful, with many trails, beach access, and interesting history.

Mission Inn & Suites is close to various local attractions, including MJA vineyards, Natural Bridges State Beach, the Santa Cruz Surfing Museum, the Santa Cruz Wharf, and the Museum of Art and History.

It is organized by the Virginia Museum of Fine Arts and curated by Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach.

Organized by VMFA and curated by Dr. Kendall Brown, Professor of Asian Art History at California State University, Long Beach, the exhibition is accompanied by a 228 - page, full - color catalogue.

During the exhibition, Pace will produce a full - color catalogue, illustrating the new works installed in the gallery and including an essay by Matthew Simms, Professor of Art History at California State University, Long Beach.

Diamonds are Forever: Artists and Writers on Baseball, New York State Museum, Albany, NY; Norton Gallery, West Palm Beach, FL; Museum of Art and History, San Juan, PR; Contemporary Arts Center, Cincinatti, OH; Utah Museum of Fine Arts, Salt Lake City, UT; Museum of Fine Arts, Houston, TX; Baltimore Museum of Art, Baltimore, MD; Chicago Public Library Cultural Center, Chicago, IL; Oakland Museum, Oakland, CA; New York Public, New York, NY

Diamonds are Forever: Artists and Writers on Baseball, New York State Museum, Albany, NY and traveling exhibition: Norton Gallery of Are, West Palm Beach, FL; Museum of Art and History, San Juan, Puerto Rico; Contemporary Arts center, Cincinnati, OH; Utah Museum of Fine Arts, Salt Lake City UT; Museum of Fine Arts, Houston, TX,; Baltimore Museum of Art, MD; Chicago Public Library Cultural Center, Chicago, IL; Oakland Museum of Art, CA; New York Public Library, New York, NY; The Institute of Contemporary Art, Boston, MA; San Diego Museum of Contemporary Art, La Jolla, CA: Southeastern Center for Contemporary Art, Winston Salem, NC; The Skydome, Toronto, Canada; Yurakucho Art Forum / Seibu Department Store, Tokyo, Japan; The

Diamonds are Forever: Artists and Writers on Baseball, New York State Museum, Albany, NY; traveled to Norton Gallery of Are, West Palm Beach, FL; Museum of Art and History, San Juan, Puerto Rico; Contemporary Arts Center, Cincinnati, OH; Utah Museum of Fine Arts, Salt Lake City, UT; Museum of Fine Arts, Houston, TX; Baltimore Museum of Art, MD; Chicago Public Library Cultural Center, Chicago, IL; Oakland Museum of Art, Oakland, CA; New York Public Library, New York, NY; The Institute of Contemporary Art, Boston, MA; San Diego Museum of Contemporary Art, La Jolla, CA: Southeastern Center for Contemporary Art, Winston Salem, NC; The Skydome, Toronto, Canada; Yurakucho Art Forum / Seibu Department Store, Tokyo, Japan; The Taipei Fine Arts Museum, Taipei, Taiwan; Denver Art Museum / Downtown Branch, Denver, CO; Scottsdale Center for the Arts, Scottsdale, AZ; Albright Knox Art Gallery, Buffalo, NY.

The exhibition is organized by the Virginia Museum of Fine Arts and guest curated by Dr. Kendall Brown, professor of Asian art history at California State University, Long Beach.

Related Programs: Kawase Hasui and the Power of Landscape with guest curator Dr. Ken Brown, Professor of Asian Art History at California State University, Long Beach November 14, 2014 6 p.m., Leslie Cheek Theater 7 p.m., Hasui Catalogue Signing $ 8 (VMFA members $ 5) Why is Hasui so popular?

CURATOR: Dr. Kendall Brown, professor of Asian art history at California State University, Long Beach

SELECTED GROUP EXHIBITIONS 2014 Avatar, Halcyon Gallery, London 2010 Transformation: Sculpture and Graphics of Dashi Namdakov, Pietrasanta, Italy 2007 Expression of Spirit, State Central Museum of the Contemporary History of Russia with the participation of the Dom Nashokina Gallery, Moscow 2006 Open Russia, National Art Museum of China, Beijing, China 2006 China International Gallery Exposition, Beijing, China 2005 Palm Beach Connoisseurs, West Palm Beach, Florida, USA 2004 Central House of Artists, Moscow 2004 Russian Week, Palace Hotel Gstaad, Switzerland 2002 Central House of Artists, Moscow 2001 Union of Artists» Gallery, Ulaanbaatar, Mongolia

Molesworth's departure comes at a weighty time for museums, which are increasingly scrutinized for democratic representation of artists, particularly women and people of color, said Nizan Shaked, a professor of contemporary art history, museum and curatorial studies at Cal State Long Beach.

Sterritt's sculpture and drawings have been shown in numerous exhibitions throughout the United States and Europe including Art Center College of Design, Pasadena, CA; The Museum of Contemporary Art, Los Angeles; Los Angeles Contemporary Exhibitions (LACE); Long Beach Museum of Art; Lancaster Museum of Art and History; Oakland Museum of California; PØST; Riverside Art Museum; Santa Barbara Museum of Art; Schneider Museum of Art, Ashland, OR; Skidmore College; Washington Project for the Arts; The Women's Building, L.A.; The University of Madrid, Sala de Bellas Artes; and the Universidad Castilla - La Mancha, Cuenca, Spain.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

From Louisiana's tarred beaches to the silty scenes on the seabed a mile beneath the Gulf of Mexico, there have been repeated instances in which BP has tried to limit or delay the flow of information to the public on what is clearly now the biggest oil «spill» in United States history.

According to the Virginian - Pilot, the major newspaper serving Norfolk and Virginia Beach, Virginia, the October, 2000 60 million dollar jury verdict was then the largest personal injury verdict for an individual in the history of the commonwealth of Virginia, and the verdict was returned in Manassas, Virginia by a state court jury.

The state of South Carolina is known for its beaches and rich colonial history.