Despite its minor flaws, St. Thomas Aquinas is an inspiring and transcendent design — one that may encourage ecclesiastical architects to save spolia from the
wrecking ball and bring the best of historical architecture to
bear on more such numinous houses of worship.
Now a
wrecking ball rendered in circles of paint butter breaks through a found graffiti tag
bearing the name «Rascals,» which harkens to a 2008 work We Destroyed the Things We Loved.