Sentences with phrase «because visual artists»

Not exact matches

Not sure quite what that meant, unless it is because a musician and visual artist transferred there.
When they came for the visual artists, I said nothing, because I was not a visual artist.
The cinematography here is spectacular largely because Waititi has taken the time to allow his nations of visual artists to give their CGI and practical effects the same kind of weight and substance.
Whether this proves a breakout in the traditional manner (ie leading toward a sci - fi / superhero franchise in a year or two) would seem to be in some doubt, simply because Forsyth and Pollard are established visual artists for whom this film is largely an extension and enlargement of themes they'd made their careers anyway.
I am sure I am not alone in that I spend far more time watching abstract films and short experimental videos than I do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily work in feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.
Because chronologically the images become real visual quotes, explaining a lot; they illustrate very clearly the start, developments and ending - including all moves and changes of this American modern artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of this American artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of the famous Fauvist artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of this american artist in Color Field.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all artistic moves and changes - of the French artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of this German artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of the famous German artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of the famous Spanish artist.
Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of this artist.
Many painters (and visual artists) express themselves through art because because it's a different language on itself and there's things that can't be communicated through words.
I think that in the past artists have been seen as quite anonymous and mysterious, but social media has opened that up and really allowed artists to show their personalities, which is great because art relies on both a visual and emotional connection.
Pinterest is probably the most under - utilized social network among professional artists, which is astounding, because... it's a visual social network where people put together images of things they like.
A total of 62 artworks by 48 artists were selected because they were pictures and objects with «serial order» as a visual feature — although the concepts behind them were highly diverse and sometimes downright contradictory.
But ultimately the display works very nicely for German because she is an artist who deals in the stimulating pleasures of visual overload.
His work has a visual dialogue with countless other artists because he navigates mediums and styles in the best, most nimble and messy way.
Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists, and preserving the legacy — because AIDS IS NOT OVER!
Despite the perception that photography presented the most direct depiction of surface reality, or perhaps because of it, the medium presented an ideal arena for surrealist artists to explode the traditional bounds of visual representation in ways that continue to influence artists today.
These artists have had great significance for the development of international contemporary art, either because they have created visual languages, objects and pictures of originality and quality, or because they have reinvented important aspects of cultural production.
Christian Marclay is the world's most famous living sound artist, and that's probably because he's endlessly creative in figuring out ways to make work about the aural that is vividly, resolutely, and entertainingly visual.
The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.
And while graffiti is illegal in Iran like in many other countries, the artist truly deserves attention and recognition not simply because his art is against the stringent system but also due to the overall visual arts landscape falling victim to international sanctions.
Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists and preserving a legacy - because AIDS IS NOT OVER
Because the two artists involved, Jonas Wood and Shio Kusaka, are husband and wife, the exhibition «Still Life with Pots» offers insights into their visual dance, their evolving repartee of subject and object, perceiver and perceived.
West Gallery: «The heart is situated at the centre of the chest because conditions are more temperate there» Opening Thursday January 4 at 8:00 pm, Mercer Union: A Centre for Contemporary Visual Art presents sculpture by Toronto artist Lee Dickson.
Much of Pettibon's visual output looks like the work of someone who never went near an art college, nor sketched a nude in a studio, which is a correct assumption to make — self - trained, he graduated from UCLA in 1977 with a degree in economics, beginning his working life as a maths teacher, before launching his career as an artist — but then you're taken aback because the drawing, while not on a par with Leonardo da Vinci's dexterity, exactly, is often fluid and well - observed.
The Walker Art Center in Minneapolis, which loaned a 1975 Richard Prince collage titled «Can I Say Rock N Roll» for the Neuberger exhibition that had been donated to the museum in 1984 by a private collector, otherwise keeps the artwork in storage, because «it's not our policy to exhibit a work without the artist's wishes,» said Siri Enberg, visual arts curator at the Walker.
A: Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists and preserving the legacy, because AIDS IS NOT OVER!
This means that, for me, there are people working now as visual artists who have immense power and importance because of the purity of what they are doing, the visual seriousness.
Joffe is a great artist because she mobilizes the resources of visual modernism and the intellectual traditions of feminism in the service of her portraits.
Process, the root of an artist's practice, are all intellectual exercises that are often lost on the public because they are not strictly visual pursuits.
Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists, and preserving a legacy, because AIDS IS NOT OVER.
Because of textiles» potent reference to the domestic sphere, contemporary artists often incorporate fibers to sharpen the visual and emotional impact of their conceptual works.
NOTE: Some traditionalist art critics question whether Conceptual art is best classified as a «visual art», since the «artwork» created need not be particularly «visual», and also because it is not valued particularly highly by the conceptual artists themselves.
That was because this short - lived experimental artist (born in 1859, died in 1891) analysed the visual world like a chemist.
Because of the depth and breadth of the Naus» collection, this exhibition offers a unique opportunity to examine the important visual dialogue between artist and artist across time.
Because The Ellies are about growing Miami's visual arts community, Creator Awards are open to any artist living and working in Miami - Dade County.
These include «the work of artists charting new territory, works that blur the lines between visual and performing arts, and works that have been seldom — or never — been exhibited because of physical demands such as scale, materials, and fabrication methods.»
Although she comes from the dance world, many of the things Twyla Tharp outlines in this book resonate with me as a visual artist, but seeing them laid out clearly has helped me reconnect to habits and ideas I once knew, but didn't know I knew because they were so intrinsic to my work.
This may be because, more than any of the other arts, the visual arts have failed to get beyond the trauma of modernism, when European artists of many kinds decisively turned their backs on public taste and became a priesthood primarily concerned to communicate with fellow artists.
Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists, and preserving a legacy, because AIDS is not over.
Cash and Caldwell (who also cofounded a service that lets nonprofits design their own websites) dreamed up the idea after chatting with job hunters in their lives: «I had a friend who hired a graphic artist to design his resume, and he ended up getting a lot of interest from employers mainly because of the visual appeal of his resume,» Caldwell says.
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